Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The wall comes to life

Some prestigious works

The character of Badia Sant’Agata

Connections with other UNESCO sites

A miniature city

A colourful floor

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

The two churches

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A talking palace

St. Agatha and the giant candelabras

A city in colour

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

The internal colours

A design by Vincenzo Sinatra

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

A small room with a golden entrance

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Many owners, one palace

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

A museum to save a tradition

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

The chocolate of Modica

From St. Thomas to St. Joseph

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

A triumph of colour

The interior and its masterpieces

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

St. Sebastian, so much work!

Some masterpieces

Corbels: a celebration of the Nicolaci family

Prominent façade

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

A feast only for Scicli

A majestic and luminous church

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

A half-Baroque church

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

The Barresi-Branciforte lords

Between white and black

A symbol for the town

Searching for colour

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral