Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

A small room with a golden entrance

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

Some masterpieces

A feast only for Scicli

Prominent façade

One city, three sites

A symbol for the town

New roads for Catania

The chocolate of Modica

The Maiolica of the staircase

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The church of Carmine

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

Two illustrious patron saints

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

Some prestigious works

The city of museums

The two churches

The theatre of taste

The senses tell the Cathedral of Sant’Agata

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A miniature city

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

A new site for a new city

An eagle-shaped city

A talking palace

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

A new site for a new church

A long reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Barresi-Branciforte lords

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

St. Sebastian, so much work!

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

Norman apses

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

Many owners, one palace

The disastrous earthquake

Between white and black

A Nobel Prize in Modica

A square as the heart of the city

A design by Vincenzo Sinatra

One city, two sites

A triumph of colour

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

Connections with other UNESCO sites

A colourful floor

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The wall comes to life

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church