Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A new entrance for Santa Chiara (St. Claire)

A new site for a new church

Feasting in Palazzolo

A new site for a new city

A colourful floor

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

The Barresi-Branciforte lords

The senses tell the Cathedral of Sant’Agata

A half-Baroque church

A miniature city

Between white and black

Prominent façade

The disastrous earthquake

The two churches

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

A symbol for the town

The Maiolica of the staircase

A square as the heart of the city

Some prestigious works

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

Some masterpieces

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

Corbels: a celebration of the Nicolaci family

From International Gothic to present day

Militello, the story of an enlightened fiefdom

The chocolate of Modica

Feast days

The wall comes to life

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

A city in colour

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

An eagle-shaped city

Places of knowledge: the Benedictines’ library

One city, three sites

The church of Carmine

A small room with a golden entrance

A triumph of colour

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

One city, two sites

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

A talking palace

Searching for colour

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

A new palace for the La Rocca lords

Discovering the mother church

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The city of museums

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

A museum to save a tradition

The Supernatural dimension of the chapel of the Santissimo Sacramento