Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A long reconstruction

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

The two churches

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feast days

The character of Badia Sant’Agata

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

The chocolate of Modica

The senses tell about Palazzo La Rocca

A symbol for the town

A triumph of colour

Prominent façade

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

A prominent church

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The Feast of San Giacomo (St. James)

An eagle-shaped city

St. Sebastian, so much work!

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

A talking palace

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

The façade used as a puppet theatre

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

A city in colour

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The kitchen, a treasure chest of colours

The senses tell the story of the staircase of Santa Maria del Monte

A half-Baroque church

St. Agatha and the giant candelabras

A colourful floor

The interior and its masterpieces

The Burgos crucifix

The disastrous earthquake

The internal colours

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The theatre of taste

A small room with a golden entrance

Many owners, one palace

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A miniature city

Places of knowledge: the Benedictines’ library

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

Norman apses

Between white and black

The wall comes to life

A design by Vincenzo Sinatra

A new palace for the La Rocca lords

A hall for the feasts

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

Some masterpieces

Connections with other UNESCO sites

Searching for colour

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

A feast only for Scicli

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

The Maiolica of the staircase