Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

San Nicolò l’Arena: an unfinished church

Many owners, one palace

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The senses tell about Palazzo La Rocca

The city of museums

A majestic and luminous church

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Between white and black

An eagle-shaped city

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

Two illustrious patron saints

Connections with other UNESCO sites

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

Searching for colour

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

Norman apses

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Nicolaci

Some masterpieces

A miniature city

The internal colours

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

A talking palace

The two churches

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

Wonderful quick decorations

The church of Carmine

Some prestigious works

A new site for a new city

The colours of the cathedral

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Feast days

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

The wall comes to life

A prominent church

Modica, a city with ancient origins

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

One city, two sites

Discovering the mother church

The chocolate of Modica

A small room with a golden entrance

A hall for the feasts

A new site for a new church

A triumph of colour

From International Gothic to present day

The Barresi-Branciforte lords