Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Searching for colour

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

New roads for Catania

The wall comes to life

A majestic and luminous church

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A colourful floor

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

Some prestigious works

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

A new site for a new city

Many owners, one palace

A half-Baroque church

A hall for the feasts

Between white and black

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The senses tell the Cathedral of Sant’Agata

The internal colours

The chocolate of Modica

The city of museums

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

The theatre of taste

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some masterpieces

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

The disastrous earthquake

The Baroque town by the sea

The two churches

A symbol for the town

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

Wonderful quick decorations

One city, two sites

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

A triumph of colour

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Discovering the mother church

St. Sebastian, so much work!

The Infiorata, a feast of colours and flowers

A long reconstruction

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

A museum to save a tradition

A talking palace

Connections with other UNESCO sites

A prominent church

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

A city in colour

From International Gothic to present day

A new palace for the La Rocca lords

An eagle-shaped city