Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

Feast days

The Barresi-Branciforte lords

Two illustrious patron saints

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

A hall for the feasts

Militello, the story of an enlightened fiefdom

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

Places of knowledge: the Benedictines’ library

A square as the heart of the city

The church of Carmine

Modica, a city with ancient origins

A city in colour

The Feast of San Giacomo (St. James)

Corbels: a celebration of the Nicolaci family

Prominent façade

The role of the religious orders in rebuilding the Val di Noto

The city of museums

A new site for a new church

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Nicolaci

A prominent church

Limestone, the colour of harmony

A talking palace

The façade used as a puppet theatre

The Staircase of Angels

The wall comes to life

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

A long reconstruction

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

The Burgos crucifix

The internal colours

A museum to save a tradition

The chocolate of Modica

The colours of the cathedral

The two churches

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

Norman apses

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

One city, two sites

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Some prestigious works

A majestic and luminous church

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

Discovering the mother church

One city, three sites

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

Wonderful quick decorations

A colourful floor

Connections with other UNESCO sites

A half-Baroque church

The theatre of taste

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

Searching for colour

A new entrance for Santa Chiara (St. Claire)

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

San Benedetto: a treasure reopened to the public