Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The city of museums

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Wonderful quick decorations

Feasting in Palazzolo

The chocolate of Modica

The disastrous earthquake

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

The church of Carmine

A hall for the feasts

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

Two illustrious patron saints

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

The two churches

The kitchen, a treasure chest of colours

A museum to save a tradition

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

Many owners, one palace

The Barresi-Branciforte lords

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

One city, two sites

A talking palace

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

Prominent façade

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

A feast only for Scicli

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

A small room with a golden entrance

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

A Nobel Prize in Modica

Discovering the mother church

The senses tell about Palazzo La Rocca

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

A half-Baroque church

A design by Vincenzo Sinatra

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A colourful floor

A symbol for the town

An eagle-shaped city

From International Gothic to present day

One city, three sites

Limestone, the colour of harmony

Some prestigious works

Between white and black

San Benedetto: a treasure reopened to the public

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

A miniature city

A prominent church

A city in colour

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

A new site for a new city

Searching for colour

The Infiorata, a feast of colours and flowers