Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Norman apses

The colours of the cathedral

The city of museums

Feast days

Some prestigious works

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The church of Carmine

A colourful floor

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The internal colours

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

The two churches

The senses tell the story of the church of San Giuseppe

A long reconstruction

Prominent façade

The theatre of taste

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

A feast only for Scicli

Discovering the mother church

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

Limestone, the colour of harmony

Between white and black

The Barresi-Branciforte lords

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

A city in colour

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

A new palace for the La Rocca lords

An eagle-shaped city

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The façade used as a puppet theatre

A triumph of colour

San Benedetto: a treasure reopened to the public

One city, three sites

Searching for colour

The Burgos crucifix

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

St. Sebastian, so much work!

From International Gothic to present day

A new site for a new church

The Maiolica of the staircase

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

A square as the heart of the city

From St. Thomas to St. Joseph

One city, two sites

A museum to save a tradition

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

A miniature city

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

A prominent church

The senses tell the Cathedral of Sant’Agata

A small room with a golden entrance

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso