Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

The city of museums

A majestic and luminous church

A symbol for the town

Between white and black

A new site for a new church

A square as the heart of the city

The church of Carmine

The Maiolica of the staircase

Modica, a city with ancient origins

A Nobel Prize in Modica

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

The theatre of taste

The Burgos crucifix

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

One city, three sites

A half-Baroque church

The chocolate of Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

Some masterpieces

Wonderful quick decorations

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

Limestone, the colour of harmony

Many owners, one palace

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The internal colours

An eagle-shaped city

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

The character of Badia Sant’Agata

A colourful floor

From St. Thomas to St. Joseph

A long reconstruction

Feasting in Palazzolo

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

The two churches

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The interior and its masterpieces

The colours of the cathedral

A talking palace

Norman apses

Some prestigious works

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

Searching for colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque