Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

A long reconstruction

The theatre of taste

A city in colour

A talking palace

The Burgos crucifix

Prominent façade

The senses tell about Palazzo La Rocca

One city, three sites

Many owners, one palace

St. Agatha and the giant candelabras

A new site for a new city

The internal colours

A new site for a new church

Limestone, the colour of harmony

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

Between white and black

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A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

A prominent church

Baroque and the loss of equilibrium in the 16th century

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The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

The two churches

Discovering the mother church

The Barresi-Branciforte lords

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The character of Badia Sant’Agata

The city of museums

An eagle-shaped city

Feast days

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

Norman apses

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

The Maiolica of the staircase

A new palace for the La Rocca lords

The wall comes to life

Some prestigious works

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

Searching for colour

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

A feast only for Scicli

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

A half-Baroque church