Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Feast days

The senses tell the story of the Church of the Annunciation

Some prestigious works

New roads for Catania

A Nobel Prize in Modica

Between white and black

The theatre of taste

The senses tell the story of the Church of San Sebastiano

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

Modica, a city with ancient origins

The wall comes to life

A small room with a golden entrance

The senses tell the story of the church of San Giuseppe

The façade used as a puppet theatre

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

A prominent church

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

A feast only for Scicli

Searching for colour

From International Gothic to present day

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

A city in colour

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

Prominent façade

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

A symbol for the town

The Infiorata, a feast of colours and flowers

A miniature city

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The internal colours

The chocolate of Modica

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The city of museums

A majestic and luminous church

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

Some masterpieces

A colourful floor

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

A half-Baroque church

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

San Benedetto: a treasure reopened to the public

A museum to save a tradition

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

An eagle-shaped city

A talking palace

A triumph of colour

Wonderful quick decorations

The Burgos crucifix

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century