Introduction to Val di Noto

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The stylistic features of Baroque civic architecture are distinguished from religious architecture by the sobriety of the layout and the rigid compositional lines of the façades.
In most recurring typologies, the sculptural form of the façade composition is abandoned, with the elevation framing following the classic canons of the Renaissance period: base, facing and crowning.
The Baroque genius developed within this composition; the façade was embellished and enriched with figurative elements in high relief that created a play of shadows and chiaroscuro intended to exalt its sometimes grotesque forms.
The base of the buildings, simple in its division compared to Renaissance buildings, has arches that accommodate workshops and shops.

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Benedetto

A compromise between Neoclassicism and Baroque

Majestic exteriors, grandiose interiors

The Antonino Uccello Birthplace Museum

A Nobel Prize in Modica

Reconstruction after the earthquake

The palace, the town, the church

Fountain of the Nymph Zizza: public water in the town

The dynamics of the Church of San Michele

The Staircase of Angels

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. Benedict

The works in the church

A heritage of votive works

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Beneventano

A unifying project for the city of Catania

The articulated interior spaces

Garden of Novices and the restorations by Giancarlo De Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The city palace

The new roads of the city

Luminous sacred spaces

The Church of St. Mary of the Mountain

The Benedictines’ library

Rebirth and urban planning of the city of Noto

A casket of precious works

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of the Badia di Sant’Agata

Militello: The story of an enlightened fiefdom

The Church of St. Paul

Verticality and dynamism of the façade of the Church of San Carlo

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Church of San Domenico

Akrai and Syracuse: an unbreakable bond

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of balance in the 16th century

The church and the monastery

Scenography and devotion for St. Agatha

Baroque creativity: recurring themes

The interior and works of art

The Church of Madonna della Stella

The Infiorata of Noto, a modern tradition

Views denied, views conquered: the power of the devout Benedictines

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

One city, three sites

A stone garden

The Palazzo dei due mori

The illusion of light and the decorative splendour

The senses tell about Palazzo Zacco

The senses tell the Cathedral of San Giorgio

A new site for the church of San Giorgio

The senses tell about Palazzo Ducezio

Palazzo della Cancelleria: from former stable to the Nicastro family

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of San Carlo and the former Jesuit college

The expansion of space and changing reality

Art in the cathedral

The city within the city

The beginning of an authentic Baroque conception

The Monastery of the Benedictine nuns

Unusual iconographies: the Burgos crucifix

The Monte delle Prestanze in the new city layout

St. Agatha and the candelore

The Badia di Sant’Agata (St. Agatha’s Abbey)

The interior of the church: space and colour

Virtuosity, decorations and altars

The Church of St. Julian on Via dei Crociferi

The eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

From the end of the world to rebirth from the rubble

The smallest Greek theatre in the world

Expanded spaces, stucco and colourful lights

The Church of St. Francis

The interiors: diffused light and Byzantine relics

The two churches

The senses tell the Cathedral of Sant’Agata

The casket of austerity under the great dome

A story of rebirth

The senses tell of the Cathedral of San Pietro

The church and the college

The senses tell of Palazzo della Cancelleria

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Paolo

Religious architecture

San Domenico and Gagliardi’s work

The art of maiolica

Scicli, the city of Baroque scenery

The Franciscan convent

Expansion, spatiality and light in the church of San Domenico

The senses tell the Church of San Michele

Altars, saints and sculptural works

City and nature

The neo-Gothic seminary chapel: symbols, light and space

Palazzo Trigona di Canicarao

The senses tell about Palazzo Trigona

The Church of St. John the Evangelist

Madonna of the Militia: a singular warrior virgin

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of Santa Maria del Monte