Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

The Baroque town by the sea

The Feast of San Giacomo (St. James)

The internal colours

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

A long reconstruction

From International Gothic to present day

The church of Carmine

Norman apses

New roads for Catania

St. Sebastian, so much work!

Many owners, one palace

Wonderful quick decorations

Between white and black

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

A new site for a new city

The Barresi-Branciforte lords

Places of knowledge: the Benedictines’ library

A square as the heart of the city

A talking palace

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

A city in colour

The disastrous earthquake

An eagle-shaped city

A new site for a new church

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

A prominent church

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The city of museums

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

One city, two sites

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giovanni Battista

Searching for colour

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

The façade used as a puppet theatre

Prominent façade

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

Militello, the story of an enlightened fiefdom

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

Some masterpieces

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

One city, three sites

A half-Baroque church

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista