Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

Many owners, one palace

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The Burgos crucifix

The city of museums

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

Some prestigious works

A feast only for Scicli

A prominent church

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

A triumph of colour

A half-Baroque church

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Norman apses

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

The internal colours

Searching for colour

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

Two illustrious patron saints

A new site for a new city

The Maiolica of the staircase

One city, two sites

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

The Baroque town by the sea

Prominent façade

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

Feasting in Palazzolo

The church of Carmine

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

The two churches

A square as the heart of the city

Between white and black

From International Gothic to present day

The kitchen, a treasure chest of colours

The chocolate of Modica

The theatre of taste

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

A miniature city

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

A talking palace

The Barresi-Branciforte lords

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

A colourful floor

A city in colour

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

Feast days