Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The role of the religious orders in rebuilding the Val di Noto

A talking palace

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of the Annunciation

The façade used as a puppet theatre

The disastrous earthquake

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

A prominent church

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

The two churches

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

Searching for colour

The senses tell the story of the Church of San Giovanni Evangelista

An eagle-shaped city

Some prestigious works

The senses tell about Palazzo La Rocca

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

The kitchen, a treasure chest of colours

The chocolate of Modica

The wall comes to life

St. Sebastian, so much work!

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

Norman apses

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

A hall for the feasts

Feast days

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

Prominent façade

A feast only for Scicli

A new site for a new city

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

Many owners, one palace

From International Gothic to present day

The city of museums

Between white and black

The church of Carmine

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

The internal colours

A colourful floor

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

A Nobel Prize in Modica

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

One city, three sites

Modica, a city with ancient origins

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

One city, two sites

A city in colour

A half-Baroque church

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

The Baroque town by the sea

A symbol for the town

The senses tell about Palazzo Nicolaci

Some masterpieces

Corbels: a celebration of the Nicolaci family

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore