Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

From International Gothic to present day

A majestic and luminous church

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

The senses tell the story of the church of San Giuseppe

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A design by Vincenzo Sinatra

The Baroque town by the sea

Feast days

A new entrance for Santa Chiara (St. Claire)

A new site for a new church

A hall for the feasts

New roads for Catania

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

The senses tell about Palazzo Nicolaci

The city of museums

Searching for colour

A small room with a golden entrance

Discovering the mother church

The disastrous earthquake

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

A half-Baroque church

A Nobel Prize in Modica

A symbol for the town

The internal colours

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

Many owners, one palace

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

The Maiolica of the staircase

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Wonderful quick decorations

A miniature city

Two illustrious patron saints

A talking palace

The two churches

Some masterpieces

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

Between white and black

A new site for a new city

Militello, the story of an enlightened fiefdom

Norman apses

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

A colourful floor

The Barresi-Branciforte lords

The interior and its masterpieces

The colours of the cathedral

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

The church of Carmine

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

A long reconstruction

Prominent façade

A city in colour

The senses tell the story of the church of San Giovanni Battista

A prominent church

The character of Badia Sant’Agata