Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

One city, three sites

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

One city, two sites

The senses tell the story of the Church of San Sebastiano

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

Modica, a city with ancient origins

Feast days

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

The internal colours

A design by Vincenzo Sinatra

Discovering the mother church

The interior and its masterpieces

A city in colour

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

Many owners, one palace

Searching for colour

A new site for a new church

The city of museums

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

Two illustrious patron saints

Between white and black

A colourful floor

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

Prominent façade

The church of Carmine

The chocolate of Modica

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

A talking palace

A miniature city

Wonderful quick decorations

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new city

The two churches

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

A museum to save a tradition

The Barresi-Branciforte lords

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

A small room with a golden entrance

A long reconstruction

A feast only for Scicli

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Agatha and the giant candelabras

A majestic and luminous church

Connections with other UNESCO sites

The Maiolica of the staircase

New roads for Catania

From International Gothic to present day

A hall for the feasts

A Nobel Prize in Modica

From St. Thomas to St. Joseph

Norman apses

Corbels: a celebration of the Nicolaci family