Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

New roads for Catania

Corbels: a celebration of the Nicolaci family

Searching for colour

The façade used as a puppet theatre

A hall for the feasts

The Barresi-Branciforte lords

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

A prominent church

Feasting in Palazzolo

Connections with other UNESCO sites

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

A miniature city

Two illustrious patron saints

The senses tell about Palazzo La Rocca

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

A triumph of colour

The Staircase of Angels

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

Norman apses

The two churches

The role of the religious orders in rebuilding the Val di Noto

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

A new site for a new church

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Many owners, one palace

The senses tell about Palazzo Nicolaci

A talking palace

A new site for a new city

The disastrous earthquake

From St. Thomas to St. Joseph

A museum to save a tradition

A feast only for Scicli

The colours of the cathedral

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

From International Gothic to present day

A square as the heart of the city

One city, three sites

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

Some prestigious works

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

The senses tell the story of the church of San Giuseppe

A half-Baroque church

The city of museums

A long reconstruction

Some masterpieces

The Baroque town by the sea

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

A small room with a golden entrance

San Benedetto: a treasure reopened to the public