Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

The Benedictine Monastery, one of the largest in Europe

Militello, the story of an enlightened fiefdom

The Staircase of Angels

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

The internal colours

The façade used as a puppet theatre

Feasting in Palazzolo

A half-Baroque church

A majestic and luminous church

Wonderful quick decorations

A city in colour

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

A prominent church

The Feast of San Giacomo (St. James)

The disastrous earthquake

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

Prominent façade

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral

Searching for colour

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The two churches

San Nicolò l’Arena: an unfinished church

Between white and black

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Feast days

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

Some masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

St. Agatha and the giant candelabras

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

Discovering the mother church

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

A new site for a new city

The Baroque town by the sea

A miniature city

A talking palace

The Infiorata, a feast of colours and flowers

Norman apses

A triumph of colour

The theatre of taste

One city, three sites

Connections with other UNESCO sites

The wall comes to life

The Burgos crucifix

One city, two sites

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

Many owners, one palace

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

Two illustrious patron saints

St. Sebastian, so much work!

A symbol for the town

A new palace for the La Rocca lords