Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

An eagle-shaped city

Prominent façade

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The Baroque town by the sea

The two churches

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

Between white and black

The Staircase of Angels

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The city of museums

The wall comes to life

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

A half-Baroque church

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

A miniature city

A long reconstruction

The character of Badia Sant’Agata

The church of Carmine

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

Some prestigious works

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

The theatre of taste

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

Searching for colour

Feasting in Palazzolo

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

One city, three sites

Two illustrious patron saints

A triumph of colour

A new site for a new city

From St. Thomas to St. Joseph

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

From International Gothic to present day

A majestic and luminous church

Feast days

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

A museum to save a tradition

A talking palace

A prominent church

The senses tell about Palazzo Nicolaci

The chocolate of Modica

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

One city, two sites

The Infiorata, a feast of colours and flowers

The Burgos crucifix

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

A city in colour

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase