Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

A feast only for Scicli

The colours of the cathedral

The two churches

A half-Baroque church

The Baroque town by the sea

A miniature city

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

Wonderful quick decorations

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

From St. Thomas to St. Joseph

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

Between white and black

A colourful floor

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

A prominent church

Feast days

Limestone, the colour of harmony

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

Prominent façade

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

One city, two sites

A majestic and luminous church

Connections with other UNESCO sites

An eagle-shaped city

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

A city in colour

Some prestigious works

Searching for colour

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

A new site for a new church

The interior and its masterpieces

A triumph of colour

The theatre of taste

Some masterpieces

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

The city of museums

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

The church of Carmine

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

New roads for Catania

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library