The scenic search for the illusion of light

Introduction to the route

The proposed educational route reconstructs the main events of the history of the Val di Noto, through the study of some of the most important architectural heritage in the eight Late Baroque Towns: Catania, Militello in Val di Catania, Caltagirone, Ragusa, Modica, Scicli, Palazzolo Acreide and Noto.
A territory that on this occasion can be examined and discovered over the course of its history, between its elements of homogeneity and diversity in terms of history, art and architecture which led its inclusion in the UNESCO World Heritage List.
The common threads of the route will be scenery, light and theatricality, all characteristics belonging to Sicilian Baroque.
Through this study, we will capture aspects of architecture, figurative arts, sculpture and local traditions. For example, the desire to design light structures with articulated openings that favour the infiltration of light and chiaroscuro effects on the walls, but also the preference for traditional materials, the wise and focused use of materials that demonstrated the skill of local workers, such as the use of stucco instead of marble, and painted glass instead of hard stone.
The route will allow us to understand how the territories and populations affected by the earthquake of 1693 reacted to the catastrophic event that triggered a great renovation, which, in the wake of what was happening at the time in every important artistic centre of Italy, uses means of visual communication, illusionary perspective and spectacularity to involve, amaze and communicate.
The route is wound with texts that use the five senses to uncover and relive the atmosphere of the past of the towns of the Val di Noto, recounting the colours, smells and sounds that characterised them, as well as traditional food and the materials used to construct buildings.

A story of rebirth

A unifying project for the city of Catania

Palazzo Trigona: a building with a complex shape

The Church of St. Francis

City and nature

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The triumph of Baroque: expansion of spaces

The interior and works of art

The interiors: diffused light and Byzantine relics

St. Agatha and the candelore

San Domenico and Gagliardi’s work

The city within the city

A casket of precious works

Piazza Duomo, the elephant fountain, the heart of the city

Verticality and dynamism of the façade of the Church of San Carlo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The eagle-shaped city

A new site for the church of San Giorgio

The Church of Madonna della Stella

Expanded spaces, stucco and colourful lights

Religious architecture

Scicli, the city of Baroque scenery

The Church of St. Paul

The church and the college

The Palazzo dei due mori

Palazzo Zacco, a balance between sobriety and decoration

The senses tell of the Cathedral of San Pietro

The Monastery of the Benedictine nuns

Akrai and Syracuse: an unbreakable bond

Virtuosity, decorations and altars

Scenography and devotion for St. Agatha

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The casket of austerity under the great dome

The senses tell the Church of San Michele

The Franciscan convent

The articulated interior spaces

The Church of St. John the Evangelist

Expansion, spatiality and light in the church of San Domenico

The illusion of light and the decorative splendour

Palazzo Trigona di Canicarao

A compromise between Neoclassicism and Baroque

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of Santa Maria del Monte

The Staircase of Angels

The Church of St. Mary of the Mountain

The Church of St. Benedict

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Badia di Sant’Agata

From the end of the world to rebirth from the rubble

The city of Modica, a balance between nature and urbanism

Majestic exteriors, grandiose interiors

Luminous sacred spaces

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell about Palazzo Zacco

Views denied, views conquered: the power of the devout Benedictines

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

A stone garden

Fountain of the Nymph Zizza: public water in the town

The works in the church

The senses tell the Cathedral of San Giorgio

The two churches

The senses tell the story of the Church of San Paolo

The Antonino Uccello Birthplace Museum

The city palace

The Madonna dei Conadomini and the art of devotion

The interior of the church: space and colour

The smallest Greek theatre in the world

The expansion of space and changing reality

The senses tell the Cathedral of San Giorgio

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The new roads of the city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Rebirth and urban planning of the city of Noto

The senses tell of Palazzo della Cancelleria

A Nobel Prize in Modica

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Infiorata of Noto, a modern tradition

The dynamics of the Church of San Michele

The beginning of an authentic Baroque conception

Garden of Novices and the restorations by Giancarlo De Carlo

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Giuliano ai Crociferi

Altars, saints and sculptural works

The senses tell the story of the Church of San Benedetto

A heritage of votive works

Reconstruction after the earthquake

The neo-Gothic seminary chapel: symbols, light and space

One city, three sites

Baroque creativity: recurring themes

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Madonna of the Militia: a singular warrior virgin

The art of maiolica

The senses tell the Church of San Domenico

Scenography, lights and colours of the cathedral

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

The church and the monastery

The palace, the town, the church

Art in the cathedral

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Ducezio

Palazzo della Cancelleria: from former stable to the Nicastro family

The Benedictines’ library

Unusual iconographies: the Burgos crucifix