Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The two churches

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

A triumph of colour

A new site for a new city

Modica, a city with ancient origins

A colourful floor

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

A square as the heart of the city

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

The internal colours

Searching for colour

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Barresi-Branciforte lords

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

The Maiolica of the staircase

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

A miniature city

A new site for a new church

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

The city of museums

Some masterpieces

The theatre of taste

The senses tell the story of the church of San Giuseppe

Prominent façade

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

A city in colour

The interior and its masterpieces

A design by Vincenzo Sinatra

The church of Carmine

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A majestic and luminous church

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

A talking palace

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

An eagle-shaped city

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

A half-Baroque church

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

A hall for the feasts

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Militello, the story of an enlightened fiefdom

Discovering the mother church

The wall comes to life

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

Norman apses