Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of San Benedetto

A prominent church

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

The internal colours

A city in colour

From International Gothic to present day

A Nobel Prize in Modica

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

Modica, a city with ancient origins

Feast days

The senses tell the story of the Church of Santa Chiara

Some masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

The colours of the cathedral

The senses tell about Palazzo La Rocca

The two churches

Prominent façade

Searching for colour

The disastrous earthquake

The façade used as a puppet theatre

Some prestigious works

Connections with other UNESCO sites

One city, three sites

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The chocolate of Modica

A feast only for Scicli

A design by Vincenzo Sinatra

The city of museums

Feasting in Palazzolo

A long reconstruction

The Infiorata, a feast of colours and flowers

Discovering the mother church

A new site for a new church

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

The church of Carmine

The senses tell the story of the Church of the Annunciation

A symbol for the town

Norman apses

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Places of knowledge: the Benedictines’ library

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

A hall for the feasts

The Maiolica of the staircase

Between white and black

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

The Burgos crucifix

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo