Catania

The Benedictine Monastery, one of the largest in Europe

Located on the hill of Montevergine is one of the city’s largest complexes and the second largest monastic complex in Europe.
Benedictine monastery of Catania has a very long history marked by the passage of time (one testimony includes the remains of a Roman domus, or house), civilisations and natural disasters which have made it one of the most resistant and richest cultural sites on the entire island.
Founded by the monks of Cassino in the 16th century, when the west cloister was constructed, with the large Carrara marble fountain completed in 1608, most of the rooms were used for monastery life: the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour. foto d'insiemeDuring the eruption of 1669 the monastery was hit by magma that surrounded the building: it burst through the walls and reached the first-storey windows.
Traces of the exceptional lava flow are still visible along the retaining walls, which were built specially to divert it. In 1693 the monastery was hit by the great earthquake and suffered serious damage.
The new design involved the construction of four large courtyards that would make it the largest in the world, but only two were completed: the cloister with the fountain and one in the east where the caffeaos (coffee house) was placed.

foto caffeaos foto Coffeaos da dentro la struttura
The structure was reminiscent of a gazebo, made with white stone featuring an interesting decoration in colourful maiolica with an abstract design.

Some masterpieces

Feast days

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

Militello, the story of an enlightened fiefdom

A hall for the feasts

A symbol for the town

The chocolate of Modica

One city, three sites

New roads for Catania

A triumph of colour

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

The Maiolica of the staircase

Wonderful quick decorations

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

A new site for a new church

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

The wall comes to life

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

The two churches

A square as the heart of the city

The Infiorata, a feast of colours and flowers

A city in colour

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

A talking palace

The city of museums

Searching for colour

San Benedetto: a treasure reopened to the public

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

The internal colours

From International Gothic to present day

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

The kitchen, a treasure chest of colours

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

A new palace for the La Rocca lords

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

Feasting in Palazzolo

A long reconstruction

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

A small room with a golden entrance

The theatre of taste

Between white and black

The senses tell about Palazzo Nicolaci

One city, two sites

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

Norman apses

A colourful floor

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

Prominent façade

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara