Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A majestic and luminous church

An eagle-shaped city

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

The Burgos crucifix

A talking palace

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

The Staircase of Angels

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The Maiolica of the staircase

The internal colours

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

Norman apses

Many owners, one palace

The façade used as a puppet theatre

A half-Baroque church

The two churches

A colourful floor

A miniature city

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

One city, two sites

New roads for Catania

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

Limestone, the colour of harmony

The senses tell the story of the church of San Giuseppe

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

Two illustrious patron saints

A new site for a new city

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

The character of Badia Sant’Agata

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

A city in colour

The city of museums

From St. Thomas to St. Joseph

The wall comes to life

A prominent church

Between white and black

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

Connections with other UNESCO sites

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

A square as the heart of the city

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The senses tell the Cathedral of Sant’Agata

A symbol for the town

Feast days

A feast only for Scicli

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea