Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Burgos crucifix

St. Sebastian, so much work!

A museum to save a tradition

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A city in colour

Two illustrious patron saints

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The theatre of taste

A triumph of colour

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The city of museums

Searching for colour

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Norman apses

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

Limestone, the colour of harmony

A new palace for the La Rocca lords

A new site for a new city

San Nicolò l’Arena: an unfinished church

A hall for the feasts

The Baroque town by the sea

Many owners, one palace

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The church of Carmine

A long reconstruction

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

A new site for a new church

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

Between white and black

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

San Benedetto: a treasure reopened to the public

Some prestigious works

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A colourful floor

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

The wall comes to life

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

Some masterpieces

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

A talking palace

One city, two sites

The chocolate of Modica

Discovering the mother church

The internal colours

The two churches

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

A prominent church

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

The Barresi-Branciforte lords

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

Feast days

The senses tell the story of the Church of San Giuliano ai Crociferi