Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

San Benedetto: a treasure reopened to the public

The theatre of taste

From St. Thomas to St. Joseph

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

The two churches

Norman apses

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

The city of museums

A majestic and luminous church

The Baroque town by the sea

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

Feasting in Palazzolo

A long reconstruction

The façade used as a puppet theatre

The Barresi-Branciforte lords

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

A small room with a golden entrance

A prominent church

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

Discovering the mother church

One city, two sites

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

Some prestigious works

The character of Badia Sant’Agata

A museum to save a tradition

Prominent façade

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

Between white and black

A colourful floor

Feast days

A new site for a new city

The Feast of San Giacomo (St. James)

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The Staircase of Angels

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

A miniature city

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

A new site for a new church

The senses tell the story of the Church of the Annunciation

The wall comes to life

A half-Baroque church

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

A city in colour

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Badia di Sant’Agata

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

An eagle-shaped city

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The internal colours