Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

The wall comes to life

One city, three sites

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

The interior and its masterpieces

The façade used as a puppet theatre

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

New roads for Catania

The colours of the cathedral

A prominent church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

A half-Baroque church

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

Norman apses

A new site for a new church

Feast days

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

A long reconstruction

A hall for the feasts

Prominent façade

The senses tell the story of the Church of the Annunciation

The internal colours

The Baroque town by the sea

The theatre of taste

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

A Nobel Prize in Modica

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

St. Agatha and the giant candelabras

One city, two sites

Discovering the mother church

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

Baroque and the loss of equilibrium in the 16th century

A miniature city

The senses tell about Palazzo La Rocca

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

An eagle-shaped city

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

From International Gothic to present day

The disastrous earthquake

Wonderful quick decorations

A symbol for the town

The character of Badia Sant’Agata

A museum to save a tradition

A design by Vincenzo Sinatra

A triumph of colour

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The Burgos crucifix

San Nicolò l’Arena: an unfinished church