Introduction to Val di Noto

Religious architecture

For religious buildings, the architecture of the Baroque period sought to become a guiding principle for a journey of faith through the very form of the construction and its ornaments.
The façade features the characteristic elements of the sacred building and reveals its symbolic contents in its sculptural decorations, allegories of saints, votive scrolls and dedications, kept within the rigid geometric and compositional rules typical of the architecture of this period.
The sculptural and “moved” façades lead to an interior that is rich and exciting due to the triumph of colour, stuccoes and decorations that captivate worshippers, rousing wonder and amazement, right up to the crowning moment in the vault with the mystical sight of the triumph of the Saints.

A new site for the church of San Giorgio

The two churches

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The works in the church

The Franciscan convent

A casket of precious works

San Domenico and Gagliardi’s work

The senses tell about Palazzo Zacco

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

Unusual iconographies: the Burgos crucifix

The city palace

The Staircase of Angels

A story of rebirth

Luminous sacred spaces

Majestic exteriors, grandiose interiors

Fountain of the Nymph Zizza: public water in the town

Religious architecture

The articulated interior spaces

The Infiorata of Noto, a modern tradition

Altars, saints and sculptural works

The illusion of light and the decorative splendour

The Madonna dei Conadomini and the art of devotion

The interiors: diffused light and Byzantine relics

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Carlo and the former Jesuit college

Scenography and devotion for St. Agatha

The senses tell the Church of San Michele

The senses tell about Palazzo Trigona

The Church of St. John the Evangelist

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church and the monastery

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Rebirth and urban planning of the city of Noto

Akrai and Syracuse: an unbreakable bond

Virtuosity, decorations and altars

The Antonino Uccello Birthplace Museum

The expansion of space and changing reality

Scenography, lights and colours of the cathedral

The Benedictines’ library

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of Santa Maria del Monte

The Palazzo dei due mori

The senses tell of Palazzo della Cancelleria

The triumph of Baroque: expansion of spaces

Palazzo Trigona: a building with a complex shape

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The smallest Greek theatre in the world

The senses tell about Palazzo Beneventano

The Church of St. Mary of the Mountain

Reconstruction after the earthquake

The new roads of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Ducezio

The Church of St. Julian on Via dei Crociferi

A stone garden

One city, three sites

The Church of St. Benedict

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interior of the church: space and colour

Baroque creativity: recurring themes

A compromise between Neoclassicism and Baroque

A heritage of votive works

The art of maiolica

The senses tell the story of the Church of the Badia di Sant’Agata

The city within the city

The senses tell of the Cathedral of San Pietro

A unifying project for the city of Catania

The palace, the town, the church

The senses tell the story of the Church of San Benedetto

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A Nobel Prize in Modica

The senses tell the story of the Church of San Paolo

Palazzo Trigona di Canicarao

The Monastery of the Benedictine nuns

St. Agatha and the candelore

Baroque and the loss of balance in the 16th century

The interior and works of art

The Church of St. Paul

Expanded spaces, stucco and colourful lights

Palazzo Zacco, a balance between sobriety and decoration

Expansion, spatiality and light in the church of San Domenico

Militello: The story of an enlightened fiefdom

The senses tell the Cathedral of Sant’Agata

The Monte delle Prestanze in the new city layout

Scicli, the city of Baroque scenery

Art in the cathedral

The dynamics of the Church of San Michele

The senses tell the Church of San Domenico

From the end of the world to rebirth from the rubble

The church and the college

The Duomo di San Giorgio (Cathedral of St. George)

The Church of Madonna della Stella

The Church of St. Francis

The eagle-shaped city

City and nature

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio