Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

The theatre of taste

From St. Thomas to St. Joseph

One city, three sites

Wonderful quick decorations

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

An eagle-shaped city

Between white and black

A triumph of colour

The chocolate of Modica

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

Connections with other UNESCO sites

One city, two sites

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A feast only for Scicli

The Staircase of Angels

The Maiolica of the staircase

Norman apses

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

Many owners, one palace

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Baroque town by the sea

A long reconstruction

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

Searching for colour

The Infiorata, a feast of colours and flowers

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

The two churches

From International Gothic to present day

Militello, the story of an enlightened fiefdom

A miniature city

A small room with a golden entrance

The wall comes to life

A museum to save a tradition

A talking palace

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

Two illustrious patron saints

A square as the heart of the city

Modica, a city with ancient origins

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The disastrous earthquake

The city of museums

The senses tell the story of the Church of Santa Chiara

A new site for a new city

A prominent church

The senses tell about Palazzo Nicolaci

New roads for Catania

The senses tell the Cathedral of Sant’Agata

A symbol for the town

A hall for the feasts

Feast days

A colourful floor