Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The senses tell about Palazzo Nicolaci

From International Gothic to present day

The Burgos crucifix

A feast only for Scicli

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

A new site for a new church

A small room with a golden entrance

The internal colours

Feast days

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

A symbol for the town

A square as the heart of the city

The Maiolica of the staircase

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

Baroque and the loss of equilibrium in the 16th century

A museum to save a tradition

The senses tell the story of the Church of San Sebastiano

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

The senses tell the story of the Church of the Annunciation

The city of museums

The Staircase of Angels

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

A city in colour

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

The interior and its masterpieces

Some prestigious works

A triumph of colour

The senses tell the story of the Church of Santa Chiara

A prominent church

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

Wonderful quick decorations

Between white and black

The two churches

A half-Baroque church

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

Prominent façade

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

A colourful floor

The senses tell the story of the Church of Santa Chiara

A talking palace

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

Two illustrious patron saints

A hall for the feasts

A miniature city

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

A new site for a new city

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church

A long reconstruction

The colours of the cathedral

The wall comes to life

Many owners, one palace

A design by Vincenzo Sinatra

A majestic and luminous church

Places of knowledge: the Benedictines’ library

From the contrast of the exterior to the internal jubilation of colours