Scicli

A design by Vincenzo Sinatra

zoom palazzo del municipio
palazzo del municipio

The church of San Giovanni Evangelista (St. John the Evangelist) is located a few metres from Via Nazionale, near the town hall building.
In 1693, the earthquake destroyed the old building that was established by Baroness Giovanna Di Stefano. For the new church a new plot of land was chosen near the new Scicli, which was created and planned after the earthquake.
The nuns wasted no time; in the early 18th century they rebuilt the convent (later demolished to make room for the town hall) and in 1760 they decided to rebuild the church, too. It was designed by Vincenzo Sinatra , but the reconstruction was managed by Friar Alberto Maria di San Giovanni Battista. It was the friar who designed the interior decorations.
In 1776 the church was complete and can still be admired in all its beauty today.

The Church of San Giovanni Evangelista
The Church of San Giovanni Evangelista in Scicli is high and imposing. A curved staircase (indicating how many steps) separates the entrance door from the street level. The facade is built in white limestone and is divided into three horizontal bands each divided vertically by pairs of columns. The ground floor houses a green portal with yellow decorations in relief. On the first floor there is a black wrought iron balcony and three green doors. The central part of the top floor is broken and this produces the effect of a structure projected upwards.

The lower section has a wooden entrance portal and two small side niches . The central section has three windows of different sizes concealed by a louvre balcony enriched by a wrought iron railing and is completed by an elegant curved broken tympanum .

zoom Nicchia laterale
Nicchia laterale

The splendid white stone façade shines and enchants the square, with the entrance above street level. The vivacity of its components looms threateningly over passers-by.

The chiaroscuro effect is given by the projecting columns and the structure’s undulating movement, rounded in the central part and concave at the sides, animating the façade and bringing it to life.

The whiteness is again broken up by the play of light and shadow and the black railing of the louvre windows on the second floor. On the first level, where the entrance portal is located, the classic Baroque festoons, still used today for birthday parties, were carved on the capitals.

These particular capitals are called Michelangelo's ionic capitals .

dettaglio Gelosie, secondo livello  Festoni sui capitelli delle colonne del primo livello

The Infiorata, a feast of colours and flowers

A new site for a new city

Corbels: a celebration of the Nicolaci family

A hall for the feasts

Norman apses

St. Sebastian, so much work!

The internal colours

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

A city in colour

A design by Vincenzo Sinatra

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From St. Thomas to St. Joseph

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Limestone, the colour of harmony

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Feast days

A talking palace

Searching for colour

The senses tell the Cathedral of Sant’Agata

A triumph of colour

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

A prominent church

The Maiolica of the staircase

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

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The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The two churches

A half-Baroque church

A long reconstruction

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The colours of the cathedral

A symbol for the town

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Prominent façade

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

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A miniature city

The city of museums

Many owners, one palace

The disastrous earthquake

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The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

Feasting in Palazzolo

Between white and black

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Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

From International Gothic to present day

One city, three sites

A colourful floor

Some prestigious works

The interior and its masterpieces

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The Burgos crucifix

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library