Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A prominent church

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

A miniature city

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The two churches

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

A hall for the feasts

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

Feast days

The church of Carmine

A small room with a golden entrance

An eagle-shaped city

The Maiolica of the staircase

A feast only for Scicli

A talking palace

The colours of the cathedral

Discovering the mother church

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

The senses tell about Palazzo La Rocca

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

A new site for a new church

Feasting in Palazzolo

Searching for colour

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

Prominent façade

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

Two illustrious patron saints

A majestic and luminous church

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

A symbol for the town

The theatre of taste

A new site for a new city

The senses tell the story of the staircase of Santa Maria del Monte

A half-Baroque church

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

A city in colour

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

The chocolate of Modica

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

A colourful floor

The Feast of San Giacomo (St. James)

New roads for Catania

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

Between white and black

The Burgos crucifix

The façade used as a puppet theatre

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

The Barresi-Branciforte lords

The internal colours

Militello, the story of an enlightened fiefdom

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque