Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

A new palace for the La Rocca lords

A feast only for Scicli

The character of Badia Sant’Agata

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

A city in colour

Many owners, one palace

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

A new site for a new city

Between white and black

Norman apses

The chocolate of Modica

Two illustrious patron saints

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

A prominent church

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

One city, three sites

Feasting in Palazzolo

Discovering the mother church

The church of Carmine

A triumph of colour

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

Feast days

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

A miniature city

Some masterpieces

The two churches

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

The Feast of San Giacomo (St. James)

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

The internal colours

The city of museums

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

Prominent façade

The Maiolica of the staircase

The Staircase of Angels

One city, two sites

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

A design by Vincenzo Sinatra

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe