Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

Prominent façade

The Barresi-Branciforte lords

An eagle-shaped city

Some prestigious works

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

Norman apses

The senses tell the story of the Church of San Sebastiano

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

Many owners, one palace

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

Between white and black

A small room with a golden entrance

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

Wonderful quick decorations

One city, three sites

One city, two sites

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

Discovering the mother church

The church of Carmine

Searching for colour

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

The internal colours

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

Modica, a city with ancient origins

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

A miniature city

The city of museums

A city in colour

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

A feast only for Scicli

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

A museum to save a tradition

The theatre of taste

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom