Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Wonderful quick decorations

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

A miniature city

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

A feast only for Scicli

Searching for colour

Some masterpieces

A new site for a new city

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

A museum to save a tradition

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

An eagle-shaped city

A long reconstruction

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

The city of museums

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

One city, two sites

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

The senses tell the story of the Church of Santa Chiara

The church of Carmine

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

The theatre of taste

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

A symbol for the town

New roads for Catania

The senses tell the story of the Church of the Annunciation

A prominent church

St. Sebastian, so much work!

A square as the heart of the city

The Infiorata, a feast of colours and flowers

Prominent façade

A hall for the feasts

St. Agatha and the giant candelabras

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A talking palace

A triumph of colour

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

Feast days

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

The internal colours

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

The façade used as a puppet theatre

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

A new palace for the La Rocca lords

The Baroque town by the sea

A colourful floor

Baroque and the loss of equilibrium in the 16th century

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

Militello, the story of an enlightened fiefdom

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto