Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

Many owners, one palace

Wonderful quick decorations

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

The disastrous earthquake

St. Agatha and the giant candelabras

Some prestigious works

Feast days

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

Discovering the mother church

Between white and black

The senses tell the story of the Church of San Sebastiano

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

Some masterpieces

The church of Carmine

The senses tell the story of the Badia di Sant’Agata

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

The two churches

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

One city, three sites

The theatre of taste

San Benedetto: a treasure reopened to the public

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

A new site for a new church

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The city of museums

Modica, a city with ancient origins

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

Prominent façade

The colours of the cathedral

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

A long reconstruction

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

The kitchen, a treasure chest of colours

A miniature city

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

Limestone, the colour of harmony

A city in colour

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

From International Gothic to present day

The Staircase of Angels

A majestic and luminous church

A colourful floor

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

A new site for a new city

St. Sebastian, so much work!

The internal colours

The Barresi-Branciforte lords

A square as the heart of the city

A half-Baroque church

A feast only for Scicli

The wall comes to life

The façade used as a puppet theatre

Norman apses

Places of knowledge: the Benedictines’ library

The interior and its masterpieces