Militello in Val di Catania

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

sight
The unveiling of the Madonna della Stella

statua della Madonna
On the eve of the Feast of the Madonna in Militello, which is celebrated on 8th September, one of the most exciting moments of the celebration takes place.
Before the statue is unveiled, and before the ritual celebrations, the crowd waits in muffled silence.
The statue is kept in a niche hidden by an iron sliding door that slowly opens to reveal the statue of the Madonna della Stella in all its shining beauty.

touch
The precious liturgical vestments

In the church of Madonna della Stella there is a collection of ancient liturgical vestments, clothes worn by the priest during celebration of the services.
Some of the precious fabrics of the vestments were donated by rich lords who traded fabrics, some of which came from Egypt.
The fabrics, now disused, were remodelled by the cloistered nuns, who supported themselves with these sartorial works by making wonderful priestly clothes enriched with gold thread embroidery.

taste
Quince paste

cotognataCotognata (quince paste) is a tasty typical sweet. It is made with quince, lemon and sugar and is cooked using the same process as jam.
Sometimes, on the occasion of certain festivities, these sweets are created with moulds and shapes, such as the patron saint or the coats of arms.
This culinary experience links votive tradition with flavour.

hearing
The Polizzi brothers’organ

organoThe magnificent pipe organ that rises from the chancel above the large entrance portal was built between 1925 and 1928 by the brothers Michele and Agostino Polizzi of Modica, who sought to bring back Baroque melodies to the restored church.
In fact, the sound of this scenographic instrument takes inspiration from some typical Serassian sounds, i.e. a range of 19th-century organ sounds, composed by the famous dynasty of organ masters, the Serassi family.

The eagle-shaped city

The church and the monastery

The Church of St. Benedict

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The illusion of light and the decorative splendour

A story of rebirth

Verticality and dynamism of the façade of the Church of San Carlo

Garden of Novices and the restorations by Giancarlo De Carlo

Scenography, lights and colours of the cathedral

Piazza Duomo, the elephant fountain, the heart of the city

Palazzo Zacco, a balance between sobriety and decoration

Views denied, views conquered: the power of the devout Benedictines

The triumph of Baroque: expansion of spaces

The new roads of the city

The smallest Greek theatre in the world

St. Agatha and the candelore

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Franciscan convent

The senses tell the story of the Church of San Benedetto

A Nobel Prize in Modica

From the end of the world to rebirth from the rubble

The neo-Gothic seminary chapel: symbols, light and space

The city palace

A compromise between Neoclassicism and Baroque

The Church of St. Francis

Altars, saints and sculptural works

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

The casket of austerity under the great dome

The Monastery of the Benedictine nuns

The Church of St. Mary of the Mountain

Reconstruction after the earthquake

Baroque and the loss of balance in the 16th century

The Madonna dei Conadomini and the art of devotion

A casket of precious works

Art in the cathedral

The Antonino Uccello Birthplace Museum

The Infiorata of Noto, a modern tradition

Palazzo Trigona di Canicarao

The Church of St. John the Evangelist

The Church of Madonna della Stella

The senses tell about Palazzo Ducezio

A stone garden

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Trigona

The senses tell the story of the Church of the Badia di Sant’Agata

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Cathedral of San Giorgio

Fountain of the Nymph Zizza: public water in the town

Militello: The story of an enlightened fiefdom

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Paolo

Scicli, the city of Baroque scenery

The dynamics of the Church of San Michele

The city of Modica, a balance between nature and urbanism

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Staircase of Angels

The church and the college

A new site for the church of San Giorgio

The works in the church

The senses tell the Church of San Michele

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of San Giorgio

San Domenico and Gagliardi’s work

Luminous sacred spaces

The senses tell of the Cathedral of San Pietro

The interiors: diffused light and Byzantine relics

Akrai and Syracuse: an unbreakable bond

Expanded spaces, stucco and colourful lights

The Monte delle Prestanze in the new city layout

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Church of San Domenico

The art of maiolica

Majestic exteriors, grandiose interiors

The Benedictines’ library

The senses tell the story of the Church of San Giuliano ai Crociferi

The Palazzo dei due mori

The palace, the town, the church

Scenography and devotion for St. Agatha

One city, three sites

A heritage of votive works

The senses tell about Palazzo Zacco

The interior and works of art

The Duomo di San Giorgio (Cathedral of St. George)

The interior of the church: space and colour

The senses tell the Cathedral of Sant’Agata

Virtuosity, decorations and altars

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Paul

Madonna of the Militia: a singular warrior virgin

Expansion, spatiality and light in the church of San Domenico

Baroque creativity: recurring themes

A unifying project for the city of Catania

The senses tell the story of the Church of San Carlo and the former Jesuit college

Religious architecture

Palazzo Trigona: a building with a complex shape

The articulated interior spaces

Unusual iconographies: the Burgos crucifix

The expansion of space and changing reality

City and nature

Palazzo della Cancelleria: from former stable to the Nicastro family

The two churches

The city within the city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The beginning of an authentic Baroque conception