Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A talking palace

The disastrous earthquake

Many owners, one palace

A small room with a golden entrance

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

The city of museums

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

Two illustrious patron saints

A symbol for the town

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

A majestic and luminous church

Discovering the mother church

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

One city, two sites

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

The chocolate of Modica

A miniature city

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Feast days

The wall comes to life

Wonderful quick decorations

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

A new site for a new city

The senses tell the story of the Church of Santa Chiara

A colourful floor

St. Sebastian, so much work!

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

A half-Baroque church

Limestone, the colour of harmony

A city in colour

A feast only for Scicli

Some prestigious works

The internal colours

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

The Baroque town by the sea

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

The two churches

A new site for a new church

A museum to save a tradition

A square as the heart of the city

The Maiolica of the staircase

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

One city, three sites

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

A design by Vincenzo Sinatra

The Burgos crucifix

A triumph of colour

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena