Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new city

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giuseppe

The city of museums

The senses tell the Cathedral of Sant’Agata

A small room with a golden entrance

The chocolate of Modica

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

The interior and its masterpieces

The senses tell about Palazzo La Rocca

A talking palace

The character of Badia Sant’Agata

From International Gothic to present day

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

A prominent church

Norman apses

An eagle-shaped city

St. Agatha and the giant candelabras

Some masterpieces

Places of knowledge: the Benedictines’ library

From the contrast of the exterior to the internal jubilation of colours

A city in colour

A miniature city

Between white and black

Wonderful quick decorations

Feasting in Palazzolo

Feast days

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

Prominent façade

A symbol for the town

A long reconstruction

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

The internal colours

Searching for colour

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

One city, three sites

A half-Baroque church

Two illustrious patron saints

A hall for the feasts

The wall comes to life

A majestic and luminous church

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

One city, two sites

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A museum to save a tradition

Many owners, one palace

Some prestigious works

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata