Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

Wonderful quick decorations

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

A triumph of colour

A museum to save a tradition

A colourful floor

A new site for a new church

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

The wall comes to life

The façade used as a puppet theatre

One city, three sites

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

A small room with a golden entrance

The disastrous earthquake

An eagle-shaped city

The chocolate of Modica

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The church of Carmine

The Feast of San Giacomo (St. James)

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

Modica, a city with ancient origins

The interior and its masterpieces

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

The internal colours

San Nicolò l’Arena: an unfinished church

Many owners, one palace

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A square as the heart of the city

A miniature city

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

Some masterpieces

A talking palace

A hall for the feasts

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

Feast days

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

Norman apses

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new city

The character of Badia Sant’Agata

The Burgos crucifix

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The senses tell about Palazzo Nicolaci

Prominent façade

Fontana della Ninfa Zizza, public water in the town

Searching for colour

The senses tell the story of the Badia di Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

A city in colour

A half-Baroque church