Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

Between white and black

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

A hall for the feasts

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

An eagle-shaped city

Some masterpieces

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

A majestic and luminous church

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

A half-Baroque church

Discovering the mother church

Prominent façade

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

A city in colour

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

The character of Badia Sant’Agata

The church of Carmine

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

New roads for Catania

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

Limestone, the colour of harmony

A new site for a new city

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

A triumph of colour

A long reconstruction

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

A colourful floor

Many owners, one palace

The two churches

A talking palace

The colours of the cathedral

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The Maiolica of the staircase

The theatre of taste

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

From St. Thomas to St. Joseph

The interior and its masterpieces

The Barresi-Branciforte lords

A square as the heart of the city

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

Modica, a city with ancient origins

A new palace for the La Rocca lords

Searching for colour

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi