Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Some masterpieces

New roads for Catania

The Maiolica of the staircase

A square as the heart of the city

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

Limestone, the colour of harmony

A prominent church

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

An eagle-shaped city

The colours of the cathedral

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

The internal colours

A new site for a new church

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

The wall comes to life

Prominent façade

A long reconstruction

Feast days

The Benedictine Monastery, one of the largest in Europe

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

Baroque and the loss of equilibrium in the 16th century

One city, three sites

A Nobel Prize in Modica

A triumph of colour

The senses tell the story of the Church of San Benedetto

A talking palace

Places of knowledge: the Benedictines’ library

A symbol for the town

A design by Vincenzo Sinatra

A majestic and luminous church

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

Militello, the story of an enlightened fiefdom

A hall for the feasts

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

The two churches

A miniature city

Some prestigious works

Corbels: a celebration of the Nicolaci family

The theatre of taste

The church of Carmine

The Baroque town by the sea

The Burgos crucifix

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

The Staircase of Angels

Discovering the mother church

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

The interior and its masterpieces

The chocolate of Modica

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

A new palace for the La Rocca lords

A city in colour

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

Searching for colour

Norman apses

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours