Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

One city, two sites

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Some prestigious works

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

Between white and black

A colourful floor

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

Searching for colour

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

A talking palace

The colours of the cathedral

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

A prominent church

Wonderful quick decorations

A half-Baroque church

From International Gothic to present day

Feasting in Palazzolo

A feast only for Scicli

The chocolate of Modica

New roads for Catania

San Benedetto: a treasure reopened to the public

Many owners, one palace

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The city of museums

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

A square as the heart of the city

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

One city, three sites

A long reconstruction

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

The two churches

St. Sebastian, so much work!

The Barresi-Branciforte lords

A city in colour

The façade used as a puppet theatre

A Nobel Prize in Modica

A miniature city

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

The character of Badia Sant’Agata

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

The theatre of taste

A hall for the feasts

The Maiolica of the staircase

A majestic and luminous church

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

The internal colours

A symbol for the town

The Staircase of Angels

Two illustrious patron saints

The Benedictine Monastery, one of the largest in Europe