Modica

The chocolate of Modica

A visit to Modica means a visit to its churches, walks along Via Umberto and tasting chocolate . Cioccolato di ModicaCocoa has very ancient and not very Sicilian origins. The first people to work the seeds were the Aztecs in distant Central America. It was later in the 16th century that the Spaniards brought the tasty seeds to the County of Modica . What makes Modica’s chocolate unique is its special cold processing, which gives it a grainy and irregular appearance. The first flavours to be added were vanilla and cinnamon, and over the centuries new ones were experimented with. Over the years the techniques were changed and refined, but the master chocolatiers of Modica did not want to modify the original recipe or process in any way.
This means that we can still taste the ancient flavours of an ancient tradition today. In 2003 the city’s twenty producers formed the Modica Chocolate Consortium in the aim of protecting and defining the processing and production techniques.

A new site for a new church

A half-Baroque church

The character of Badia Sant’Agata

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

A colourful floor

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

The Maiolica of the staircase

The façade used as a puppet theatre

A symbol for the town

Some prestigious works

The theatre of taste

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

One city, three sites

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

A small room with a golden entrance

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The two churches

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

The internal colours

Searching for colour

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Between white and black

The senses tell the story of the Church of the Annunciation

A miniature city

From International Gothic to present day

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The Infiorata, a feast of colours and flowers

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

Modica, a city with ancient origins

A design by Vincenzo Sinatra

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

From St. Thomas to St. Joseph

New roads for Catania

A Nobel Prize in Modica

Norman apses

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

Feast days

The colours of the cathedral

The interior and its masterpieces

St. Agatha and the giant candelabras

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

The disastrous earthquake

Prominent façade

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

One city, two sites

Some masterpieces

Corbels: a celebration of the Nicolaci family

The city of museums

Fontana della Ninfa Zizza, public water in the town

A talking palace

The church of Carmine

Limestone, the colour of harmony

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano