Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

A miniature city

Between white and black

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

A city in colour

An eagle-shaped city

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

The façade used as a puppet theatre

The chocolate of Modica

A museum to save a tradition

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

St. Sebastian, so much work!

A new site for a new church

The Burgos crucifix

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

A long reconstruction

A talking palace

A hall for the feasts

From St. Thomas to St. Joseph

The Baroque town by the sea

Some prestigious works

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

The two churches

The senses tell about Palazzo Nicolaci

Prominent façade

Norman apses

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

A colourful floor

A majestic and luminous church

Feasting in Palazzolo

A prominent church

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

One city, two sites

Places of knowledge: the Benedictines’ library

The wall comes to life

The interior and its masterpieces

Connections with other UNESCO sites

A triumph of colour

The colours of the cathedral

The Infiorata, a feast of colours and flowers

Feast days

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

A new palace for the La Rocca lords

A symbol for the town

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto