Catania

The new roads of the city

The reconstruction and reorganisation of the streets of Catania was based on some rules including the standard width of around 16, 12 or 8 metres, depending on whether they were main or secondary roads, and a geometric model set on a grid that was not rigidly orthogonal ), but conducted by four main road axes.
These axes were Via Etnea, Via San Giuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi.
Via Etnea was designed to create a long, straight road starting from Piazza Duomo and crossing with Via San Giuliano. To date, it still connects the Montevergine district to the sea, intersecting with it to form the scenic crossroads of the “ Quattro Canti ” square.
San Giuliano
The other two road axes built, Via Vittorio Emanuele and Via Giuseppe Garibaldi, today link Piazza Duomo, the heart of the city, to the old city.
via Vittorio Emanuele via Garibaldi piazza Duomo
Another fundamental axis, though smaller in size, is Via dei Crociferi, a road just over one hundred metres long where Catania’s most representative Baroque examples of churches and convents were built. Work to reorganise the roads was led by labourers from Calabria and around Etna, who were experts in the removal of lava stone blocks.
The new road layout brought great advantages to the city of Catania, not only for the beauty of the new architecture, but also because it facilitated connections and allowed for large, scenic and dynamic spaces to be created where citizens could find safe refuge in the event of an earthquake.

The senses tell the Cathedral of San Giorgio

The Madonna dei Conadomini and the art of devotion

The senses tell the Cathedral of Sant’Agata

The city of Modica, a balance between nature and urbanism

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Virtuosity, decorations and altars

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Monastery of the Benedictine nuns

The senses tell the story of the Church of San Giuliano ai Crociferi

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

The casket of austerity under the great dome

A stone garden

The senses tell the story of the Church of San Carlo and the former Jesuit college

The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

Religious architecture

The Infiorata of Noto, a modern tradition

The works in the church

The Church of St. Francis

The senses tell about Palazzo Zacco

A story of rebirth

Scicli, the city of Baroque scenery

Baroque and the loss of balance in the 16th century

Expanded spaces, stucco and colourful lights

Militello: The story of an enlightened fiefdom

A Nobel Prize in Modica

Expansion, spatiality and light in the church of San Domenico

A casket of precious works

The Monte delle Prestanze in the new city layout

A heritage of votive works

The Franciscan convent

Madonna of the Militia: a singular warrior virgin

St. Agatha and the candelore

The eagle-shaped city

Majestic exteriors, grandiose interiors

The expansion of space and changing reality

Piazza Duomo, the elephant fountain, the heart of the city

The beginning of an authentic Baroque conception

The senses tell of the Cathedral of San Pietro

Altars, saints and sculptural works

Unusual iconographies: the Burgos crucifix

The interior and works of art

Fountain of the Nymph Zizza: public water in the town

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Benedetto

Rebirth and urban planning of the city of Noto

The new roads of the city

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Paolo

From the end of the world to rebirth from the rubble

The senses tell the Church of San Michele

The Palazzo dei due mori

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

San Domenico and Gagliardi’s work

The dynamics of the Church of San Michele

The Church of St. John the Evangelist

The city within the city

The articulated interior spaces

The senses tell about Palazzo Trigona

The two churches

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of the Badia di Sant’Agata

One city, three sites

Palazzo Trigona di Canicarao

The palace, the town, the church

A compromise between Neoclassicism and Baroque

A unifying project for the city of Catania

The Staircase of Angels

The church and the college

The Church of St. Julian on Via dei Crociferi

Reconstruction after the earthquake

Scenography and devotion for St. Agatha

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

Garden of Novices and the restorations by Giancarlo De Carlo

The interiors: diffused light and Byzantine relics

The Church of St. Benedict

City and nature

The senses tell about Palazzo Ducezio

Scenography, lights and colours of the cathedral

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Zacco, a balance between sobriety and decoration

The Benedictines’ library

Views denied, views conquered: the power of the devout Benedictines

The interior of the church: space and colour

The church and the monastery

The Church of St. Mary of the Mountain

The senses tell the story of the Church of Santa Maria del Monte

The smallest Greek theatre in the world

Palazzo Trigona: a building with a complex shape

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Church of San Domenico

Baroque creativity: recurring themes

The Church of St. Paul

Luminous sacred spaces

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A new site for the church of San Giorgio

The city palace

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

Art in the cathedral