Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A design by Vincenzo Sinatra

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

A hall for the feasts

The kitchen, a treasure chest of colours

The Staircase of Angels

A long reconstruction

Prominent façade

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The two churches

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

A small room with a golden entrance

Some prestigious works

San Benedetto: a treasure reopened to the public

A majestic and luminous church

The interior and its masterpieces

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A talking palace

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

The Feast of San Giacomo (St. James)

The Infiorata, a feast of colours and flowers

Feast days

A new site for a new church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

A prominent church

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

Many owners, one palace

A city in colour

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library

The chocolate of Modica

The internal colours

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

Feasting in Palazzolo

Wonderful quick decorations

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

The disastrous earthquake

Norman apses

The city of museums

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

A colourful floor

The Barresi-Branciforte lords

St. Sebastian, so much work!

Between white and black

From St. Thomas to St. Joseph

The Baroque town by the sea

Discovering the mother church

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The colours of the cathedral

The façade used as a puppet theatre