Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

Discovering the mother church

A long reconstruction

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

Searching for colour

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

The Baroque town by the sea

A small room with a golden entrance

A new palace for the La Rocca lords

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

One city, three sites

The internal colours

Feasting in Palazzolo

From International Gothic to present day

A feast only for Scicli

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The senses tell the story of the church of San Giovanni Battista

Feast days

New roads for Catania

From St. Thomas to St. Joseph

A symbol for the town

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A museum to save a tradition

A half-Baroque church

A prominent church

Some masterpieces

St. Agatha and the giant candelabras

Norman apses

A square as the heart of the city

The Maiolica of the staircase

A miniature city

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

A Nobel Prize in Modica

A talking palace

Modica, a city with ancient origins

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

A new site for a new church

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Many owners, one palace

A hall for the feasts

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The colours of the cathedral

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

The Staircase of Angels

A colourful floor

The theatre of taste

The wall comes to life

The kitchen, a treasure chest of colours

A triumph of colour

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, two sites

Two illustrious patron saints

Connections with other UNESCO sites

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town