Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

A long reconstruction

An eagle-shaped city

Wonderful quick decorations

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

Feast days

Between white and black

The Staircase of Angels

A majestic and luminous church

The façade used as a puppet theatre

Limestone, the colour of harmony

A Nobel Prize in Modica

A triumph of colour

Norman apses

A design by Vincenzo Sinatra

One city, two sites

The kitchen, a treasure chest of colours

A miniature city

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

San Benedetto: a treasure reopened to the public

New roads for Catania

Prominent façade

The Burgos crucifix

The Feast of San Giacomo (St. James)

A symbol for the town

A square as the heart of the city

The wall comes to life

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

Searching for colour

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

Discovering the mother church

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

A prominent church

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

A city in colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Corbels: a celebration of the Nicolaci family

The two churches

A new palace for the La Rocca lords

Some masterpieces

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

The chocolate of Modica

A half-Baroque church

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

The colours of the cathedral

One city, three sites

The interior and its masterpieces

A colourful floor

A talking palace

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

Two illustrious patron saints

A feast only for Scicli

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers