Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

A miniature city

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

A talking palace

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

Searching for colour

Two illustrious patron saints

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

A hall for the feasts

Feast days

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

A new site for a new city

The senses tell the story of the Church of San Sebastiano

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

A museum to save a tradition

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

New roads for Catania

The colours of the cathedral

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

A city in colour

A square as the heart of the city

A majestic and luminous church

A symbol for the town

The chocolate of Modica

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

One city, three sites

The senses tell the story of the Church of San Benedetto

The theatre of taste

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The city of museums

The two churches

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo La Rocca

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

Some prestigious works

Connections with other UNESCO sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The wall comes to life

Between white and black

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

A new site for a new church

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

Norman apses

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

Many owners, one palace

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

One city, two sites

Feasting in Palazzolo

From International Gothic to present day

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena