Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A symbol for the town

Feast days

Discovering the mother church

A long reconstruction

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Searching for colour

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The façade used as a puppet theatre

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

A hall for the feasts

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

One city, two sites

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

The chocolate of Modica

Feasting in Palazzolo

A miniature city

Some prestigious works

A feast only for Scicli

A Nobel Prize in Modica

Between white and black

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

Limestone, the colour of harmony

The Burgos crucifix

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

Prominent façade

A new site for a new city

A small room with a golden entrance

Many owners, one palace

A prominent church

A talking palace

The senses tell the story of the Badia di Sant’Agata

A design by Vincenzo Sinatra

The church of Carmine

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

A city in colour

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

Norman apses

A museum to save a tradition

St. Agatha and the giant candelabras

One city, three sites

The Baroque town by the sea

A triumph of colour

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

The wall comes to life

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

An eagle-shaped city

The internal colours

A square as the heart of the city

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte