Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A majestic and luminous church

Norman apses

One city, two sites

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A talking palace

A feast only for Scicli

The senses tell the story of the Church of the Annunciation

Some prestigious works

The senses tell about Palazzo Nicolaci

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

The senses tell the story of the Church of San Sebastiano

A prominent church

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

Connections with other UNESCO sites

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

The colours of the cathedral

Many owners, one palace

The wall comes to life

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The kitchen, a treasure chest of colours

The internal colours

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

A long reconstruction

A museum to save a tradition

The city of museums

The Maiolica of the staircase

A hall for the feasts

From International Gothic to present day

A city in colour

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

A miniature city

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

Between white and black

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new church

Prominent façade

The Staircase of Angels

The church of Carmine

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The theatre of taste

St. Sebastian, so much work!

An eagle-shaped city

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

A symbol for the town

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

A Nobel Prize in Modica

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The two churches

The disastrous earthquake

A new palace for the La Rocca lords

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

One city, three sites

Places of knowledge: the Benedictines’ library

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

Feasting in Palazzolo