Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The two churches

A half-Baroque church

One city, three sites

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

Some prestigious works

Limestone, the colour of harmony

Prominent façade

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The wall comes to life

A city in colour

Two illustrious patron saints

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

Norman apses

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

Some masterpieces

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

Many owners, one palace

The senses tell about Palazzo La Rocca

A colourful floor

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

The interior and its masterpieces

The disastrous earthquake

The church of Carmine

A new site for a new city

The Burgos crucifix

St. Agatha and the giant candelabras

A new palace for the La Rocca lords

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

A square as the heart of the city

A prominent church

The senses tell the Cathedral of Sant’Agata

San Nicolò l’Arena: an unfinished church

A new site for a new church

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The senses tell about Palazzo Nicolaci

The chocolate of Modica

One city, two sites

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

A triumph of colour

A feast only for Scicli

Feasting in Palazzolo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

Between white and black

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

The kitchen, a treasure chest of colours

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

An eagle-shaped city

The Infiorata, a feast of colours and flowers

Searching for colour

St. Sebastian, so much work!

Connections with other UNESCO sites

The city of museums