Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, two sites

The Infiorata, a feast of colours and flowers

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

A symbol for the town

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

The Burgos crucifix

The church of Carmine

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

A triumph of colour

The internal colours

A new site for a new church

Feast days

A hall for the feasts

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

A long reconstruction

The colours of the cathedral

The interior and its masterpieces

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

A city in colour

The theatre of taste

The character of Badia Sant’Agata

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

Some masterpieces

The wall comes to life

The Maiolica of the staircase

A prominent church

Some prestigious works

A new site for a new city

The Staircase of Angels

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

Wonderful quick decorations

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

A museum to save a tradition

Limestone, the colour of harmony

The disastrous earthquake

Between white and black

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

Norman apses

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

The chocolate of Modica

A feast only for Scicli

A new palace for the La Rocca lords

A miniature city

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

Many owners, one palace

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

Prominent façade

A majestic and luminous church

A Nobel Prize in Modica