Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The wall comes to life

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

The colours of the cathedral

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

Between white and black

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

The church of Carmine

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

Searching for colour

The senses tell about Palazzo La Rocca

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

St. Sebastian, so much work!

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

The theatre of taste

The chocolate of Modica

From International Gothic to present day

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

A miniature city

The two churches

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The internal colours

A feast only for Scicli

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

A colourful floor

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The disastrous earthquake

One city, two sites

The façade used as a puppet theatre

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

A new site for a new city

A long reconstruction

A majestic and luminous church

Militello, the story of an enlightened fiefdom

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A Nobel Prize in Modica

The interior and its masterpieces

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

A prominent church

Norman apses

A talking palace

A square as the heart of the city

One city, three sites

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

Feast days

Prominent façade

From the contrast of the exterior to the internal jubilation of colours