Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

The disastrous earthquake

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Norman apses

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A triumph of colour

An eagle-shaped city

San Benedetto: a treasure reopened to the public

The chocolate of Modica

A talking palace

The Staircase of Angels

Baroque and the loss of equilibrium in the 16th century

A city in colour

A feast only for Scicli

A colourful floor

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

A hall for the feasts

A prominent church

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The two churches

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

A square as the heart of the city

The Baroque town by the sea

The theatre of taste

Between white and black

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

New roads for Catania

A new site for a new church

The Infiorata, a feast of colours and flowers

The Burgos crucifix

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

The church of Carmine

Limestone, the colour of harmony

The interior and its masterpieces

From International Gothic to present day

The internal colours

The senses tell the story of the Church of Santa Chiara

The city of museums

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

A small room with a golden entrance

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade

A new palace for the La Rocca lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

One city, three sites

Many owners, one palace