Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

The Barresi-Branciforte lords

A half-Baroque church

A talking palace

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

The internal colours

A new site for a new church

The façade used as a puppet theatre

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

The church of Carmine

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

From International Gothic to present day

Modica, a city with ancient origins

Many owners, one palace

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

Some prestigious works

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From St. Thomas to St. Joseph

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

One city, two sites

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The two churches

A triumph of colour

Prominent façade

A hall for the feasts

Feast days

The senses tell about Palazzo La Rocca

A colourful floor

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

A new site for a new city

The Maiolica of the staircase

A miniature city

Norman apses

The Infiorata, a feast of colours and flowers

Some masterpieces

A city in colour

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

Searching for colour

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

The disastrous earthquake

A square as the heart of the city

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

The wall comes to life

One city, three sites

An eagle-shaped city

The character of Badia Sant’Agata

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

The city of museums

A symbol for the town

A long reconstruction

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Discovering the mother church

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi