Introduction to Val di Noto

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The stylistic features of Baroque civic architecture are distinguished from religious architecture by the sobriety of the layout and the rigid compositional lines of the façades.
In most recurring typologies, the sculptural form of the façade composition is abandoned, with the elevation framing following the classic canons of the Renaissance period: base, facing and crowning.
The Baroque genius developed within this composition; the façade was embellished and enriched with figurative elements in high relief that created a play of shadows and chiaroscuro intended to exalt its sometimes grotesque forms.
The base of the buildings, simple in its division compared to Renaissance buildings, has arches that accommodate workshops and shops.

Rebirth and urban planning of the city of Noto

Art in the cathedral

Unusual iconographies: the Burgos crucifix

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The church and the monastery

A heritage of votive works

The casket of austerity under the great dome

A casket of precious works

The two churches

Altars, saints and sculptural works

The neo-Gothic seminary chapel: symbols, light and space

Majestic exteriors, grandiose interiors

The articulated interior spaces

Madonna of the Militia: a singular warrior virgin

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Akrai and Syracuse: an unbreakable bond

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

Baroque creativity: recurring themes

The senses tell the story of the Church of San Giuliano ai Crociferi

The eagle-shaped city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The Monte delle Prestanze in the new city layout

The Church of St. Benedict

The interior of the church: space and colour

The senses tell the Church of San Domenico

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

A story of rebirth

The Palazzo dei due mori

The senses tell of Palazzo della Cancelleria

The palace, the town, the church

The Madonna dei Conadomini and the art of devotion

The city palace

The senses tell of the Cathedral of San Pietro

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

A compromise between Neoclassicism and Baroque

The church and the college

Religious architecture

The Antonino Uccello Birthplace Museum

The Benedictines’ library

A new site for the church of San Giorgio

Luminous sacred spaces

The works in the church

Militello: The story of an enlightened fiefdom

Fountain of the Nymph Zizza: public water in the town

The Church of Madonna della Stella

The beginning of an authentic Baroque conception

The interior and works of art

San Domenico and Gagliardi’s work

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Trigona di Canicarao

Scicli, the city of Baroque scenery

Reconstruction after the earthquake

A Nobel Prize in Modica

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell about Palazzo Trigona

The Franciscan convent

The Church of St. Francis

The dynamics of the Church of San Michele

The new roads of the city

The Church of St. Julian on Via dei Crociferi

The city within the city

The senses tell about Palazzo Zacco

The art of maiolica

A unifying project for the city of Catania

The expansion of space and changing reality

Expanded spaces, stucco and colourful lights

Piazza Duomo, the elephant fountain, the heart of the city

Palazzo Zacco, a balance between sobriety and decoration

One city, three sites

Virtuosity, decorations and altars

The Church of St. Mary of the Mountain

The senses tell the Cathedral of Sant’Agata

City and nature

Verticality and dynamism of the façade of the Church of San Carlo

The interiors: diffused light and Byzantine relics

Baroque and the loss of balance in the 16th century

A stone garden

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Paolo

The senses tell about Palazzo Ducezio

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of Santa Maria del Monte

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. John the Evangelist

Palazzo Trigona: a building with a complex shape

The Church of St. Paul

The triumph of Baroque: expansion of spaces

St. Agatha and the candelore

The smallest Greek theatre in the world

The senses tell the Church of San Michele

The senses tell about Palazzo Beneventano

The Monastery of the Benedictine nuns

The illusion of light and the decorative splendour

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Infiorata of Noto, a modern tradition