Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

New roads for Catania

The Staircase of Angels

Norman apses

The church of Carmine

San Nicolò l’Arena: an unfinished church

Discovering the mother church

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

Prominent façade

The Infiorata, a feast of colours and flowers

From International Gothic to present day

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

Limestone, the colour of harmony

Connections with other UNESCO sites

A long reconstruction

The senses tell about Palazzo La Rocca

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

The chocolate of Modica

The wall comes to life

A colourful floor

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

A talking palace

A feast only for Scicli

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

One city, three sites

From St. Thomas to St. Joseph

One city, two sites

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

An eagle-shaped city

A city in colour

St. Agatha and the giant candelabras

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

Modica, a city with ancient origins

A triumph of colour

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

Between white and black

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

Some prestigious works

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

Feast days

Two illustrious patron saints

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

The façade used as a puppet theatre

A miniature city

The Burgos crucifix

The internal colours

A half-Baroque church

The two churches

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

A symbol for the town

The senses tell the story of the Church of the Annunciation