Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

From the contrast of the exterior to the internal jubilation of colours

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Discovering the mother church

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

Many owners, one palace

A Nobel Prize in Modica

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The façade used as a puppet theatre

A new site for a new church

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

The church of Carmine

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

One city, two sites

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The wall comes to life

A colourful floor

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

A square as the heart of the city

A majestic and luminous church

The interior and its masterpieces

A talking palace

A long reconstruction

An eagle-shaped city

Wonderful quick decorations

A miniature city

The disastrous earthquake

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

Prominent façade

The theatre of taste

Between white and black

A triumph of colour

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

A city in colour

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

A feast only for Scicli

The city of museums

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

New roads for Catania

One city, three sites

Corbels: a celebration of the Nicolaci family

The two churches

A half-Baroque church

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

Searching for colour

Norman apses

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers