Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A museum to save a tradition

The Barresi-Branciforte lords

A symbol for the town

From International Gothic to present day

The chocolate of Modica

Many owners, one palace

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

New roads for Catania

Wonderful quick decorations

A hall for the feasts

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

Prominent façade

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some masterpieces

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The two churches

A prominent church

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

Feast days

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

The Burgos crucifix

A talking palace

A feast only for Scicli

Norman apses

Between white and black

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

The senses tell the story of the staircase of Santa Maria del Monte

A half-Baroque church

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The Infiorata, a feast of colours and flowers

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The internal colours

A long reconstruction

The church of Carmine

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The façade used as a puppet theatre

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

Some prestigious works

One city, two sites

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

The interior and its masterpieces

St. Sebastian, so much work!

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

A triumph of colour

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

The city of museums

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Limestone, the colour of harmony

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

The wall comes to life

Two illustrious patron saints

A majestic and luminous church

The theatre of taste