Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Staircase of Angels

The character of Badia Sant’Agata

A new site for a new city

St. Sebastian, so much work!

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

Feast days

Some masterpieces

A feast only for Scicli

A majestic and luminous church

Between white and black

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

Searching for colour

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

The two churches

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

The disastrous earthquake

Limestone, the colour of harmony

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

Modica, a city with ancient origins

A museum to save a tradition

The Barresi-Branciforte lords

One city, two sites

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

From St. Thomas to St. Joseph

One city, three sites

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

Prominent façade

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

New roads for Catania

A colourful floor

A miniature city

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

An eagle-shaped city

A design by Vincenzo Sinatra

A city in colour

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

A hall for the feasts

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

Some prestigious works

The city of museums

Places of knowledge: the Benedictines’ library

A triumph of colour

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

A symbol for the town

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

A talking palace

The chocolate of Modica

A square as the heart of the city

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

The Benedictine Monastery, one of the largest in Europe

Norman apses

The Burgos crucifix

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

A small room with a golden entrance