Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

Feast days

The city of museums

New roads for Catania

Many owners, one palace

The chocolate of Modica

The Feast of San Giacomo (St. James)

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The wall comes to life

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

One city, two sites

The two churches

A long reconstruction

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

The church of Carmine

A new site for a new city

The internal colours

Searching for colour

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

Norman apses

A new entrance for Santa Chiara (St. Claire)

A city in colour

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

Limestone, the colour of harmony

A square as the heart of the city

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

A miniature city

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

One city, three sites

Some masterpieces

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new palace for the La Rocca lords

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

A new site for a new church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

A design by Vincenzo Sinatra

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

The theatre of taste

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

From International Gothic to present day

Some prestigious works

A talking palace

From St. Thomas to St. Joseph

Two illustrious patron saints

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

Prominent façade

A prominent church