Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

Prominent façade

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

A miniature city

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

Modica, a city with ancient origins

St. Agatha and the giant candelabras

San Nicolò l’Arena: an unfinished church

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

Some masterpieces

The Barresi-Branciforte lords

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

A hall for the feasts

From International Gothic to present day

The role of the religious orders in rebuilding the Val di Noto

The internal colours

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

Feasting in Palazzolo

The wall comes to life

The senses tell about Palazzo Nicolaci

Feast days

Corbels: a celebration of the Nicolaci family

Many owners, one palace

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

A half-Baroque church

Between white and black

A triumph of colour

A long reconstruction

New roads for Catania

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

Norman apses

The senses tell the story of the church of San Giuseppe

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

A colourful floor

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

The Maiolica of the staircase

The Baroque town by the sea

The chocolate of Modica

The church of Carmine

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

The city of museums

The Staircase of Angels

A museum to save a tradition

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

A prominent church

A symbol for the town

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

Some prestigious works

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

An eagle-shaped city

Discovering the mother church