Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

New roads for Catania

Norman apses

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

A long reconstruction

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A colourful floor

A feast only for Scicli

The disastrous earthquake

A talking palace

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

A city in colour

St. Agatha and the giant candelabras

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

Some masterpieces

The Feast of San Giacomo (St. James)

Wonderful quick decorations

Searching for colour

The internal colours

San Benedetto: a treasure reopened to the public

St. Sebastian, so much work!

One city, two sites

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

Feast days

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

From St. Thomas to St. Joseph

Limestone, the colour of harmony

A half-Baroque church

One city, three sites

The character of Badia Sant’Agata

Many owners, one palace

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From International Gothic to present day

Militello, the story of an enlightened fiefdom

The theatre of taste

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

Connections with other UNESCO sites

The city of museums

A museum to save a tradition

The kitchen, a treasure chest of colours

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

Between white and black

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

A miniature city

The Baroque town by the sea

A symbol for the town

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

Some prestigious works

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

An eagle-shaped city