Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

Many owners, one palace

From St. Thomas to St. Joseph

Feasting in Palazzolo

Searching for colour

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The theatre of taste

A design by Vincenzo Sinatra

The internal colours

The Infiorata, a feast of colours and flowers

A new site for a new city

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

The interior and its masterpieces

A symbol for the town

Prominent façade

A new entrance for Santa Chiara (St. Claire)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

A feast only for Scicli

The Barresi-Branciforte lords

A prominent church

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

San Benedetto: a treasure reopened to the public

A miniature city

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

Between white and black

A hall for the feasts

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

One city, two sites

The church of Carmine

A colourful floor

Some prestigious works

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

Feast days

Some masterpieces

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

A triumph of colour

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

A long reconstruction

Militello, the story of an enlightened fiefdom

The city of museums

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

An eagle-shaped city

From International Gothic to present day

A city in colour

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

Norman apses

Discovering the mother church

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A talking palace

A small room with a golden entrance

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

One city, three sites

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

Wonderful quick decorations