Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Prominent façade

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

A hall for the feasts

The Feast of San Giacomo (St. James)

A symbol for the town

A square as the heart of the city

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

A design by Vincenzo Sinatra

A triumph of colour

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

A feast only for Scicli

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

A city in colour

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

One city, two sites

A new palace for the La Rocca lords

Norman apses

The Burgos crucifix

The church of Carmine

The senses tell the story of the Church of San Sebastiano

Militello, the story of an enlightened fiefdom

Searching for colour

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

The city of museums

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

A new site for a new city

A Nobel Prize in Modica

The wall comes to life

Two illustrious patron saints

Wonderful quick decorations

One city, three sites

A long reconstruction

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

A talking palace

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

The façade used as a puppet theatre

Modica, a city with ancient origins

The internal colours

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

A museum to save a tradition

Feasting in Palazzolo

A new site for a new church

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

The chocolate of Modica

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

A miniature city

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

St. Agatha and the giant candelabras

The character of Badia Sant’Agata