Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

A prominent church

Some prestigious works

A majestic and luminous church

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

New roads for Catania

One city, two sites

A design by Vincenzo Sinatra

A square as the heart of the city

A new palace for the La Rocca lords

A hall for the feasts

Limestone, the colour of harmony

A long reconstruction

Modica, a city with ancient origins

Feast days

The Staircase of Angels

The internal colours

The senses tell the story of the church of San Giuseppe

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

The interior and its masterpieces

The chocolate of Modica

A city in colour

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

Discovering the mother church

Searching for colour

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The city of museums

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

The church of Carmine

The senses tell the Cathedral of Sant’Agata

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

Norman apses

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A new site for a new city

St. Agatha and the giant candelabras

From International Gothic to present day

A new site for a new church

Feasting in Palazzolo

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

The two churches

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

An eagle-shaped city

The Barresi-Branciforte lords

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

The colours of the cathedral

The wall comes to life

A feast only for Scicli

Two illustrious patron saints

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

A colourful floor

The senses tell about Palazzo Nicolaci

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?