Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The interior and its masterpieces

One city, two sites

The disastrous earthquake

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo La Rocca

The Staircase of Angels

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

A new palace for the La Rocca lords

A majestic and luminous church

Between white and black

A colourful floor

An eagle-shaped city

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

The chocolate of Modica

The theatre of taste

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

A feast only for Scicli

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

A new site for a new church

The city of museums

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

Norman apses

New roads for Catania

Feast days

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A talking palace

A city in colour

The Maiolica of the staircase

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The two churches

Some prestigious works

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

Discovering the mother church

The Burgos crucifix

St. Agatha and the giant candelabras

Limestone, the colour of harmony

Modica, a city with ancient origins

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

Prominent façade

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

The internal colours

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento