Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

From International Gothic to present day

The Feast of San Giacomo (St. James)

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

The city of museums

St. Sebastian, so much work!

Feasting in Palazzolo

Two illustrious patron saints

Searching for colour

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

Norman apses

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

From St. Thomas to St. Joseph

Feast days

A long reconstruction

The interior and its masterpieces

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

A prominent church

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

A miniature city

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

A city in colour

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A design by Vincenzo Sinatra

Some masterpieces

The senses tell about Palazzo La Rocca

The two churches

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

A new site for a new church

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

The disastrous earthquake

Some prestigious works

The Staircase of Angels

The Baroque town by the sea

The senses tell the story of the Church of San Giuliano ai Crociferi

The internal colours

The colours of the cathedral

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

Modica, a city with ancient origins

The wall comes to life

The façade used as a puppet theatre

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

A half-Baroque church

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

The senses tell the story of the Church of San Sebastiano

One city, two sites

The senses tell the Cathedral of Sant’Agata

Prominent façade

Many owners, one palace

A colourful floor

A small room with a golden entrance