Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

One city, two sites

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

A symbol for the town

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

The Barresi-Branciforte lords

A miniature city

The façade used as a puppet theatre

Some masterpieces

A museum to save a tradition

The wall comes to life

San Nicolò l’Arena: an unfinished church

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

A new site for a new church

The Infiorata, a feast of colours and flowers

A city in colour

The senses tell the story of the Church of San Sebastiano

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

A talking palace

Militello, the story of an enlightened fiefdom

Prominent façade

Places of knowledge: the Benedictines’ library

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

A new entrance for Santa Chiara (St. Claire)

St. Sebastian, so much work!

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

Two illustrious patron saints

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

A hall for the feasts

St. Agatha and the giant candelabras

The Baroque town by the sea

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

A prominent church

Feasting in Palazzolo

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

A long reconstruction

The character of Badia Sant’Agata

A new palace for the La Rocca lords

A triumph of colour

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

The internal colours

Fontana della Ninfa Zizza, public water in the town

Many owners, one palace

Searching for colour

One city, three sites

The Staircase of Angels

A square as the heart of the city

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

The two churches

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

Discovering the mother church

A small room with a golden entrance

Modica, a city with ancient origins

Feast days

A majestic and luminous church

The Burgos crucifix

The city of museums

Norman apses