Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Discovering the mother church

A long reconstruction

A colourful floor

A new site for a new church

A new site for a new city

The wall comes to life

A symbol for the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

A prominent church

A triumph of colour

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

Some prestigious works

Limestone, the colour of harmony

The character of Badia Sant’Agata

The two churches

A half-Baroque church

A feast only for Scicli

From International Gothic to present day

The chocolate of Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

A square as the heart of the city

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

A majestic and luminous church

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The façade used as a puppet theatre

Between white and black

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

A talking palace

The senses tell the story of the church of San Giovanni Battista

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Searching for colour

A miniature city

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

An eagle-shaped city

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The interior and its masterpieces

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

Many owners, one palace

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

Some masterpieces

Connections with other UNESCO sites

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

Two illustrious patron saints

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras