Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

The wall comes to life

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

Searching for colour

A Nobel Prize in Modica

The Burgos crucifix

The two churches

The disastrous earthquake

A long reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

Some prestigious works

Prominent façade

The senses tell about Palazzo Nicolaci

A symbol for the town

Feast days

The senses tell about Palazzo La Rocca

Some masterpieces

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

Between white and black

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

A triumph of colour

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

Many owners, one palace

San Benedetto: a treasure reopened to the public

The Staircase of Angels

Feasting in Palazzolo

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

A prominent church

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

The character of Badia Sant’Agata

The chocolate of Modica

A hall for the feasts

A majestic and luminous church

One city, three sites

Norman apses

St. Sebastian, so much work!

Connections with other UNESCO sites

A miniature city

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

The theatre of taste

A talking palace

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

Discovering the mother church

A half-Baroque church

Places of knowledge: the Benedictines’ library

A museum to save a tradition

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

From St. Thomas to St. Joseph