Catania

The character of Badia Sant’Agata

The Badia di Sant'Agata (Abbey of St. Agatha) is located a few metres from Piazza Duomo. It was rebuilt after the tragic earthquake of 1693 by architect Giovan Battista Vaccarini .
The structure is formed of the Abbey and the monastery, founded in the early 1600s thanks to a generous donation from an aristocrat.
Reconstruction began in 1736, soon giving rise to a splendid building.
Vaccarini designed a grand structure in the shape of a cube, on top of which rests a large dome.
foto prospetto foto dettaglio cupola
Its grandeur and importance attract the attention of passers-by on Via Vittorio Emanuele. The architect created a colourful façade, with the base in grey lava stone and the rest in white limestone.
Vaccarini built a façade that seems to sway back and forth in an undulating movement. The central part is convex and the lateral areas are concave. The façade is a perfect example of Baroque style. The undulating effect is also created by the trabeation that alternates between curved and straight lines.

Zoom Facciata della Badia di Sant' Agata
Facciata della Badia di Sant' Agata

foto dettaglio trabeazione facciataFrom Via Vittorio Emanuele you can see the dome in all its immense beauty. The dome rests on an octagonal base made of lava and limestone, onto which open large windows that illuminate the interior. Another interesting and yet unusual element is the balustrade above the building. It runs along the entire perimeter of the roof.

The Badia di Sant'Agata
The Badia di Sant’Agata is 40 metres from Piazza Duomo. The architect Giovanni Battista Vaccarini designed a large cube-shaped structure on which the dome rests. The facade has the base is in gray lava stone and the rest is in white limestone. Vaccarini builds a facade that seems to move back and forth with a wavy movement. The central part is convex, the side ones are concave. The plan of the church is a Greek cross. When you enter you pass from a small room to a large circular space, where white is the main color. To the white is added the yellow of the marble altars of Castronovo. There are four altars placed in four large niches. Each altar has a statue placed on it. They were made by Giovan Battista Marino and clockwise from the entrance there are: San Benedetto, l’Immacolata, San Giuseppe, Sant’Euplio.
A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The two churches

Places of knowledge: the Benedictines’ library

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

Feast days

A new site for a new city

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

A long reconstruction

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

A Nobel Prize in Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

One city, three sites

A new site for a new church

The kitchen, a treasure chest of colours

Prominent façade

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

Norman apses

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

The Burgos crucifix

From International Gothic to present day

St. Sebastian, so much work!

Some prestigious works

The senses tell the story of the Church of San Sebastiano

Between white and black

The colours of the cathedral

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

The façade used as a puppet theatre

A square as the heart of the city

Modica, a city with ancient origins

The Maiolica of the staircase

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

Connections with other UNESCO sites

The Baroque town by the sea

A symbol for the town

Many owners, one palace

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The interior and its masterpieces

The city of museums

A miniature city

The church of Carmine

The Infiorata, a feast of colours and flowers

The internal colours

A majestic and luminous church

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

A museum to save a tradition

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

A triumph of colour

Feasting in Palazzolo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

Some masterpieces

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

Discovering the mother church

A colourful floor

Two illustrious patron saints

A design by Vincenzo Sinatra