Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The Barresi-Branciforte lords

Modica, a city with ancient origins

From St. Thomas to St. Joseph

From International Gothic to present day

The two churches

The city of museums

A talking palace

Prominent façade

The internal colours

The Staircase of Angels

One city, three sites

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

A long reconstruction

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

The theatre of taste

Searching for colour

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

New roads for Catania

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

One city, two sites

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

The façade used as a puppet theatre

A museum to save a tradition

The senses tell about Palazzo La Rocca

The Burgos crucifix

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

Many owners, one palace

Feast days

A new site for a new church

The disastrous earthquake

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

The church of Carmine

The Feast of San Giacomo (St. James)

A symbol for the town

Limestone, the colour of harmony

The senses tell about Palazzo Nicolaci

A new entrance for Santa Chiara (St. Claire)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A square as the heart of the city

A hall for the feasts

A small room with a golden entrance

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

A miniature city

A colourful floor

Some prestigious works

A triumph of colour

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

Between white and black

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

The chocolate of Modica