Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Militello, the story of an enlightened fiefdom

A colourful floor

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

A talking palace

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

A prominent church

Two illustrious patron saints

New roads for Catania

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

The Barresi-Branciforte lords

The Maiolica of the staircase

The Burgos crucifix

Between white and black

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

A symbol for the town

The Infiorata, a feast of colours and flowers

Searching for colour

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

Prominent façade

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

The city of museums

A majestic and luminous church

St. Agatha and the giant candelabras

One city, three sites

A new palace for the La Rocca lords

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

One city, two sites

Feast days

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

A hall for the feasts

The theatre of taste

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

The kitchen, a treasure chest of colours

A miniature city

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

A feast only for Scicli

Limestone, the colour of harmony

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

Norman apses

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

Some masterpieces

Places of knowledge: the Benedictines’ library