Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Militello, the story of an enlightened fiefdom

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The Staircase of Angels

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

A half-Baroque church

The disastrous earthquake

The Infiorata, a feast of colours and flowers

Norman apses

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

Feast days

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

A symbol for the town

Some prestigious works

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

The senses tell the story of the Church of San Benedetto

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

A talking palace

Prominent façade

The city of museums

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

The Burgos crucifix

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The colours of the cathedral

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

A hall for the feasts

St. Agatha and the giant candelabras

The Barresi-Branciforte lords

The internal colours

A long reconstruction

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

Between white and black

A museum to save a tradition

A new site for a new city

Many owners, one palace

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

One city, two sites

From International Gothic to present day

The character of Badia Sant’Agata

Searching for colour

A small room with a golden entrance

A triumph of colour

Wonderful quick decorations

The Baroque town by the sea

One city, three sites

The Feast of San Giacomo (St. James)

A feast only for Scicli

St. Sebastian, so much work!

A design by Vincenzo Sinatra

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica