Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

The character of Badia Sant’Agata

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

The Baroque town by the sea

A symbol for the town

St. Agatha and the giant candelabras

A prominent church

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

Discovering the mother church

The theatre of taste

Modica, a city with ancient origins

One city, two sites

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Two illustrious patron saints

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

Some prestigious works

A half-Baroque church

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Feast days

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

Norman apses

Connections with other UNESCO sites

The church of Carmine

A triumph of colour

Wonderful quick decorations

A city in colour

The chocolate of Modica

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

A miniature city

A museum to save a tradition

A new palace for the La Rocca lords

The Staircase of Angels

A hall for the feasts

The Barresi-Branciforte lords

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

A new site for a new city

The internal colours

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

The Burgos crucifix

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

The two churches

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A new site for a new church

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

A small room with a golden entrance

A design by Vincenzo Sinatra

Prominent façade

Between white and black

A talking palace

The senses tell the story of the Badia di Sant’Agata

One city, three sites

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

The Supernatural dimension of the chapel of the Santissimo Sacramento