Scicli

A design by Vincenzo Sinatra

zoom palazzo del municipio
palazzo del municipio

The church of San Giovanni Evangelista (St. John the Evangelist) is located a few metres from Via Nazionale, near the town hall building.
In 1693, the earthquake destroyed the old building that was established by Baroness Giovanna Di Stefano. For the new church a new plot of land was chosen near the new Scicli, which was created and planned after the earthquake.
The nuns wasted no time; in the early 18th century they rebuilt the convent (later demolished to make room for the town hall) and in 1760 they decided to rebuild the church, too. It was designed by Vincenzo Sinatra , but the reconstruction was managed by Friar Alberto Maria di San Giovanni Battista. It was the friar who designed the interior decorations.
In 1776 the church was complete and can still be admired in all its beauty today.

The Church of San Giovanni Evangelista
The Church of San Giovanni Evangelista in Scicli is high and imposing. A curved staircase (indicating how many steps) separates the entrance door from the street level. The facade is built in white limestone and is divided into three horizontal bands each divided vertically by pairs of columns. The ground floor houses a green portal with yellow decorations in relief. On the first floor there is a black wrought iron balcony and three green doors. The central part of the top floor is broken and this produces the effect of a structure projected upwards.

The lower section has a wooden entrance portal and two small side niches . The central section has three windows of different sizes concealed by a louvre balcony enriched by a wrought iron railing and is completed by an elegant curved broken tympanum .

zoom Nicchia laterale
Nicchia laterale

The splendid white stone façade shines and enchants the square, with the entrance above street level. The vivacity of its components looms threateningly over passers-by.

The chiaroscuro effect is given by the projecting columns and the structure’s undulating movement, rounded in the central part and concave at the sides, animating the façade and bringing it to life.

The whiteness is again broken up by the play of light and shadow and the black railing of the louvre windows on the second floor. On the first level, where the entrance portal is located, the classic Baroque festoons, still used today for birthday parties, were carved on the capitals.

These particular capitals are called Michelangelo's ionic capitals .

dettaglio Gelosie, secondo livello  Festoni sui capitelli delle colonne del primo livello

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A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

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St. Agatha and the giant candelabras

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

A miniature city

Wonderful quick decorations

Feast days

The Barresi-Branciforte lords

Prominent façade

The Feast of San Giacomo (St. James)

The theatre of taste

Some masterpieces

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New roads for Catania

Limestone, the colour of harmony

Connections with other UNESCO sites

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From St. Thomas to St. Joseph

Many owners, one palace

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A hall for the feasts

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A feast only for Scicli

The disastrous earthquake

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One city, two sites

The wall comes to life

A majestic and luminous church

A triumph of colour

The Baroque town by the sea

Fontana della Ninfa Zizza, public water in the town

The internal colours

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

Feasting in Palazzolo

The chocolate of Modica

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

The two churches

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

A talking palace

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Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

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A symbol for the town

One city, three sites

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

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San Benedetto: a treasure reopened to the public

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

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The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

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The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

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A prominent church

Corbels: a celebration of the Nicolaci family

St. Sebastian, so much work!

The Staircase of Angels

Between white and black

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A museum to save a tradition

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

A square as the heart of the city

The city of museums

Discovering the mother church

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The colours of the cathedral

A Nobel Prize in Modica

A long reconstruction

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto