Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

Some masterpieces

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

A triumph of colour

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

New roads for Catania

One city, three sites

The façade used as a puppet theatre

Two illustrious patron saints

A prominent church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

The city of museums

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

The senses tell the story of the church of San Giuseppe

One city, two sites

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

A miniature city

San Nicolò l’Arena: an unfinished church

Between white and black

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

A hall for the feasts

A museum to save a tradition

St. Agatha and the giant candelabras

A symbol for the town

Some prestigious works

Many owners, one palace

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

A city in colour

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

A new site for a new city

Feast days

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

A long reconstruction

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

St. Sebastian, so much work!

The interior and its masterpieces

The Baroque town by the sea

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The Maiolica of the staircase

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

The wall comes to life

The Burgos crucifix

The Feast of San Giacomo (St. James)

The internal colours

The senses tell about Palazzo La Rocca

The colours of the cathedral

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A colourful floor

A half-Baroque church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

A small room with a golden entrance

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

A feast only for Scicli