Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

The two churches

Prominent façade

A talking palace

The senses tell the story of the Church of San Benedetto

Discovering the mother church

The character of Badia Sant’Agata

The Burgos crucifix

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A square as the heart of the city

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

A miniature city

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

Many owners, one palace

One city, two sites

A new site for a new church

Feasting in Palazzolo

A majestic and luminous church

Wonderful quick decorations

New roads for Catania

A long reconstruction

San Benedetto: a treasure reopened to the public

The church of Carmine

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

Some prestigious works

A new site for a new city

A symbol for the town

A small room with a golden entrance

A colourful floor

The internal colours

Searching for colour

Norman apses

A triumph of colour

The theatre of taste

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

A Nobel Prize in Modica

The Feast of San Giacomo (St. James)

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

A city in colour

The kitchen, a treasure chest of colours

The city of museums

St. Agatha and the giant candelabras

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

From St. Thomas to St. Joseph

The role of the religious orders in rebuilding the Val di Noto

Between white and black

A half-Baroque church

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

Feast days

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The cathedral of Sant’Agata: a lengthy reconstruction

A new palace for the La Rocca lords

St. Sebastian, so much work!