Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Places of knowledge: the Benedictines’ library

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

A long reconstruction

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

A talking palace

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Nicolaci

A miniature city

The two churches

A city in colour

The senses tell the Cathedral of Sant’Agata

A prominent church

St. Sebastian, so much work!

The chocolate of Modica

San Benedetto: a treasure reopened to the public

Between white and black

A feast only for Scicli

An eagle-shaped city

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The theatre of taste

A majestic and luminous church

From St. Thomas to St. Joseph

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

One city, two sites

The Baroque town by the sea

A design by Vincenzo Sinatra

The disastrous earthquake

A museum to save a tradition

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

A hall for the feasts

Prominent façade

Modica, a city with ancient origins

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

A Nobel Prize in Modica

Norman apses

Limestone, the colour of harmony

Connections with other UNESCO sites

A half-Baroque church

The façade used as a puppet theatre

Searching for colour

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

Some masterpieces

The Staircase of Angels

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

New roads for Catania

Two illustrious patron saints

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

The colours of the cathedral

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

Discovering the mother church