Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

An eagle-shaped city

A prominent church

The Baroque town by the sea

Many owners, one palace

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Benedetto

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A miniature city

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

A museum to save a tradition

A triumph of colour

A design by Vincenzo Sinatra

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The theatre of taste

Norman apses

A new site for a new city

Limestone, the colour of harmony

A new palace for the La Rocca lords

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

The internal colours

Wonderful quick decorations

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

The wall comes to life

The church of Carmine

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

The disastrous earthquake

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

Searching for colour

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

From International Gothic to present day

One city, two sites

A feast only for Scicli

Feasting in Palazzolo

A hall for the feasts

Between white and black

The Maiolica of the staircase

The city of museums

The character of Badia Sant’Agata

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

From St. Thomas to St. Joseph

The interior and its masterpieces

The façade used as a puppet theatre

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

Militello, the story of an enlightened fiefdom

A long reconstruction

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

San Nicolò l’Arena: an unfinished church

A new site for a new church

The two churches

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

San Benedetto: a treasure reopened to the public

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

One city, three sites