Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

The wall comes to life

From St. Thomas to St. Joseph

A small room with a golden entrance

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Norman apses

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Prominent façade

A majestic and luminous church

The kitchen, a treasure chest of colours

A new site for a new city

The colours of the cathedral

Discovering the mother church

From International Gothic to present day

A square as the heart of the city

One city, three sites

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A talking palace

A feast only for Scicli

Two illustrious patron saints

The city of museums

A city in colour

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

A symbol for the town

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

The chocolate of Modica

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

A colourful floor

A miniature city

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

The interior and its masterpieces

Many owners, one palace

St. Sebastian, so much work!

Between white and black

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

A museum to save a tradition

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

Connections with other UNESCO sites

The Staircase of Angels

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

Some masterpieces

New roads for Catania

A prominent church

A long reconstruction

A new palace for the La Rocca lords

A triumph of colour

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

Some prestigious works