Noto

A new entrance for Santa Chiara (St. Claire)

The church of Santa Chiara (St. Claire) is located on the corner of the main street, Corso Vittorio Emanuele, and Via Pier Capponi near Porta Reale. It was built by the Benedictine nuns who wanted to build the monastery and the church attached to the convent. The work was entrusted to the great architect Rosario Gagliardi , who oversaw both projects .
Though the monastery no longer reflects the original design due to various changes over time, the same cannot be said of the church. The religious building, completed in 1758, is small in size and has a façade which is also small and similar to a bell tower spread across three storeys.
On the first storey there is the old entrance, no longer used today because the street level was lowered. The second has a louvre window;

The church of Santa Chiara
The church of Santa Chiara is located at the corner of the main street, Corso Vittorio Emanuele, and Via Pier Capponi. The building has an oval plan and this means that even the vault has this shape. The decoration of the vault has a white background with decorations in golden stucco made to a design by the architect Rosario Gagliardi. On the white trabeation and with the edges in golden stucco six windows are placed, three on one side and three on the other; to open to close each row of windows, a picture at the beginning and one at the end, between the windows and the pictures are placed the apostles; follows the decoration of the vault with in the center a cloud and golden putti from which sprout golden rays.

and the third a bell tower and roof terrace with excellent views over the whole city of Noto.
The new entrance was built on the right side of the building, where a side staircase grants access to the church. The material used for the façade is the unmistakable white limestone, which, when lit up by the sun, turns the colour of gold!

dettaglio gelosia  foto dalla terrazza

The disastrous earthquake

A miniature city

The colours of the cathedral

The internal colours

A half-Baroque church

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

Feast days

Feasting in Palazzolo

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

A symbol for the town

Between white and black

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

St. Agatha and the giant candelabras

The Barresi-Branciforte lords

Connections with other UNESCO sites

A museum to save a tradition

New roads for Catania

The wall comes to life

Searching for colour

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

A design by Vincenzo Sinatra

A city in colour

The façade used as a puppet theatre

Many owners, one palace

The senses tell about Palazzo La Rocca

A hall for the feasts

One city, two sites

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

The chocolate of Modica

A small room with a golden entrance

One city, three sites

Militello, the story of an enlightened fiefdom

A majestic and luminous church

The Burgos crucifix

A colourful floor

The senses tell the Cathedral of Sant’Agata

Norman apses

An eagle-shaped city

The senses tell about Palazzo Nicolaci

The city of museums

The senses tell the story of the Church of the Annunciation

A new site for a new church

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

San Benedetto: a treasure reopened to the public

The two churches

A square as the heart of the city

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

Two illustrious patron saints

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

Prominent façade

The Baroque town by the sea

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Discovering the mother church

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

Places of knowledge: the Benedictines’ library