Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The interior and its masterpieces

The disastrous earthquake

Feast days

An eagle-shaped city

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The Baroque town by the sea

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

A city in colour

A square as the heart of the city

A new site for a new city

A design by Vincenzo Sinatra

Wonderful quick decorations

Prominent façade

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

A colourful floor

Between white and black

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Places of knowledge: the Benedictines’ library

Some masterpieces

A miniature city

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, two sites

Limestone, the colour of harmony

The church of Carmine

The Barresi-Branciforte lords

A long reconstruction

St. Agatha and the giant candelabras

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

Two illustrious patron saints

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

Corbels: a celebration of the Nicolaci family

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The two churches

A small room with a golden entrance

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

The Staircase of Angels

The wall comes to life

A talking palace

The internal colours

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The city of museums

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

A new palace for the La Rocca lords

A Nobel Prize in Modica

Modica, a city with ancient origins

Some prestigious works

A prominent church

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci