Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A new palace for the La Rocca lords

Searching for colour

A talking palace

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

A colourful floor

Some prestigious works

Many owners, one palace

The Baroque town by the sea

Feast days

The Infiorata, a feast of colours and flowers

The two churches

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

The Staircase of Angels

The Maiolica of the staircase

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

A museum to save a tradition

The character of Badia Sant’Agata

Norman apses

The internal colours

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

San Nicolò l’Arena: an unfinished church

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

The church of Carmine

The kitchen, a treasure chest of colours

St. Agatha and the giant candelabras

A new site for a new church

From St. Thomas to St. Joseph

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

Feasting in Palazzolo

Limestone, the colour of harmony

A small room with a golden entrance

One city, three sites

The city of museums

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

A prominent church

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

A city in colour

A majestic and luminous church

A symbol for the town

The chocolate of Modica

A Nobel Prize in Modica

A triumph of colour

An eagle-shaped city

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

A miniature city

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

The senses tell about Palazzo Nicolaci

A long reconstruction

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

Between white and black

From the contrast of the exterior to the internal jubilation of colours

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso