Scicli

A design by Vincenzo Sinatra

zoom palazzo del municipio
palazzo del municipio

The church of San Giovanni Evangelista (St. John the Evangelist) is located a few metres from Via Nazionale, near the town hall building.
In 1693, the earthquake destroyed the old building that was established by Baroness Giovanna Di Stefano. For the new church a new plot of land was chosen near the new Scicli, which was created and planned after the earthquake.
The nuns wasted no time; in the early 18th century they rebuilt the convent (later demolished to make room for the town hall) and in 1760 they decided to rebuild the church, too. It was designed by Vincenzo Sinatra , but the reconstruction was managed by Friar Alberto Maria di San Giovanni Battista. It was the friar who designed the interior decorations.
In 1776 the church was complete and can still be admired in all its beauty today.

The Church of San Giovanni Evangelista
The Church of San Giovanni Evangelista in Scicli is high and imposing. A curved staircase (indicating how many steps) separates the entrance door from the street level. The facade is built in white limestone and is divided into three horizontal bands each divided vertically by pairs of columns. The ground floor houses a green portal with yellow decorations in relief. On the first floor there is a black wrought iron balcony and three green doors. The central part of the top floor is broken and this produces the effect of a structure projected upwards.

The lower section has a wooden entrance portal and two small side niches . The central section has three windows of different sizes concealed by a louvre balcony enriched by a wrought iron railing and is completed by an elegant curved broken tympanum .

zoom Nicchia laterale
Nicchia laterale

The splendid white stone façade shines and enchants the square, with the entrance above street level. The vivacity of its components looms threateningly over passers-by.

The chiaroscuro effect is given by the projecting columns and the structure’s undulating movement, rounded in the central part and concave at the sides, animating the façade and bringing it to life.

The whiteness is again broken up by the play of light and shadow and the black railing of the louvre windows on the second floor. On the first level, where the entrance portal is located, the classic Baroque festoons, still used today for birthday parties, were carved on the capitals.

These particular capitals are called Michelangelo's ionic capitals .

dettaglio Gelosie, secondo livello  Festoni sui capitelli delle colonne del primo livello

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

A hall for the feasts

The façade used as a puppet theatre

A symbol for the town

Connections with other UNESCO sites

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One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

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The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

A prominent church

An eagle-shaped city

The theatre of taste

Feast days

From the contrast of the exterior to the internal jubilation of colours

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

The Burgos crucifix

A colourful floor

Wonderful quick decorations

St. Agatha and the giant candelabras

A new site for a new city

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

Between white and black

The interior and its masterpieces

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The wall comes to life

The Baroque town by the sea

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The Infiorata, a feast of colours and flowers

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San Benedetto: a treasure reopened to the public

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

Searching for colour

The city of museums

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

The senses tell about Palazzo La Rocca

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

Some masterpieces

The Barresi-Branciforte lords

The character of Badia Sant’Agata

The church of Carmine

A feast only for Scicli

Discovering the mother church

A small room with a golden entrance

From St. Thomas to St. Joseph

A museum to save a tradition

A long reconstruction

New roads for Catania

One city, two sites

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Fontana della Ninfa Zizza, public water in the town

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The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

A design by Vincenzo Sinatra

A talking palace

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

The kitchen, a treasure chest of colours

Feasting in Palazzolo

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The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

The two churches

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

A majestic and luminous church

The disastrous earthquake

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

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Some prestigious works

A half-Baroque church

A Nobel Prize in Modica

The internal colours

A new palace for the La Rocca lords

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

Prominent façade

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Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto