Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Many owners, one palace

A square as the heart of the city

The internal colours

The senses tell about Palazzo La Rocca

A new site for a new city

The senses tell the story of the Church of the Annunciation

A triumph of colour

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

A new site for a new church

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The church of Carmine

The character of Badia Sant’Agata

Some masterpieces

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

Feast days

A small room with a golden entrance

A hall for the feasts

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

A miniature city

A majestic and luminous church

Norman apses

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

The city of museums

The façade used as a puppet theatre

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

The Baroque town by the sea

The Barresi-Branciforte lords

Discovering the mother church

A city in colour

Prominent façade

The Infiorata, a feast of colours and flowers

A feast only for Scicli

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

Some prestigious works

A talking palace

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

Between white and black

A Nobel Prize in Modica

A museum to save a tradition

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

The Feast of San Giacomo (St. James)

A prominent church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

The chocolate of Modica

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

A half-Baroque church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

Searching for colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

A new entrance for Santa Chiara (St. Claire)

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

The senses tell the story of the Church of Santa Chiara

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

New roads for Catania