Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell about Palazzo Nicolaci

A city in colour

Discovering the mother church

A triumph of colour

The Barresi-Branciforte lords

Two illustrious patron saints

A colourful floor

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

The church of Carmine

The senses tell the story of the Church of San Benedetto

A long reconstruction

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

Modica, a city with ancient origins

A new site for a new church

Some prestigious works

The senses tell the story of the Church of San Sebastiano

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

One city, three sites

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

The Staircase of Angels

Norman apses

A prominent church

From International Gothic to present day

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

Places of knowledge: the Benedictines’ library

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

The character of Badia Sant’Agata

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

A talking palace

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

The senses tell about Palazzo La Rocca

The two churches

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

Feast days

San Benedetto: a treasure reopened to the public

The disastrous earthquake

Connections with other UNESCO sites

A square as the heart of the city

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

A museum to save a tradition

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

A small room with a golden entrance

St. Sebastian, so much work!

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The Baroque town by the sea

Searching for colour

Many owners, one palace

The chocolate of Modica

One city, two sites

New roads for Catania

Wonderful quick decorations

A new site for a new city

St. Agatha and the giant candelabras

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

The theatre of taste

The wall comes to life