Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A small room with a golden entrance

The internal colours

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The chocolate of Modica

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Corbels: a celebration of the Nicolaci family

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

Some prestigious works

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

Feast days

The two churches

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

A design by Vincenzo Sinatra

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

A miniature city

Norman apses

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

A museum to save a tradition

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The city of museums

The theatre of taste

Discovering the mother church

A symbol for the town

A prominent church

Modica, a city with ancient origins

St. Agatha and the giant candelabras

A feast only for Scicli

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

A colourful floor

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

A triumph of colour

The church of Carmine

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

The colours of the cathedral

Two illustrious patron saints

One city, two sites

The façade used as a puppet theatre

Prominent façade

One city, three sites

The senses tell the story of the Church of San Benedetto

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

A new site for a new church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

A majestic and luminous church

The wall comes to life

A talking palace

A hall for the feasts

The kitchen, a treasure chest of colours

A square as the heart of the city