Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

The church of Carmine

A long reconstruction

Connections with other UNESCO sites

The Maiolica of the staircase

Discovering the mother church

The senses tell about Palazzo La Rocca

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

Modica, a city with ancient origins

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

A colourful floor

The Barresi-Branciforte lords

A new site for a new city

The disastrous earthquake

A majestic and luminous church

From International Gothic to present day

A miniature city

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

Feast days

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

One city, two sites

The senses tell the story of the church of San Giovanni Battista

The two churches

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The colours of the cathedral

Places of knowledge: the Benedictines’ library

Norman apses

The wall comes to life

A talking palace

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

A city in colour

Wonderful quick decorations

The character of Badia Sant’Agata

A design by Vincenzo Sinatra

The theatre of taste

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

Searching for colour

Many owners, one palace

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

Between white and black

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

A new site for a new church

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

A half-Baroque church

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix