Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The internal colours

The façade used as a puppet theatre

The church of Carmine

A prominent church

One city, three sites

Norman apses

Between white and black

One city, two sites

The senses tell the story of the Badia di Sant’Agata

The two churches

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

A square as the heart of the city

The colours of the cathedral

The character of Badia Sant’Agata

Many owners, one palace

The kitchen, a treasure chest of colours

The wall comes to life

New roads for Catania

A new palace for the La Rocca lords

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

Some masterpieces

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

Wonderful quick decorations

The Burgos crucifix

The city of museums

The senses tell the Cathedral of Sant’Agata

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

The Staircase of Angels

St. Agatha and the giant candelabras

A new site for a new city

Modica, a city with ancient origins

The Maiolica of the staircase

A half-Baroque church

A city in colour

Searching for colour

The chocolate of Modica

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

Feast days

The senses tell the story of the Church of San Benedetto

Some prestigious works

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

A hall for the feasts

From International Gothic to present day

Two illustrious patron saints

A small room with a golden entrance

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

Prominent façade

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

The theatre of taste

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Palazzo Nicolaci di Villadorata, who is the architect?

A colourful floor

The senses tell about Palazzo Nicolaci