Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The colours of the cathedral

The Baroque town by the sea

The façade used as a puppet theatre

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

Limestone, the colour of harmony

Searching for colour

Modica, a city with ancient origins

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

The Staircase of Angels

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

Between white and black

A museum to save a tradition

Norman apses

From St. Thomas to St. Joseph

A half-Baroque church

The two churches

The wall comes to life

The chocolate of Modica

The theatre of taste

Some prestigious works

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

A city in colour

The internal colours

A new site for a new city

One city, two sites

The character of Badia Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

A miniature city

Discovering the mother church

San Benedetto: a treasure reopened to the public

A prominent church

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

A hall for the feasts

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Sebastiano

St. Agatha and the giant candelabras

The Burgos crucifix

A new palace for the La Rocca lords

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

The city of museums

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

A colourful floor

A long reconstruction

A small room with a golden entrance

A talking palace

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

One city, three sites

Feast days

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

A new site for a new church

Some masterpieces

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

Corbels: a celebration of the Nicolaci family

A symbol for the town

Prominent façade

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara