Caltagirone

The senses tell the story of the Church and Convent of San Francesco d’Assisi all’Immacolata

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Sandstone

Sandstone, also called pietra pece because of its shades of very dark grey, is a very ancient sedimentary rock. It dates back to the Cenozoic Era, which ranges from 65 million to around 2 million years ago.
The colour of this sedimentary rock is given by the percentage of bitumen varying from 4% to 10%, a characteristic that make it suitable for damp places and flooring.pietra arenaria

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An asymmetrical element on the façade

As you look at the façade of the Church of San Francesco d’Assisi all’Immacolata, you will notice an interesting curved element similar to an apse that creates an asymmetric effect, the Chapel of the Santissimo Sacramento Ritrovato.
The interior of the chapel is equally scenic, enriched by stuccoes and decorated ceramic flooring.

Religious architecture

The senses tell the story of the Church of Santa Maria del Monte

The church and the monastery

The expansion of space and changing reality

St. Agatha and the candelore

San Domenico and Gagliardi’s work

The two churches

A story of rebirth

The new roads of the city

Views denied, views conquered: the power of the devout Benedictines

Baroque creativity: recurring themes

A new site for the church of San Giorgio

The beginning of an authentic Baroque conception

The Palazzo dei due mori

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Church of San Domenico

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Militello: The story of an enlightened fiefdom

Reconstruction after the earthquake

Verticality and dynamism of the façade of the Church of San Carlo

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Trigona

Garden of Novices and the restorations by Giancarlo De Carlo

The interiors: diffused light and Byzantine relics

The Church of St. Paul

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Madonna dei Conadomini and the art of devotion

The senses tell the Church of San Michele

The city palace

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Zacco

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Giovanni Evangelista

The Badia di Sant’Agata (St. Agatha’s Abbey)

Altars, saints and sculptural works

The Antonino Uccello Birthplace Museum

The articulated interior spaces

Piazza Duomo, the elephant fountain, the heart of the city

The Staircase of Angels

The interior of the church: space and colour

The senses tell the story of the Church of San Carlo and the former Jesuit college

The smallest Greek theatre in the world

Art in the cathedral

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Trigona: a building with a complex shape

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Ducezio

The casket of austerity under the great dome

The senses tell the Cathedral of San Giorgio

The interior and works of art

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A heritage of votive works

Scenography, lights and colours of the cathedral

A unifying project for the city of Catania

The Monastery of the Benedictine nuns

The senses tell of the Cathedral of San Pietro

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Expansion, spatiality and light in the church of San Domenico

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. John the Evangelist

The Benedictines’ library

Fountain of the Nymph Zizza: public water in the town

Majestic exteriors, grandiose interiors

The city of Modica, a balance between nature and urbanism

The works in the church

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo della Cancelleria: from former stable to the Nicastro family

Rebirth and urban planning of the city of Noto

From the end of the world to rebirth from the rubble

The Church of St. Benedict

Expanded spaces, stucco and colourful lights

The Church of St. Julian on Via dei Crociferi

The senses tell the Cathedral of Sant’Agata

The neo-Gothic seminary chapel: symbols, light and space

A stone garden

The senses tell the story of the Church of San Paolo

The church and the college

The illusion of light and the decorative splendour

One city, three sites

A casket of precious works

The senses tell the story of the Church of the Badia di Sant’Agata

Luminous sacred spaces

The Franciscan convent

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Beneventano

The art of maiolica

The dynamics of the Church of San Michele

The eagle-shaped city

Virtuosity, decorations and altars

City and nature

The Church of St. Francis

The Infiorata of Noto, a modern tradition

The Church of St. Mary of the Mountain

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Benedetto

Akrai and Syracuse: an unbreakable bond

The city within the city

The palace, the town, the church

Scenography and devotion for St. Agatha

The senses tell of Palazzo della Cancelleria

Unusual iconographies: the Burgos crucifix

Palazzo Zacco, a balance between sobriety and decoration

The Monte delle Prestanze in the new city layout

Baroque and the loss of balance in the 16th century