Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

An eagle-shaped city

A small room with a golden entrance

One city, three sites

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A prominent church

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

The interior and its masterpieces

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

Wonderful quick decorations

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

A feast only for Scicli

A square as the heart of the city

Some masterpieces

Some prestigious works

Limestone, the colour of harmony

The disastrous earthquake

The internal colours

A triumph of colour

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

St. Sebastian, so much work!

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

The chocolate of Modica

The wall comes to life

A city in colour

The church of Carmine

The city of museums

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

A colourful floor

The character of Badia Sant’Agata

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

Discovering the mother church

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

A miniature city

Norman apses

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

The colours of the cathedral

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

Many owners, one palace

Between white and black

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

A new site for a new city

The Burgos crucifix

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

Two illustrious patron saints

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

The two churches

The façade used as a puppet theatre

Feast days

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo