Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

A new site for a new church

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The senses tell about Palazzo Nicolaci

Some prestigious works

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

From St. Thomas to St. Joseph

The colours of the cathedral

A talking palace

Many owners, one palace

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

The internal colours

A miniature city

Feast days

Two illustrious patron saints

The city of museums

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

The Baroque town by the sea

A half-Baroque church

A hall for the feasts

The theatre of taste

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

The Staircase of Angels

Norman apses

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

The disastrous earthquake

New roads for Catania

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

Wonderful quick decorations

The two churches

The senses tell the story of the church of San Giuseppe

A square as the heart of the city

A small room with a golden entrance

Limestone, the colour of harmony

Some masterpieces

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Militello, the story of an enlightened fiefdom

A museum to save a tradition

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

A city in colour

The character of Badia Sant’Agata

Modica, a city with ancient origins

The church of Carmine

One city, three sites

The Burgos crucifix

St. Agatha and the giant candelabras

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto