Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The chocolate of Modica

The disastrous earthquake

The kitchen, a treasure chest of colours

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

The theatre of taste

Prominent façade

A square as the heart of the city

The senses tell about Palazzo La Rocca

Modica, a city with ancient origins

Wonderful quick decorations

The senses tell the story of the Badia di Sant’Agata

Between white and black

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

Some masterpieces

The Baroque town by the sea

The wall comes to life

A small room with a golden entrance

St. Sebastian, so much work!

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

A talking palace

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

A long reconstruction

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

One city, three sites

One city, two sites

A city in colour

The Staircase of Angels

A Nobel Prize in Modica

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

Discovering the mother church

San Nicolò l’Arena: an unfinished church

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Some prestigious works

The senses tell the story of the Church of San Benedetto

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

A museum to save a tradition

From International Gothic to present day

St. Agatha and the giant candelabras

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The senses tell the story of the church of San Giovanni Battista

The two churches

An eagle-shaped city

A triumph of colour

Connections with other UNESCO sites

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

A hall for the feasts

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

A feast only for Scicli

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

New roads for Catania

A colourful floor

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

A half-Baroque church