Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Between white and black

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A Nobel Prize in Modica

Feast days

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A symbol for the town

The senses tell about Palazzo La Rocca

The city of museums

A hall for the feasts

A small room with a golden entrance

A triumph of colour

St. Sebastian, so much work!

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The disastrous earthquake

The theatre of taste

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

A feast only for Scicli

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

A city in colour

Two illustrious patron saints

One city, two sites

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

From St. Thomas to St. Joseph

The two churches

Prominent façade

A museum to save a tradition

A majestic and luminous church

San Benedetto: a treasure reopened to the public

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

The interior and its masterpieces

A miniature city

Many owners, one palace

A new palace for the La Rocca lords

Norman apses

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

Baroque and the loss of equilibrium in the 16th century

One city, three sites

St. Agatha and the giant candelabras

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

A colourful floor

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

New roads for Catania

The internal colours

The wall comes to life

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Wonderful quick decorations

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

A talking palace

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

Feasting in Palazzolo

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour