Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

Discovering the mother church

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The Burgos crucifix

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

A colourful floor

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

A symbol for the town

The senses tell the story of the Church of Santa Chiara

A miniature city

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

Searching for colour

One city, three sites

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

Norman apses

The Baroque town by the sea

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

Limestone, the colour of harmony

A talking palace

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

Feasting in Palazzolo

Prominent façade

A hall for the feasts

A new site for a new city

The interior and its masterpieces

Feast days

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

A majestic and luminous church

An eagle-shaped city

The Barresi-Branciforte lords

New roads for Catania

The kitchen, a treasure chest of colours

Between white and black

Militello, the story of an enlightened fiefdom

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

Modica, a city with ancient origins

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

A triumph of colour

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A prominent church

A long reconstruction

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

The internal colours

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

Many owners, one palace

Some masterpieces

The city of museums

One city, two sites

The theatre of taste