Palazzolo Acreide

A majestic and luminous church

facciata da piazza del popolo al tramontoThe church of San Sebastiano (St. Sebastian) is above street level and accessed by a long flight of stairs. The façade, 35 metres tall and made of white limestone, was designed by the master architect Mario Diamanti of Syracuse.

The church of San Sebastiano
The church of San Sebastiano is located higher than the street level and is accessible through a good twenty-four steps. The facade is 35 meters high and was made of white limestone, was designed by the master architect Mario Diamanti of Syracuse. It consists of three levels: the first contains the three entrance portals; the largest in the center is framed between two pairs of columns resting on two lions; above it was built a niche with the statue of San Sebastiano; The second band contains the clock and is closed at the sides by two volutes, is less wide than the lower floor; the third level completes the structure of the facade, was built around the second half of the eighteenth century with an opening and space for a bell. Finally, at an altitude of 42 meters from the level of the square, above the top floor, stands “u palieddu”, the fan-shaped flag.

It is formed of three levels. The first contains the three entrance portals, the largest in the middle is framed by two pairs of columns resting on two lions and finished at the top by a niche housing the statue of St. Sebastian.

zoom statua di San Sebastiano
statua di San Sebastiano

portale centrale tutto il complesso decorativo che ha intorno dettaglio leone del portale dettaglio leone del portale
The second section contains the clock and is completed at the sides by two volute ; the third level was finally completed around 1768 with a bell tower.

zoom L’orologio
L’orologio

The monumental exterior is matched by an incredibly precious interior: it’s a veritable treasure! Divided into three naves , the interior is a triumph of colour.
campanile  navata centrale
A black and white chessboard floor follows worshippers throughout the church. White and yellow faux marble covers the columns and their base.
Dettaglio pavimento dettaglio colonne navata centrale dettaglio colonne navata centrale
The white walls are illuminated with golden decorations that elevate the interior.
The vault of the nave is enriched by three frescoes painted by Gioacchino Gianforma and large windows with colourful glass that flood the interior with light.dettaglio voluteThe same windows are also found above the altars in the side naves, illuminated further by brilliant Murano glass chandeliers.

zoom lampadario in vetro di murano
lampadario in vetro di murano
From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

Norman apses

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

Limestone, the colour of harmony

A small room with a golden entrance

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

A long reconstruction

The church of Carmine

The kitchen, a treasure chest of colours

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

From International Gothic to present day

Between white and black

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

A symbol for the town

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The city of museums

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

The wall comes to life

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

Many owners, one palace

Some prestigious works

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A prominent church

A hall for the feasts

Wonderful quick decorations

Discovering the mother church

Two illustrious patron saints

Searching for colour

Places of knowledge: the Benedictines’ library

A square as the heart of the city

The role of the religious orders in rebuilding the Val di Noto

The theatre of taste

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

Feast days

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The chocolate of Modica

An eagle-shaped city

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

Prominent façade

The two churches

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

A city in colour

A half-Baroque church

The internal colours

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

A museum to save a tradition

Modica, a city with ancient origins

Connections with other UNESCO sites