Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

A long reconstruction

A museum to save a tradition

From International Gothic to present day

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

Some prestigious works

A hall for the feasts

Searching for colour

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

The Staircase of Angels

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

Norman apses

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

Between white and black

New roads for Catania

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

A city in colour

The colours of the cathedral

Feast days

A colourful floor

The church of Carmine

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

The city of museums

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

Many owners, one palace

A talking palace

From the contrast of the exterior to the internal jubilation of colours

The internal colours

A square as the heart of the city

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The Baroque town by the sea

The Feast of San Giacomo (St. James)

A miniature city

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

A new site for a new church

A new palace for the La Rocca lords

Feasting in Palazzolo

The interior and its masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

The Maiolica of the staircase

A prominent church

Places of knowledge: the Benedictines’ library

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The cathedral of Sant’Agata: a lengthy reconstruction

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

Some masterpieces

St. Sebastian, so much work!

A majestic and luminous church

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

One city, three sites

A Nobel Prize in Modica

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

A new site for a new city

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of Santa Maria del Carmelo