Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Staircase of Angels

A talking palace

A hall for the feasts

The church of Carmine

New roads for Catania

A museum to save a tradition

A new site for a new city

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

The disastrous earthquake

St. Agatha and the giant candelabras

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

A half-Baroque church

The colours of the cathedral

A square as the heart of the city

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

Between white and black

The Burgos crucifix

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

Norman apses

Connections with other UNESCO sites

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

The chocolate of Modica

A feast only for Scicli

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

Some masterpieces

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

The city of museums

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Benedetto

A symbol for the town

Searching for colour

A Nobel Prize in Modica

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

Feast days

The Infiorata, a feast of colours and flowers

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

The senses tell about Palazzo La Rocca

A city in colour

The Maiolica of the staircase

The Baroque town by the sea

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

A miniature city

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

Prominent façade

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

A long reconstruction

A prominent church

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph