Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

From the contrast of the exterior to the internal jubilation of colours

One city, two sites

Some masterpieces

Corbels: a celebration of the Nicolaci family

Prominent façade

Feasting in Palazzolo

Many owners, one palace

A miniature city

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

New roads for Catania

The two churches

A feast only for Scicli

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

A small room with a golden entrance

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

Feast days

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

The Maiolica of the staircase

A half-Baroque church

The internal colours

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The church of Carmine

A triumph of colour

Between white and black

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A symbol for the town

A long reconstruction

A colourful floor

From International Gothic to present day

A city in colour

The Feast of San Giacomo (St. James)

A square as the heart of the city

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The façade used as a puppet theatre

The city of museums

A new palace for the La Rocca lords

Discovering the mother church

The Burgos crucifix

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano