Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

A new site for a new church

Norman apses

San Benedetto: a treasure reopened to the public

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The disastrous earthquake

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

Prominent façade

The Staircase of Angels

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

The interior and its masterpieces

A museum to save a tradition

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

New roads for Catania

The wall comes to life

A long reconstruction

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

A feast only for Scicli

A Nobel Prize in Modica

Wonderful quick decorations

Searching for colour

The two churches

Two illustrious patron saints

Connections with other UNESCO sites

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

A city in colour

A half-Baroque church

A symbol for the town

Feast days

A triumph of colour

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

The chocolate of Modica

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

A prominent church

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

Many owners, one palace

Discovering the mother church

The colours of the cathedral

The Burgos crucifix

Between white and black

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

The city of museums

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

A talking palace

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

A design by Vincenzo Sinatra

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

Some prestigious works