Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

One city, two sites

The senses tell the story of the church of San Giovanni Battista

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

A feast only for Scicli

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

A miniature city

One city, three sites

A majestic and luminous church

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

Searching for colour

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

Some masterpieces

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

A triumph of colour

A long reconstruction

The Baroque town by the sea

Discovering the mother church

The two churches

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Modica, a city with ancient origins

Some prestigious works

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

A colourful floor

St. Sebastian, so much work!

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

Between white and black

The Barresi-Branciforte lords

The wall comes to life

Norman apses

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

A city in colour

Prominent façade

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

From St. Thomas to St. Joseph

An eagle-shaped city

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

A talking palace

The Burgos crucifix

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

A prominent church

The character of Badia Sant’Agata