Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

Some prestigious works

One city, two sites

A symbol for the town

The Staircase of Angels

Between white and black

The façade used as a puppet theatre

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

A feast only for Scicli

St. Agatha and the giant candelabras

The interior and its masterpieces

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

A talking palace

Places of knowledge: the Benedictines’ library

A majestic and luminous church

The internal colours

The two churches

A miniature city

Many owners, one palace

The church of Carmine

Norman apses

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

The colours of the cathedral

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Badia di Sant’Agata

A city in colour

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

Feast days

Some masterpieces

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

A colourful floor

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

A prominent church

Feasting in Palazzolo

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Two illustrious patron saints

From St. Thomas to St. Joseph

The city of museums

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

New roads for Catania

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Searching for colour

A hall for the feasts

The senses tell about Palazzo La Rocca

A museum to save a tradition

From International Gothic to present day

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The Baroque town by the sea

The Barresi-Branciforte lords

Limestone, the colour of harmony

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church