Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Two illustrious patron saints

The Baroque town by the sea

Connections with other UNESCO sites

The Staircase of Angels

A symbol for the town

Some prestigious works

A Nobel Prize in Modica

One city, two sites

The Burgos crucifix

A prominent church

The senses tell about Palazzo La Rocca

A miniature city

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

A talking palace

Some masterpieces

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

A hall for the feasts

The Maiolica of the staircase

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

Between white and black

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

The wall comes to life

An eagle-shaped city

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

A long reconstruction

A majestic and luminous church

A triumph of colour

One city, three sites

A small room with a golden entrance

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

Limestone, the colour of harmony

The theatre of taste

Militello, the story of an enlightened fiefdom

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

The Infiorata, a feast of colours and flowers

The two churches

Wonderful quick decorations

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

Prominent façade

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

A design by Vincenzo Sinatra

A museum to save a tradition

A square as the heart of the city

Feast days

The city of museums