Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Wonderful quick decorations

A hall for the feasts

The character of Badia Sant’Agata

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

One city, two sites

Many owners, one palace

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

The internal colours

The two churches

Some masterpieces

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

The disastrous earthquake

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

The theatre of taste

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

Modica, a city with ancient origins

The Staircase of Angels

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

The church of Carmine

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

A majestic and luminous church

Feasting in Palazzolo

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

St. Agatha and the giant candelabras

A new site for a new church

A city in colour

From St. Thomas to St. Joseph

A talking palace

The senses tell about Palazzo La Rocca

A miniature city

The chocolate of Modica

An eagle-shaped city

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

Militello, the story of an enlightened fiefdom

Prominent façade

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The wall comes to life

The senses tell about Palazzo Nicolaci

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

Limestone, the colour of harmony

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

A design by Vincenzo Sinatra

A long reconstruction

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

A museum to save a tradition

The interior and its masterpieces

Norman apses

Some prestigious works

A small room with a golden entrance