Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

Searching for colour

The kitchen, a treasure chest of colours

A feast only for Scicli

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

The two churches

A new site for a new city

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

Modica, a city with ancient origins

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

A talking palace

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

Some masterpieces

A long reconstruction

The façade used as a puppet theatre

A city in colour

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

The wall comes to life

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

Norman apses

Feasting in Palazzolo

A new site for a new church

The city of museums

New roads for Catania

A triumph of colour

From International Gothic to present day

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

The Staircase of Angels

A symbol for the town

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

A half-Baroque church

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

The internal colours

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

The character of Badia Sant’Agata

A colourful floor

Discovering the mother church

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

Connections with other UNESCO sites

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

A prominent church

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

The Burgos crucifix

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

Feast days

St. Sebastian, so much work!

A miniature city

The theatre of taste

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

Between white and black

Prominent façade