Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

From the contrast of the exterior to the internal jubilation of colours

Norman apses

A new palace for the La Rocca lords

Feast days

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

One city, three sites

The church of Carmine

A feast only for Scicli

Some prestigious works

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

A prominent church

Prominent façade

San Nicolò l’Arena: an unfinished church

Discovering the mother church

The chocolate of Modica

A hall for the feasts

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

Two illustrious patron saints

A Nobel Prize in Modica

A new site for a new church

A triumph of colour

A new entrance for Santa Chiara (St. Claire)

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

New roads for Catania

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The theatre of taste

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

The city of museums

Searching for colour

The façade used as a puppet theatre

A symbol for the town

A city in colour

The two churches

A museum to save a tradition

The kitchen, a treasure chest of colours

A miniature city

Feasting in Palazzolo

A long reconstruction

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

A new site for a new city

Wonderful quick decorations

The internal colours

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

Between white and black

From International Gothic to present day

The Infiorata, a feast of colours and flowers

The disastrous earthquake

A design by Vincenzo Sinatra