Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

From International Gothic to present day

A miniature city

A new site for a new church

Feast days

The senses tell about Palazzo La Rocca

One city, two sites

The wall comes to life

A colourful floor

Connections with other UNESCO sites

New roads for Catania

San Benedetto: a treasure reopened to the public

Prominent façade

The two churches

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

The theatre of taste

One city, three sites

The Baroque town by the sea

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

A city in colour

Norman apses

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

The Maiolica of the staircase

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The disastrous earthquake

A museum to save a tradition

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The colours of the cathedral

A Nobel Prize in Modica

Between white and black

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

A hall for the feasts

A talking palace

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

Searching for colour

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

San Nicolò l’Arena: an unfinished church

A prominent church

A long reconstruction

The senses tell the story of the Church of San Benedetto

The internal colours

The senses tell about Palazzo Nicolaci

A triumph of colour

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

Some prestigious works

Discovering the mother church

The Infiorata, a feast of colours and flowers

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The city of museums

A small room with a golden entrance

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore