Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A hall for the feasts

A design by Vincenzo Sinatra

Two illustrious patron saints

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

One city, two sites

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The Baroque town by the sea

The city of museums

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

Wonderful quick decorations

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

Norman apses

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

New roads for Catania

San Benedetto: a treasure reopened to the public

A city in colour

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

The façade used as a puppet theatre

The interior and its masterpieces

A square as the heart of the city

St. Sebastian, so much work!

A talking palace

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

The chocolate of Modica

The Infiorata, a feast of colours and flowers

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

Between white and black

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

Connections with other UNESCO sites

The disastrous earthquake

A prominent church

A new site for a new church

Prominent façade

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

Feast days

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

Searching for colour

The senses tell the story of the Church of Santa Chiara

The two churches

The character of Badia Sant’Agata

A majestic and luminous church

A symbol for the town

The senses tell about Palazzo Nicolaci

A miniature city

The church of Carmine

Feasting in Palazzolo

Limestone, the colour of harmony

A small room with a golden entrance

A half-Baroque church