Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Militello, the story of an enlightened fiefdom

Some masterpieces

The senses tell about Palazzo La Rocca

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

Prominent façade

Norman apses

The character of Badia Sant’Agata

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

Some prestigious works

A new site for a new church

A square as the heart of the city

The interior and its masterpieces

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

Feasting in Palazzolo

A miniature city

A majestic and luminous church

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

Between white and black

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

One city, three sites

The two churches

Many owners, one palace

The Maiolica of the staircase

The senses tell the story of the Badia di Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

The church of Carmine

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

The Burgos crucifix

The Feast of San Giacomo (St. James)

A symbol for the town

Searching for colour

New roads for Catania

Two illustrious patron saints

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

Connections with other UNESCO sites

A long reconstruction

A talking palace

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The wall comes to life

The senses tell the story of the Church of San Benedetto

The internal colours

A feast only for Scicli

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

One city, two sites

San Benedetto: a treasure reopened to the public

Feast days

Wonderful quick decorations

A new palace for the La Rocca lords

Discovering the mother church

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

The city of museums

A design by Vincenzo Sinatra

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo