Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Searching for colour

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

The wall comes to life

Feast days

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

Prominent façade

The colours of the cathedral

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

The senses tell about Palazzo La Rocca

A feast only for Scicli

The Barresi-Branciforte lords

The two churches

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

The theatre of taste

The Maiolica of the staircase

St. Agatha and the giant candelabras

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

Some masterpieces

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

A colourful floor

A symbol for the town

The interior and its masterpieces

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

A long reconstruction

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

Between white and black

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

Limestone, the colour of harmony

St. Sebastian, so much work!

The Baroque town by the sea

A triumph of colour

The senses tell the story of the Church of San Benedetto

A prominent church

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

The chocolate of Modica

A talking palace

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

A design by Vincenzo Sinatra

The city of museums

The façade used as a puppet theatre

Many owners, one palace

The senses tell the story of the Church of the Annunciation

A city in colour

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A majestic and luminous church

The character of Badia Sant’Agata

A Nobel Prize in Modica