Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A miniature city

Wonderful quick decorations

Modica, a city with ancient origins

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

Some prestigious works

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

The disastrous earthquake

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

A half-Baroque church

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

One city, three sites

Two illustrious patron saints

The two churches

Discovering the mother church

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

A prominent church

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

A talking palace

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

The city of museums

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

Prominent façade

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

An eagle-shaped city

The Burgos crucifix

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

From International Gothic to present day

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feast days

One city, two sites

A new entrance for Santa Chiara (St. Claire)

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

A symbol for the town

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A square as the heart of the city

The interior and its masterpieces

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

Between white and black

Searching for colour

The internal colours

A small room with a golden entrance

From St. Thomas to St. Joseph

Some masterpieces

A city in colour

St. Sebastian, so much work!

The Baroque town by the sea

Connections with other UNESCO sites