Caltagirone

The senses tell the story of the Church and Convent of San Francesco d’Assisi all’Immacolata

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Sandstone

Sandstone, also called pietra pece because of its shades of very dark grey, is a very ancient sedimentary rock. It dates back to the Cenozoic Era, which ranges from 65 million to around 2 million years ago.
The colour of this sedimentary rock is given by the percentage of bitumen varying from 4% to 10%, a characteristic that make it suitable for damp places and flooring.pietra arenaria

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An asymmetrical element on the façade

As you look at the façade of the Church of San Francesco d’Assisi all’Immacolata, you will notice an interesting curved element similar to an apse that creates an asymmetric effect, the Chapel of the Santissimo Sacramento Ritrovato.
The interior of the chapel is equally scenic, enriched by stuccoes and decorated ceramic flooring.

The illusion of light and the decorative splendour

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

The Madonna dei Conadomini and the art of devotion

The Infiorata of Noto, a modern tradition

St. Agatha and the candelore

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell of the Cathedral of San Pietro

Expansion, spatiality and light in the church of San Domenico

Religious architecture

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of Sant’Agata

The Church of St. Benedict

Scenography and devotion for St. Agatha

The senses tell about Palazzo Trigona

The Monte delle Prestanze in the new city layout

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Staircase of Angels

Scenography, lights and colours of the cathedral

A story of rebirth

The Church of St. Mary of the Mountain

The dynamics of the Church of San Michele

The senses tell the Church of San Domenico

The senses tell the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

Majestic exteriors, grandiose interiors

A new site for the church of San Giorgio

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Benedetto

Madonna of the Militia: a singular warrior virgin

The two churches

The art of maiolica

The Monastery of the Benedictine nuns

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. Francis

The senses tell the story of the Church of Santa Maria del Monte

One city, three sites

The eagle-shaped city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Luminous sacred spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Paolo

City and nature

The smallest Greek theatre in the world

The Franciscan convent

Akrai and Syracuse: an unbreakable bond

The works in the church

The Church of St. John the Evangelist

A stone garden

The senses tell about Palazzo Zacco

The city within the city

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A compromise between Neoclassicism and Baroque

The senses tell the Cathedral of San Giorgio

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

Verticality and dynamism of the façade of the Church of San Carlo

The beginning of an authentic Baroque conception

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The articulated interior spaces

Garden of Novices and the restorations by Giancarlo De Carlo

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Beneventano

A unifying project for the city of Catania

Art in the cathedral

A Nobel Prize in Modica

The senses tell about Palazzo Ducezio

Virtuosity, decorations and altars

The Benedictines’ library

Altars, saints and sculptural works

Views denied, views conquered: the power of the devout Benedictines

Palazzo Trigona di Canicarao

Piazza Duomo, the elephant fountain, the heart of the city

Baroque and the loss of balance in the 16th century

Expanded spaces, stucco and colourful lights

The Church of St. Paul

The neo-Gothic seminary chapel: symbols, light and space

Baroque creativity: recurring themes

The senses tell the Cathedral of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

The Palazzo dei due mori

Fountain of the Nymph Zizza: public water in the town

The city of Modica, a balance between nature and urbanism

San Domenico and Gagliardi’s work

A heritage of votive works

A casket of precious works

The new roads of the city

Scicli, the city of Baroque scenery

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Trigona: a building with a complex shape

The expansion of space and changing reality

The Church of Madonna della Stella

The Badia di Sant’Agata (St. Agatha’s Abbey)

The interior and works of art

The interior of the church: space and colour

The city palace

The palace, the town, the church

The Antonino Uccello Birthplace Museum

The interiors: diffused light and Byzantine relics

The church and the monastery

The church and the college

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Giovanni Evangelista