Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

Between white and black

The interior and its masterpieces

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

The disastrous earthquake

Many owners, one palace

From International Gothic to present day

A triumph of colour

The Maiolica of the staircase

A square as the heart of the city

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

The senses tell the Cathedral of Sant’Agata

A half-Baroque church

One city, three sites

A small room with a golden entrance

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

A symbol for the town

A prominent church

Limestone, the colour of harmony

The colours of the cathedral

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

A long reconstruction

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

Prominent façade

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The character of Badia Sant’Agata

A city in colour

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

New roads for Catania

A colourful floor

Some prestigious works

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

Places of knowledge: the Benedictines’ library

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

A hall for the feasts

The senses tell about Palazzo Nicolaci

Searching for colour

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

Wonderful quick decorations

A miniature city

The Feast of San Giacomo (St. James)

The Infiorata, a feast of colours and flowers

A talking palace

The senses tell the story of the Church of the Annunciation

Feast days

One city, two sites

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The Baroque town by the sea

Modica, a city with ancient origins

The two churches

A feast only for Scicli

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara