WHL

Criteria for including the towns of the Val di Noto in the WHL

The “Val di Noto” (Noto Valley) is the area with the eight most important towns in south-eastern Sicily among those that were affected in 1693 by the disastrous earthquake and rebuilt during the 18th century in late Baroque style. These towns are: Catania, Militello in Val di Catania, Caltagirone, Ragusa, Modica, Scicli, Palazzolo Acreide and Noto. They were inscribed in the WHL at the Budapest Conference of 24-29 June 2002, according to the following criteria:

  • this group of towns in south-eastern Sicily provides outstanding testimony to the exuberant genius of late Baroque art and architecture;
  • the towns of the Val di Noto represent the culmination and final flowering of Baroque art in Europe;
  • the exceptional quality of the late Baroque art and architecture in the Val di Noto lies in its geographical and chronological homogeneity, and is the result of the 1693 earthquake in this region;
  • the eight Late Baroque Towns of the Val di Noto in south-eastern Sicily are characteristic of the settlement pattern and urban form of this region, and are permanently at risk from earthquakes and the eruptions of Mount Etna.

In the Val di Noto the innovative drive of this cultural and artistic period came from the need to rebuild entire urban areas affected by the earthquake of 1693.
Homogeneous criteria were implemented in terms of diversity; some towns were rebuilt on their original site; others were moved to different places.
The towns chose their own architects, sculptors and painters and preferred local workers.  This led to the birth of a varied and diversified Baroque art. The commitment of the religious orders to educate the new generations of artists and architects in the cultural and artistic knowledge of Baroque Rome was crucial. It allowed the new workers to combine technical knowledge from local culture with the monumental dynamics of Roman Baroque.

St. Agatha and the giant candelabras

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

Some masterpieces

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

The Staircase of Angels

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

An eagle-shaped city

Wonderful quick decorations

A city in colour

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

A Nobel Prize in Modica

A prominent church

A square as the heart of the city

A talking palace

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

A colourful floor

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A museum to save a tradition

From International Gothic to present day

The Barresi-Branciforte lords

Between white and black

The senses tell the Cathedral of Sant’Agata

Prominent façade

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph

A new site for a new church

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

Some prestigious works

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The Burgos crucifix

The internal colours

The interior and its masterpieces

The two churches

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

One city, two sites

The senses tell the story of the Church of San Benedetto

The colours of the cathedral

The Maiolica of the staircase

The Baroque town by the sea

Feast days

The senses tell about Palazzo Nicolaci

The disastrous earthquake

Connections with other UNESCO sites

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

Many owners, one palace

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

New roads for Catania

The city of museums

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

Limestone, the colour of harmony

A long reconstruction

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour