Catania

The senses tell the story of the Church of San Benedetto

touch
The illusion of marble: marble stucco

Marble stucco is an ancient technique that tends to imitate marble and is far cheaper.
The finish of this type of stucco can be of such high quality that it is indistinguishable from natural marble.

sight
The illusion of movement

The interior of the church creates a continuously moving illusory effect thanks to some of its characteristic elements: the lateral arcades, the vault and the apse arcade seems to bring the gaze towards the altar.
With its countless stuccoes and frescoes, the vault creates the sensation of participating in a whirling motion where art and architecture interact.
Nothing seems motionless in this space and there is a continuous tension throughout.

The Franciscan convent

The city of Modica, a balance between nature and urbanism

The Antonino Uccello Birthplace Museum

A unifying project for the city of Catania

Baroque creativity: recurring themes

The Church of St. Mary of the Mountain

The Church of St. John the Evangelist

The palace, the town, the church

The casket of austerity under the great dome

Scenography and devotion for St. Agatha

The Church of Madonna della Stella

The art of maiolica

The Infiorata of Noto, a modern tradition

The senses tell of Palazzo della Cancelleria

Palazzo Zacco, a balance between sobriety and decoration

Expansion, spatiality and light in the church of San Domenico

The works in the church

The senses tell about Palazzo Zacco

The beginning of an authentic Baroque conception

Rebirth and urban planning of the city of Noto

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of the Badia di Sant’Agata

Reconstruction after the earthquake

The church and the college

The senses tell about Palazzo Ducezio

A new site for the church of San Giorgio

The Monastery of the Benedictine nuns

The senses tell the Cathedral of Sant’Agata

The dynamics of the Church of San Michele

The senses tell the Church of San Michele

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

Scicli, the city of Baroque scenery

Expanded spaces, stucco and colourful lights

Baroque and the loss of balance in the 16th century

The illusion of light and the decorative splendour

The Monte delle Prestanze in the new city layout

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A stone garden

The senses tell the Church of San Domenico

The smallest Greek theatre in the world

The senses tell the Cathedral of San Giorgio

The senses tell of the Cathedral of San Pietro

The Church of St. Paul

The senses tell the story of the Church of San Paolo

The interior of the church: space and colour

The Madonna dei Conadomini and the art of devotion

The Church of St. Benedict

The expansion of space and changing reality

A compromise between Neoclassicism and Baroque

The city within the city

Altars, saints and sculptural works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Benedictines’ library

The Church of St. Julian on Via dei Crociferi

The Church of St. Francis

Majestic exteriors, grandiose interiors

A Nobel Prize in Modica

The city palace

San Domenico and Gagliardi’s work

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Art in the cathedral

Views denied, views conquered: the power of the devout Benedictines

Militello: The story of an enlightened fiefdom

The Palazzo dei due mori

The neo-Gothic seminary chapel: symbols, light and space

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The articulated interior spaces

The triumph of Baroque: expansion of spaces

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

Piazza Duomo, the elephant fountain, the heart of the city

The interior and works of art

The eagle-shaped city

A casket of precious works

Verticality and dynamism of the façade of the Church of San Carlo

A story of rebirth

From the end of the world to rebirth from the rubble

Religious architecture

St. Agatha and the candelore

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Trigona

The church and the monastery

Palazzo Trigona di Canicarao

Akrai and Syracuse: an unbreakable bond

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

One city, three sites

Virtuosity, decorations and altars

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The two churches

A heritage of votive works

The interiors: diffused light and Byzantine relics

Luminous sacred spaces

The senses tell about Palazzo Beneventano

The new roads of the city

The Badia di Sant’Agata (St. Agatha’s Abbey)

Madonna of the Militia: a singular warrior virgin

Scenography, lights and colours of the cathedral

City and nature

The Duomo di San Giorgio (Cathedral of St. George)