Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

The city of museums

A long reconstruction

Two illustrious patron saints

The disastrous earthquake

A colourful floor

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

A city in colour

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

An eagle-shaped city

The wall comes to life

Modica, a city with ancient origins

The character of Badia Sant’Agata

A hall for the feasts

The Burgos crucifix

A half-Baroque church

A talking palace

A majestic and luminous church

A design by Vincenzo Sinatra

Prominent façade

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

The Infiorata, a feast of colours and flowers

A prominent church

The chocolate of Modica

Some masterpieces

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

Wonderful quick decorations

St. Sebastian, so much work!

Feasting in Palazzolo

New roads for Catania

The façade used as a puppet theatre

A miniature city

Connections with other UNESCO sites

Many owners, one palace

A square as the heart of the city

The Maiolica of the staircase

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

The church of Carmine

The colours of the cathedral

One city, two sites

A small room with a golden entrance

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

The internal colours

A symbol for the town

Feast days

San Benedetto: a treasure reopened to the public

A new site for a new church

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

Some prestigious works

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

The kitchen, a treasure chest of colours

Between white and black