Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

The Staircase of Angels

The façade used as a puppet theatre

A talking palace

New roads for Catania

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

A symbol for the town

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

Discovering the mother church

The kitchen, a treasure chest of colours

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

Some prestigious works

An eagle-shaped city

A city in colour

The Infiorata, a feast of colours and flowers

The internal colours

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

A triumph of colour

San Nicolò l’Arena: an unfinished church

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

A half-Baroque church

The disastrous earthquake

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new city

San Benedetto: a treasure reopened to the public

One city, three sites

The theatre of taste

A miniature city

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new palace for the La Rocca lords

A colourful floor

The senses tell the story of the Church of Santa Chiara

The wall comes to life

The character of Badia Sant’Agata

Prominent façade

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

A museum to save a tradition

The Feast of San Giacomo (St. James)

The senses tell about Palazzo La Rocca

The two churches

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

One city, two sites

The Baroque town by the sea

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Wonderful quick decorations

The city of museums

Some masterpieces

The interior and its masterpieces

A Nobel Prize in Modica

Searching for colour

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

St. Agatha and the giant candelabras

Limestone, the colour of harmony

Between white and black

The Burgos crucifix

A prominent church

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

A long reconstruction

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The Barresi-Branciforte lords

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses