Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The interior and its masterpieces

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

St. Sebastian, so much work!

San Nicolò l’Arena: an unfinished church

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

St. Agatha and the giant candelabras

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

Some prestigious works

A feast only for Scicli

A new palace for the La Rocca lords

Between white and black

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

A prominent church

A small room with a golden entrance

Many owners, one palace

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

The chocolate of Modica

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

A colourful floor

The two churches

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

Wonderful quick decorations

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

The city of museums

An eagle-shaped city

The Baroque town by the sea

The Staircase of Angels

One city, three sites

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

Feast days

From International Gothic to present day

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

A hall for the feasts

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The disastrous earthquake

A Nobel Prize in Modica

A square as the heart of the city

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

The senses tell the story of the Church of San Sebastiano

A new site for a new church

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

Two illustrious patron saints

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

A long reconstruction

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

San Benedetto: a treasure reopened to the public

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

The internal colours

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

Prominent façade

A majestic and luminous church

A talking palace

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours