Noto

A new site for a new city

The beautiful city of Noto was the result of a significant reconstruction that took place following the tragic earthquake of 1693. The city was completely destroyed. What to do next? Rebuild in the same location or choose a new site? The answer was late in coming and it took years before an agreement was reached! The   Duke of Camastra resolved the debate, decreeing the reconstruction of Noto in a new site on the Meti hill. But those who thought that work could finally begin were wrong! A new debate hindered reconstruction: was it to be built on the plateau, or in the valley up the slopes of the Meti hill? In this case the viceroy Cardinal Giudice intervened and everyone agreed: the new city of Noto could be rebuilt in both areas.
The new road layout was entrusted to the architect Angelo Italia .

via Vittorio EmanueleThe project involved the construction of three main roads that connected the upper and lower city, and a long avenue with large and illustrious palaces overlooking beautiful scenic squares.
The upper part was inhabited by the poorest citizens and the labourers who worked on the building sites.
The valley area, on the other hand, was the new residential district of rich aristocrats and religious orders.
Corso Vittorio Emanuele was the ideal place to build the noble palaces and religious buildings, churches and monasteries.

St. Sebastian, so much work!

The two churches

A new palace for the La Rocca lords

A city in colour

One city, two sites

The senses tell about Palazzo La Rocca

Discovering the mother church

A triumph of colour

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

Feast days

The Barresi-Branciforte lords

The chocolate of Modica

The disastrous earthquake

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

A half-Baroque church

The theatre of taste

Corbels: a celebration of the Nicolaci family

The wall comes to life

A symbol for the town

A design by Vincenzo Sinatra

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

Between white and black

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

New roads for Catania

A new site for a new church

The character of Badia Sant’Agata

The internal colours

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

An eagle-shaped city

Two illustrious patron saints

Norman apses

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

Searching for colour

A feast only for Scicli

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

A talking palace

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

One city, three sites

The church of Carmine

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

A colourful floor

A long reconstruction

Some masterpieces

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

A majestic and luminous church

A prominent church

The Infiorata, a feast of colours and flowers

A miniature city

Many owners, one palace

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

The Baroque town by the sea

Some prestigious works

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras

Prominent façade