Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A small room with a golden entrance

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

Prominent façade

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

Two illustrious patron saints

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

Feasting in Palazzolo

A talking palace

The façade used as a puppet theatre

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The Maiolica of the staircase

The chocolate of Modica

Feast days

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

A majestic and luminous church

One city, two sites

The interior and its masterpieces

A city in colour

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

Limestone, the colour of harmony

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Nicolaci

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The church of Carmine

The city of museums

One city, three sites

A new site for a new city

A museum to save a tradition

A Nobel Prize in Modica

Norman apses

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

Some prestigious works

A miniature city

A hall for the feasts

The colours of the cathedral

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

The two churches

A colourful floor

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

A triumph of colour

A square as the heart of the city

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

A symbol for the town

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

Searching for colour

From St. Thomas to St. Joseph

The theatre of taste

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

A new palace for the La Rocca lords

A long reconstruction

A new site for a new church

A prominent church

The internal colours

The Baroque town by the sea