Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Searching for colour

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

A symbol for the town

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

The character of Badia Sant’Agata

St. Sebastian, so much work!

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

The disastrous earthquake

New roads for Catania

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

A prominent church

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

St. Agatha and the giant candelabras

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The chocolate of Modica

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

The two churches

Militello, the story of an enlightened fiefdom

A miniature city

A new palace for the La Rocca lords

One city, three sites

A long reconstruction

The senses tell the story of the Church of the Annunciation

A talking palace

A triumph of colour

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A small room with a golden entrance

A colourful floor

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

Norman apses

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

A museum to save a tradition

Limestone, the colour of harmony

The wall comes to life

One city, two sites

From St. Thomas to St. Joseph

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

A city in colour

Wonderful quick decorations

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

Prominent façade

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

A majestic and luminous church

The Infiorata, a feast of colours and flowers

The colours of the cathedral

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

A half-Baroque church

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

Two illustrious patron saints

From International Gothic to present day

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi