Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The church of Carmine

A new site for a new church

A city in colour

A long reconstruction

Two illustrious patron saints

A half-Baroque church

Searching for colour

The senses tell the story of the Church of Santa Chiara

A symbol for the town

Rosario Gagliardi, the maestro of the Val di Noto

An eagle-shaped city

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

From International Gothic to present day

One city, two sites

A triumph of colour

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

Feast days

The senses tell the story of the Church of San Benedetto

A miniature city

The Baroque town by the sea

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

Feasting in Palazzolo

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

A new site for a new city

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

Between white and black

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

New roads for Catania

The two churches

Some prestigious works

The senses tell the story of the Church of San Sebastiano

The city of museums

A talking palace

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

Places of knowledge: the Benedictines’ library

A colourful floor

Wonderful quick decorations

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

Norman apses

A museum to save a tradition

One city, three sites

The wall comes to life

The Burgos crucifix

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

A majestic and luminous church

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The Maiolica of the staircase

Limestone, the colour of harmony

The Infiorata, a feast of colours and flowers

Prominent façade