Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The interior and its masterpieces

Modica, a city with ancient origins

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

A prominent church

The Baroque town by the sea

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

Connections with other UNESCO sites

St. Sebastian, so much work!

New roads for Catania

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

St. Agatha and the giant candelabras

The Burgos crucifix

The chocolate of Modica

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

The church of Carmine

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

Searching for colour

Places of knowledge: the Benedictines’ library

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

A museum to save a tradition

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

Some prestigious works

Militello, the story of an enlightened fiefdom

A new site for a new city

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

Norman apses

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

The city of museums

Discovering the mother church

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The wall comes to life

A design by Vincenzo Sinatra

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

A new site for a new church

A talking palace

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

Wonderful quick decorations

The Barresi-Branciforte lords

The Staircase of Angels

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The internal colours

Corbels: a celebration of the Nicolaci family

The two churches

The colours of the cathedral

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

A city in colour

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

A colourful floor

A half-Baroque church

A majestic and luminous church

The disastrous earthquake

The Maiolica of the staircase

From International Gothic to present day