Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

A new site for a new church

A triumph of colour

Feast days

Searching for colour

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

A long reconstruction

Some prestigious works

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

From St. Thomas to St. Joseph

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

Between white and black

The interior and its masterpieces

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Benedetto

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

A prominent church

A miniature city

A hall for the feasts

Two illustrious patron saints

The chocolate of Modica

From International Gothic to present day

A design by Vincenzo Sinatra

Feasting in Palazzolo

Prominent façade

An eagle-shaped city

The Maiolica of the staircase

A city in colour

A new palace for the La Rocca lords

The Burgos crucifix

The church of Carmine

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

The wall comes to life

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

A talking palace

San Nicolò l’Arena: an unfinished church

One city, three sites

A square as the heart of the city

Some masterpieces

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

Discovering the mother church

The character of Badia Sant’Agata

A colourful floor

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

One city, two sites

The disastrous earthquake

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

A majestic and luminous church

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

The two churches

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

Many owners, one palace

The façade used as a puppet theatre

A new site for a new city

Modica, a city with ancient origins

The internal colours

Wonderful quick decorations