Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

A long reconstruction

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

Searching for colour

One city, three sites

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

Feast days

St. Agatha and the giant candelabras

A new site for a new church

A museum to save a tradition

A half-Baroque church

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

A miniature city

A square as the heart of the city

The Maiolica of the staircase

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

Between white and black

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

A new site for a new city

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

A feast only for Scicli

From St. Thomas to St. Joseph

The role of the religious orders in rebuilding the Val di Noto

The city of museums

A prominent church

The senses tell about Palazzo La Rocca

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The Burgos crucifix

A city in colour

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

A symbol for the town

Some masterpieces

Wonderful quick decorations

The Baroque town by the sea

A new palace for the La Rocca lords

The theatre of taste

The disastrous earthquake

An eagle-shaped city

Many owners, one palace

Limestone, the colour of harmony

A triumph of colour

A talking palace

The colours of the cathedral

A small room with a golden entrance

Two illustrious patron saints

St. Sebastian, so much work!

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

Some prestigious works

The senses tell the story of the Church of San Sebastiano