Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

New roads for Catania

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

Feast days

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

A miniature city

One city, three sites

A colourful floor

The Maiolica of the staircase

Limestone, the colour of harmony

The colours of the cathedral

A triumph of colour

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

The church of Carmine

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

Some prestigious works

A city in colour

The two churches

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

A prominent church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

From International Gothic to present day

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The kitchen, a treasure chest of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

Many owners, one palace

Feasting in Palazzolo

A Nobel Prize in Modica

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

A hall for the feasts

A long reconstruction

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

The internal colours

A square as the heart of the city

Prominent façade

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

A museum to save a tradition

Discovering the mother church

The theatre of taste

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

The Feast of San Giacomo (St. James)

A half-Baroque church

An eagle-shaped city

A new site for a new church

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The Baroque town by the sea

A new palace for the La Rocca lords

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city