Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

The internal colours

Norman apses

A miniature city

The senses tell the story of the church of San Giovanni Battista

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

Limestone, the colour of harmony

Feasting in Palazzolo

A new site for a new city

Some masterpieces

St. Agatha and the giant candelabras

A small room with a golden entrance

A museum to save a tradition

Searching for colour

Prominent façade

One city, two sites

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The Maiolica of the staircase

Discovering the mother church

The two churches

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

A colourful floor

Between white and black

A new palace for the La Rocca lords

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

The Burgos crucifix

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

A talking palace

One city, three sites

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

From St. Thomas to St. Joseph

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

Wonderful quick decorations

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

A triumph of colour

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

Some prestigious works

The theatre of taste

The wall comes to life

The Infiorata, a feast of colours and flowers

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

From International Gothic to present day

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

A hall for the feasts

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena