Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

An eagle-shaped city

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

A symbol for the town

Some masterpieces

The Feast of San Giacomo (St. James)

Prominent façade

From St. Thomas to St. Joseph

One city, two sites

A colourful floor

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

A prominent church

Searching for colour

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

The theatre of taste

The colours of the cathedral

One city, three sites

The Benedictine Monastery, one of the largest in Europe

The two churches

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

Some prestigious works

A triumph of colour

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

A design by Vincenzo Sinatra

A new site for a new city

Connections with other UNESCO sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

A hall for the feasts

A city in colour

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Staircase of Angels

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

A miniature city

The city of museums

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

A majestic and luminous church

The Infiorata, a feast of colours and flowers

A long reconstruction

A small room with a golden entrance

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

Many owners, one palace

New roads for Catania

The senses tell the Cathedral of Sant’Agata

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

The church of Carmine

St. Agatha and the giant candelabras

The internal colours

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

Between white and black

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

The interior and its masterpieces

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church