Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

An eagle-shaped city

The Burgos crucifix

A feast only for Scicli

A city in colour

A majestic and luminous church

Connections with other UNESCO sites

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Discovering the mother church

The Barresi-Branciforte lords

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

Searching for colour

The senses tell the Cathedral of Sant’Agata

Some masterpieces

A new site for a new church

Two illustrious patron saints

Feasting in Palazzolo

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

Many owners, one palace

The city of museums

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

Some prestigious works

A half-Baroque church

The theatre of taste

A miniature city

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

A hall for the feasts

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

The internal colours

St. Sebastian, so much work!

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feast days

The Staircase of Angels

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

A talking palace

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

A prominent church

Places of knowledge: the Benedictines’ library

The two churches

Between white and black

The church of Carmine

The interior and its masterpieces

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Prominent façade

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

Modica, a city with ancient origins

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

From St. Thomas to St. Joseph

A triumph of colour

The disastrous earthquake