Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

Palazzo Nicolaci di Villadorata, who is the architect?

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Prominent façade

A design by Vincenzo Sinatra

A triumph of colour

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The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

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Feast days

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The Burgos crucifix

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Wonderful quick decorations

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A miniature city

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From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

A colourful floor

Discovering the mother church

The kitchen, a treasure chest of colours

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A talking palace

Norman apses

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The colours of the cathedral

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Two illustrious patron saints

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One city, three sites

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The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

Limestone, the colour of harmony

A small room with a golden entrance

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

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Militello, the story of an enlightened fiefdom

Some masterpieces

A new palace for the La Rocca lords

One city, two sites

The interior and its masterpieces

A square as the heart of the city

A city in colour

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

Connections with other UNESCO sites

The wall comes to life

A long reconstruction

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

The theatre of taste

Feasting in Palazzolo

The façade used as a puppet theatre

A symbol for the town

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The Baroque town by the sea

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

Between white and black

Some prestigious works

The senses tell the story of the church of San Giuseppe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

From St. Thomas to St. Joseph

The Maiolica of the staircase

The Barresi-Branciforte lords

New roads for Catania

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

Places of knowledge: the Benedictines’ library

A prominent church

The city of museums

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

A new site for a new church