Catania

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

smell
Odours from the kitchens

foto della macchina della cappaTry to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic features of the Benedictine monastery is undoubtedly the strong two-tone effect given by its main materials.
If we tried to touch a marble column and a lava stone base, we would immediately notice how they are different to the touch: the cold sensation, the porosity and the polishing.

hearing
Songs and music

The life of the Benedictine monks was marked by the strict rule of Ora et Labora (Prayer and Work), which meant dividing the day between prayer, work and study.
The entire monastery, but especially the courtyards and the church with the large organ, would have been pervaded by the singing of the monks.

sight
The red room in the Monastery’s cellars

The red room is a charming circular room located in the cellars of the Benedictine monastery which today houses the Museo della Fabbrica (Museum of Construction).
As you enter this room, the last one along the museum route, you find yourself beneath a unique red iron construction.
The magnificent structure, designed by surveyor Antonino Leonardi, is a self-supporting attic characterised by an original and contemporary shape.

taste
The room of conviviality: the large refectory

The large refectory now houses the University auditorium, but was once where the monks ate their meals.
The Rule of St. Benedict also dictated some rules in this case.
For example, meals were always to be eaten at the appointed time and in silence, though many drawings and writings of the time document that the monks’ dining was rather lavish.

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Altars, saints and sculptural works

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The palace, the town, the church

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Palazzo Trigona di Canicarao

Fountain of the Nymph Zizza: public water in the town

Militello: The story of an enlightened fiefdom

A heritage of votive works

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Baroque creativity: recurring themes

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Palazzo Zacco, a balance between sobriety and decoration

The Duomo di San Giorgio (Cathedral of St. George)

A stone garden

Art in the cathedral

St. Agatha and the candelore

The triumph of Baroque: expansion of spaces

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The Church of St. Julian on Via dei Crociferi

The Benedictines’ library

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The Church of St. Francis

The Palazzo dei due mori

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Baroque and the loss of balance in the 16th century

The Monastery of the Benedictine nuns

The interior of the church: space and colour

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The Church of St. Benedict

The senses tell of Palazzo della Cancelleria

The senses tell of the Cathedral of San Pietro

The works in the church

The church and the college

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Benedetto

Virtuosity, decorations and altars

Palazzo della Cancelleria: from former stable to the Nicastro family

Scicli, the city of Baroque scenery

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Ducezio

Scenography, lights and colours of the cathedral

The Madonna dei Conadomini and the art of devotion

The city palace

San Domenico and Gagliardi’s work

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of the Badia di Sant’Agata

Scenography and devotion for St. Agatha

The church and the monastery

The Infiorata of Noto, a modern tradition

The new roads of the city

The smallest Greek theatre in the world

The Church of St. Mary of the Mountain

The interiors: diffused light and Byzantine relics

The senses tell the Cathedral of San Giorgio

The Monte delle Prestanze in the new city layout

The city within the city

The Franciscan convent

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The illusion of light and the decorative splendour

A Nobel Prize in Modica

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The Antonino Uccello Birthplace Museum

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The beginning of an authentic Baroque conception

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

Expansion, spatiality and light in the church of San Domenico

The Church of Madonna della Stella

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Giuliano ai Crociferi

The expansion of space and changing reality

Verticality and dynamism of the façade of the Church of San Carlo

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The articulated interior spaces

The Staircase of Angels

The senses tell the story of the Church of San Carlo and the former Jesuit college

Religious architecture

The eagle-shaped city

The senses tell about Palazzo Trigona

Luminous sacred spaces

Reconstruction after the earthquake

The interior and works of art

The Church of St. John the Evangelist

The two churches

The art of maiolica

Unusual iconographies: the Burgos crucifix