Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

A hall for the feasts

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The church of Carmine

The Staircase of Angels

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

A miniature city

Some prestigious works

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

An eagle-shaped city

One city, two sites

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

New roads for Catania

A feast only for Scicli

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The Baroque town by the sea

The two churches

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

Prominent façade

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Connections with other UNESCO sites

Some masterpieces

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

Norman apses

A city in colour

The theatre of taste

A design by Vincenzo Sinatra

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

A long reconstruction

St. Agatha and the giant candelabras

The Maiolica of the staircase

The internal colours

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

The city of museums

A new site for a new city

Many owners, one palace

A prominent church

The façade used as a puppet theatre

Modica, a city with ancient origins

A triumph of colour

A colourful floor

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

Searching for colour

A symbol for the town

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

A new palace for the La Rocca lords