Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Norman apses

A new site for a new church

San Nicolò l’Arena: an unfinished church

San Benedetto: a treasure reopened to the public

The church of Carmine

Wonderful quick decorations

A new palace for the La Rocca lords

The wall comes to life

An eagle-shaped city

The two churches

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

A colourful floor

The internal colours

The city of museums

Places of knowledge: the Benedictines’ library

From International Gothic to present day

A majestic and luminous church

The Staircase of Angels

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

One city, two sites

Connections with other UNESCO sites

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

The character of Badia Sant’Agata

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

A small room with a golden entrance

A new site for a new city

The theatre of taste

The senses tell about Palazzo Napolino Tommasi Rosso

A talking palace

Feasting in Palazzolo

A hall for the feasts

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

Discovering the mother church

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

One city, three sites

A half-Baroque church

Between white and black

The Maiolica of the staircase

A miniature city

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

A symbol for the town

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

Some prestigious works

Many owners, one palace

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe