Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Burgos crucifix

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

The theatre of taste

New roads for Catania

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A prominent church

The internal colours

A talking palace

The Baroque town by the sea

From International Gothic to present day

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The chocolate of Modica

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

The interior and its masterpieces

A half-Baroque church

Limestone, the colour of harmony

The disastrous earthquake

The Infiorata, a feast of colours and flowers

The city of museums

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

Wonderful quick decorations

A Nobel Prize in Modica

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

One city, two sites

A feast only for Scicli

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

Prominent façade

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

A new site for a new church

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

Modica, a city with ancient origins

The Staircase of Angels

Some prestigious works

The senses tell about Palazzo La Rocca

A triumph of colour

A museum to save a tradition

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The Maiolica of the staircase

The church of Carmine

A miniature city

A hall for the feasts

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

A square as the heart of the city

A design by Vincenzo Sinatra

A colourful floor

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

The two churches

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

One city, three sites

The kitchen, a treasure chest of colours

The wall comes to life

The senses tell the Cathedral of Sant’Agata