Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

A hall for the feasts

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

A majestic and luminous church

Between white and black

The Benedictine Monastery, one of the largest in Europe

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

Searching for colour

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

The chocolate of Modica

Some prestigious works

A colourful floor

Limestone, the colour of harmony

A new site for a new church

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The Staircase of Angels

Some masterpieces

The senses tell about Palazzo La Rocca

A miniature city

San Benedetto: a treasure reopened to the public

A small room with a golden entrance

New roads for Catania

The two churches

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

Many owners, one palace

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

A long reconstruction

A talking palace

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

The city of museums

Wonderful quick decorations

One city, two sites

A new site for a new city

Feasting in Palazzolo

Places of knowledge: the Benedictines’ library

The internal colours

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The character of Badia Sant’Agata

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family

The church of Carmine

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

A square as the heart of the city

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

The kitchen, a treasure chest of colours

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins