Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The internal colours

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

A talking palace

Two illustrious patron saints

A hall for the feasts

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

The church of Carmine

The character of Badia Sant’Agata

The Burgos crucifix

New roads for Catania

A triumph of colour

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library

The chocolate of Modica

Militello, the story of an enlightened fiefdom

A square as the heart of the city

San Benedetto: a treasure reopened to the public

A long reconstruction

A new site for a new church

Wonderful quick decorations

A majestic and luminous church

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

A half-Baroque church

The theatre of taste

A Nobel Prize in Modica

The two churches

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

One city, two sites

The senses tell the story of the Church of San Sebastiano

A colourful floor

The Feast of San Giacomo (St. James)

One city, three sites

The Barresi-Branciforte lords

Feasting in Palazzolo

A miniature city

The city of museums

Between white and black

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

Norman apses

Feast days

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

The Maiolica of the staircase

Prominent façade

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

The Staircase of Angels

A feast only for Scicli

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

A city in colour

The façade used as a puppet theatre