Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A colourful floor

Wonderful quick decorations

The Burgos crucifix

The colours of the cathedral

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Agatha and the giant candelabras

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

New roads for Catania

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

A city in colour

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

Between white and black

Some prestigious works

One city, three sites

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

The disastrous earthquake

The character of Badia Sant’Agata

A small room with a golden entrance

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

Feast days

A talking palace

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

A prominent church

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

A half-Baroque church

One city, two sites

San Nicolò l’Arena: an unfinished church

A Nobel Prize in Modica

A museum to save a tradition

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Cathedral of Sant’Agata

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

The Staircase of Angels

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

The city of museums

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

The Baroque town by the sea

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

A hall for the feasts

Connections with other UNESCO sites

The Barresi-Branciforte lords

The theatre of taste

The senses tell about Palazzo Napolino Tommasi Rosso

A miniature city

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

Some masterpieces