Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A hall for the feasts

Some prestigious works

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

A half-Baroque church

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

The two churches

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

Connections with other UNESCO sites

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

The wall comes to life

Some masterpieces

From International Gothic to present day

One city, three sites

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

New roads for Catania

St. Agatha and the giant candelabras

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the staircase of Santa Maria del Monte

A Nobel Prize in Modica

A talking palace

The colours of the cathedral

The chocolate of Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

The theatre of taste

The disastrous earthquake

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

A new site for a new city

The Feast of San Giacomo (St. James)

Two illustrious patron saints

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

The internal colours

The character of Badia Sant’Agata

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

A long reconstruction

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

A new site for a new church

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

Wonderful quick decorations

A museum to save a tradition

Prominent façade

Fontana della Ninfa Zizza, public water in the town

A city in colour

The Baroque town by the sea

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

A miniature city

Feast days

Many owners, one palace

A triumph of colour