Noto

A new entrance for Santa Chiara (St. Claire)

The church of Santa Chiara (St. Claire) is located on the corner of the main street, Corso Vittorio Emanuele, and Via Pier Capponi near Porta Reale. It was built by the Benedictine nuns who wanted to build the monastery and the church attached to the convent. The work was entrusted to the great architect Rosario Gagliardi , who oversaw both projects .
Though the monastery no longer reflects the original design due to various changes over time, the same cannot be said of the church. The religious building, completed in 1758, is small in size and has a façade which is also small and similar to a bell tower spread across three storeys.
On the first storey there is the old entrance, no longer used today because the street level was lowered. The second has a louvre window;

The church of Santa Chiara
The church of Santa Chiara is located at the corner of the main street, Corso Vittorio Emanuele, and Via Pier Capponi. The building has an oval plan and this means that even the vault has this shape. The decoration of the vault has a white background with decorations in golden stucco made to a design by the architect Rosario Gagliardi. On the white trabeation and with the edges in golden stucco six windows are placed, three on one side and three on the other; to open to close each row of windows, a picture at the beginning and one at the end, between the windows and the pictures are placed the apostles; follows the decoration of the vault with in the center a cloud and golden putti from which sprout golden rays.

and the third a bell tower and roof terrace with excellent views over the whole city of Noto.
The new entrance was built on the right side of the building, where a side staircase grants access to the church. The material used for the façade is the unmistakable white limestone, which, when lit up by the sun, turns the colour of gold!

dettaglio gelosia  foto dalla terrazza

Feasting in Palazzolo

The Maiolica of the staircase

A design by Vincenzo Sinatra

One city, two sites

A small room with a golden entrance

Discovering the mother church

Wonderful quick decorations

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

The chocolate of Modica

The Burgos crucifix

The senses tell about Palazzo Nicolaci

The disastrous earthquake

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The kitchen, a treasure chest of colours

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

A square as the heart of the city

The city of museums

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

Some prestigious works

A talking palace

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

Searching for colour

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The Barresi-Branciforte lords

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St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

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Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

Between white and black

The two churches

A colourful floor

A museum to save a tradition

A prominent church

From St. Thomas to St. Joseph

Some masterpieces

An eagle-shaped city

A triumph of colour

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

St. Agatha and the giant candelabras

A majestic and luminous church

The senses tell the story of the Church of San Benedetto

Feast days

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

Prominent façade

The wall comes to life

The senses tell the story of the Church of San Sebastiano

A city in colour

A half-Baroque church

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

Norman apses

Many owners, one palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

Connections with other UNESCO sites