Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new site for a new church

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

A city in colour

Feast days

One city, two sites

The Baroque town by the sea

Limestone, the colour of harmony

The Barresi-Branciforte lords

From International Gothic to present day

Connections with other UNESCO sites

Norman apses

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

The two churches

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Badia di Sant’Agata

A talking palace

The internal colours

The Feast of San Giacomo (St. James)

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

Searching for colour

A new site for a new city

The church of Carmine

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The city of museums

A majestic and luminous church

Some masterpieces

Wonderful quick decorations

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

The Infiorata, a feast of colours and flowers

A long reconstruction

Some prestigious works

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Agatha and the giant candelabras

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

Prominent façade

An eagle-shaped city

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

A square as the heart of the city

A symbol for the town

A miniature city

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

The senses tell the story of the Church of San Giovanni Evangelista

A new entrance for Santa Chiara (St. Claire)

Discovering the mother church

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

A colourful floor

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

The colours of the cathedral

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A triumph of colour

A hall for the feasts

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

The disastrous earthquake

Many owners, one palace

A new palace for the La Rocca lords