Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The Staircase of Angels

A hall for the feasts

St. Agatha and the giant candelabras

Discovering the mother church

New roads for Catania

The senses tell the story of the church of San Giuseppe

Searching for colour

An eagle-shaped city

The Feast of San Giacomo (St. James)

From International Gothic to present day

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

The Burgos crucifix

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The city of museums

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

Feast days

A museum to save a tradition

The two churches

A miniature city

The senses tell the story of the Church of the Annunciation

A new site for a new city

The Baroque town by the sea

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

Between white and black

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

One city, three sites

Many owners, one palace

The theatre of taste

The internal colours

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

The disastrous earthquake

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

Wonderful quick decorations

A feast only for Scicli

A half-Baroque church

Places of knowledge: the Benedictines’ library

Prominent façade

A small room with a golden entrance

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A long reconstruction

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

A design by Vincenzo Sinatra

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

Some masterpieces

A triumph of colour

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

One city, two sites

Norman apses

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

The colours of the cathedral

The senses tell about Palazzo Nicolaci

A talking palace

The Infiorata, a feast of colours and flowers

A prominent church

The church of Carmine

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life