Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

An eagle-shaped city

The chocolate of Modica

A new site for a new city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

The theatre of taste

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

Discovering the mother church

A new palace for the La Rocca lords

The Baroque town by the sea

A small room with a golden entrance

A museum to save a tradition

Some prestigious works

One city, three sites

From St. Thomas to St. Joseph

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

The colours of the cathedral

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

New roads for Catania

Between white and black

The senses tell about Palazzo La Rocca

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

Norman apses

The interior and its masterpieces

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

Modica, a city with ancient origins

A Nobel Prize in Modica

Feast days

Fontana della Ninfa Zizza, public water in the town

A talking palace

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

The kitchen, a treasure chest of colours

A miniature city

A colourful floor

The character of Badia Sant’Agata

One city, two sites

Limestone, the colour of harmony

A design by Vincenzo Sinatra

Prominent façade

The Feast of San Giacomo (St. James)

The Burgos crucifix

Wonderful quick decorations

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

A city in colour

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

A new site for a new church

A prominent church

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

A half-Baroque church

Two illustrious patron saints

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

A symbol for the town

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

The disastrous earthquake

A hall for the feasts

Corbels: a celebration of the Nicolaci family