Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Barresi-Branciforte lords

The senses tell about Palazzo Nicolaci

One city, two sites

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

Feast days

A majestic and luminous church

New roads for Catania

A triumph of colour

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

A talking palace

Connections with other UNESCO sites

One city, three sites

The character of Badia Sant’Agata

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The city of museums

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

Two illustrious patron saints

A Nobel Prize in Modica

A half-Baroque church

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

A symbol for the town

The façade used as a puppet theatre

The Staircase of Angels

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

The two churches

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

Many owners, one palace

A new site for a new city

A miniature city

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

The disastrous earthquake

The internal colours

Searching for colour

A hall for the feasts

Some prestigious works

The senses tell the story of the Church of Santa Chiara

Norman apses

A colourful floor

A new site for a new church

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

Prominent façade

Limestone, the colour of harmony

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

Between white and black

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

The Burgos crucifix