WHL

Criteria for including the towns of the Val di Noto in the WHL

The “Val di Noto” (Noto Valley) is the area with the eight most important towns in south-eastern Sicily among those that were affected in 1693 by the disastrous earthquake and rebuilt during the 18th century in late Baroque style. These towns are: Catania, Militello in Val di Catania, Caltagirone, Ragusa, Modica, Scicli, Palazzolo Acreide and Noto. They were inscribed in the WHL at the Budapest Conference of 24-29 June 2002, according to the following criteria:

  • this group of towns in south-eastern Sicily provides outstanding testimony to the exuberant genius of late Baroque art and architecture;
  • the towns of the Val di Noto represent the culmination and final flowering of Baroque art in Europe;
  • the exceptional quality of the late Baroque art and architecture in the Val di Noto lies in its geographical and chronological homogeneity, and is the result of the 1693 earthquake in this region;
  • the eight Late Baroque Towns of the Val di Noto in south-eastern Sicily are characteristic of the settlement pattern and urban form of this region, and are permanently at risk from earthquakes and the eruptions of Mount Etna.

In the Val di Noto the innovative drive of this cultural and artistic period came from the need to rebuild entire urban areas affected by the earthquake of 1693.
Homogeneous criteria were implemented in terms of diversity; some towns were rebuilt on their original site; others were moved to different places.
The towns chose their own architects, sculptors and painters and preferred local workers.  This led to the birth of a varied and diversified Baroque art. The commitment of the religious orders to educate the new generations of artists and architects in the cultural and artistic knowledge of Baroque Rome was crucial. It allowed the new workers to combine technical knowledge from local culture with the monumental dynamics of Roman Baroque.

A long reconstruction

Connections with other UNESCO sites

A square as the heart of the city

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

A city in colour

The Barresi-Branciforte lords

A talking palace

The Infiorata, a feast of colours and flowers

A majestic and luminous church

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

A hall for the feasts

Norman apses

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

The two churches

St. Agatha and the giant candelabras

The Baroque town by the sea

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

The city of museums

One city, two sites

A colourful floor

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

A museum to save a tradition

An eagle-shaped city

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The kitchen, a treasure chest of colours

The interior and its masterpieces

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

A symbol for the town

From St. Thomas to St. Joseph

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

One city, three sites

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

A triumph of colour

The senses tell the story of the church of San Giuseppe

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Some prestigious works

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

A half-Baroque church

Between white and black

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

Many owners, one palace

The wall comes to life