Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

A colourful floor

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

The Burgos crucifix

The city of museums

Baroque and the loss of equilibrium in the 16th century

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

One city, three sites

St. Agatha and the giant candelabras

The Maiolica of the staircase

The Barresi-Branciforte lords

A Nobel Prize in Modica

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

The senses tell the story of the church of San Giuseppe

Many owners, one palace

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Cathedral of Sant’Agata

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

One city, two sites

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

A talking palace

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

The church of Carmine

Feast days

Wonderful quick decorations

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

A museum to save a tradition

A symbol for the town

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

Prominent façade

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

A small room with a golden entrance

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The Baroque town by the sea

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

The two churches

A prominent church

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

The wall comes to life

A miniature city

The senses tell the story of the Church of San Benedetto

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

New roads for Catania

A hall for the feasts

Discovering the mother church

A new palace for the La Rocca lords

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso