Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

A prominent church

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

The chocolate of Modica

An eagle-shaped city

The Barresi-Branciforte lords

Some prestigious works

The internal colours

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

Discovering the mother church

The senses tell the story of the Church of San Sebastiano

The city of museums

A Nobel Prize in Modica

The colours of the cathedral

A new site for a new city

From International Gothic to present day

Wonderful quick decorations

A museum to save a tradition

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The wall comes to life

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

Prominent façade

Baroque and the loss of equilibrium in the 16th century

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

A new site for a new church

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feast days

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

A talking palace

The two churches

Norman apses

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

A symbol for the town

A majestic and luminous church

A new palace for the La Rocca lords

A long reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

Some masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

The church of Carmine

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

The Feast of San Giacomo (St. James)

The Burgos crucifix

The senses tell about Palazzo Nicolaci

A city in colour

A square as the heart of the city

Between white and black

One city, two sites

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

The character of Badia Sant’Agata

Searching for colour