Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

San Nicolò l’Arena: an unfinished church

The two churches

A feast only for Scicli

Some prestigious works

One city, two sites

The senses tell the story of the Church of the Annunciation

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

The Staircase of Angels

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

A miniature city

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

A new site for a new church

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

A prominent church

A square as the heart of the city

San Benedetto: a treasure reopened to the public

A half-Baroque church

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

A talking palace

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The façade used as a puppet theatre

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

Norman apses

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

Feast days

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

A majestic and luminous church

The chocolate of Modica

Feasting in Palazzolo

The character of Badia Sant’Agata

A triumph of colour

Discovering the mother church

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

Many owners, one palace

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

Between white and black

A hall for the feasts

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

One city, three sites

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

Some masterpieces

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

Limestone, the colour of harmony

The interior and its masterpieces

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

Two illustrious patron saints

The disastrous earthquake

The Burgos crucifix

New roads for Catania

A new site for a new city

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?