Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

Searching for colour

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

Many owners, one palace

Feasting in Palazzolo

A museum to save a tradition

The disastrous earthquake

Prominent façade

A prominent church

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

New roads for Catania

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

The colours of the cathedral

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The internal colours

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

The two churches

Limestone, the colour of harmony

Some prestigious works

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

The city of museums

A half-Baroque church

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

A long reconstruction

A city in colour

The kitchen, a treasure chest of colours

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

Norman apses

The wall comes to life

A talking palace

Between white and black

One city, three sites

From International Gothic to present day

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

The interior and its masterpieces

St. Agatha and the giant candelabras

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

The theatre of taste

A feast only for Scicli

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

An eagle-shaped city

A design by Vincenzo Sinatra

A new site for a new church

Connections with other UNESCO sites

The Burgos crucifix

One city, two sites

Feast days

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

A miniature city

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca