Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

A city in colour

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

Many owners, one palace

Searching for colour

A majestic and luminous church

The colours of the cathedral

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

A colourful floor

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

Prominent façade

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

Feast days

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

San Benedetto: a treasure reopened to the public

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

A square as the heart of the city

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

The church of Carmine

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

The theatre of taste

The Baroque town by the sea

A new palace for the La Rocca lords

Two illustrious patron saints

The Maiolica of the staircase

An eagle-shaped city

Some prestigious works

The disastrous earthquake

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

St. Agatha and the giant candelabras

A talking palace

One city, three sites

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

Between white and black

A miniature city

The senses tell the story of the Church of San Benedetto

A half-Baroque church

A triumph of colour

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

The Burgos crucifix

The wall comes to life

The senses tell about Palazzo Nicolaci

Some masterpieces

A long reconstruction

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

A prominent church

The façade used as a puppet theatre

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The city of museums

A new site for a new city

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Feasting in Palazzolo

The two churches

Places of knowledge: the Benedictines’ library