Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The Staircase of Angels

The two churches

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

Feast days

Some masterpieces

Some prestigious works

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The church of Carmine

The character of Badia Sant’Agata

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

A prominent church

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

A city in colour

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

A half-Baroque church

Prominent façade

A symbol for the town

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

The disastrous earthquake

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

A design by Vincenzo Sinatra

The Maiolica of the staircase

An eagle-shaped city

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The Barresi-Branciforte lords

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

A colourful floor

The kitchen, a treasure chest of colours

Searching for colour

Connections with other UNESCO sites

A Nobel Prize in Modica

A talking palace

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

A triumph of colour

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

From St. Thomas to St. Joseph

The chocolate of Modica

St. Sebastian, so much work!

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

New roads for Catania

The senses tell the story of the Church of the Annunciation

A miniature city

The internal colours

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

From International Gothic to present day