Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The church of Carmine

A long reconstruction

A small room with a golden entrance

A half-Baroque church

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

A talking palace

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

From St. Thomas to St. Joseph

Feasting in Palazzolo

A triumph of colour

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

One city, two sites

A majestic and luminous church

Two illustrious patron saints

The theatre of taste

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

A colourful floor

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

The city of museums

The two churches

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

New roads for Catania

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

One city, three sites

The senses tell the Cathedral of Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

San Nicolò l’Arena: an unfinished church

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

A hall for the feasts

The Infiorata, a feast of colours and flowers

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

St. Sebastian, so much work!

The Staircase of Angels

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

Searching for colour

Places of knowledge: the Benedictines’ library

Norman apses

The senses tell about Palazzo Nicolaci

The wall comes to life

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

A new site for a new city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

A miniature city

A prominent church

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

A symbol for the town

The Feast of San Giacomo (St. James)

The façade used as a puppet theatre

Wonderful quick decorations

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

The Burgos crucifix

The interior and its masterpieces

The chocolate of Modica