Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Militello, the story of an enlightened fiefdom

The city of museums

A symbol for the town

Wonderful quick decorations

A miniature city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Feast days

San Nicolò l’Arena: an unfinished church

The internal colours

Corbels: a celebration of the Nicolaci family

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

One city, three sites

A half-Baroque church

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

One city, two sites

The Staircase of Angels

A long reconstruction

A city in colour

The senses tell the story of the Church of San Sebastiano

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

A new site for a new church

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

Prominent façade

Many owners, one palace

The interior and its masterpieces

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

A Nobel Prize in Modica

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

A triumph of colour

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

The two churches

The Infiorata, a feast of colours and flowers

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

A new site for a new city

New roads for Catania

A colourful floor

The colours of the cathedral

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

Two illustrious patron saints

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

Modica, a city with ancient origins

A square as the heart of the city

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

A talking palace

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public