Caltagirone

The Monte delle Prestanze in the new city layout

The city, hit by the earthquake, was rebuilt in the same place, maintaining the previous urban plan and inserting beautiful new buildings in Baroque style.
The city of Caltagirone became an example of urban planning for the other cities affected by the earthquake of 1693. In particular, its plan was adopted in the reconstruction of Catania by the Duke of Camastra. The new buildings within the modern urban layout include the Monte delle Prestanze or Monte di Pietà in the square bordered by the Senatorial Palace, and opposite the church of San Giuliano (St. Julian).
monte prestanze prospetto frontale
dettaglio colonne ingressoBuilt at the start of the 18th century by architect Natale Bonaiuto, the building has a square plan. Its uniqueness manifests in the elevation.
In fact, it has a series of giant half columns on tall plinths, i.e. extending from the ground up to the upper floor, arranged in a tight pattern.
The absence of corbels and the thicker columns near the entrance are newer elements than the local tradition.
It was a symbol of great modernity and a very representative style for a building used as a civic bank.

The senses tell the Church of San Michele

The church and the college

Palazzo Trigona: a building with a complex shape

A casket of precious works

The senses tell about Palazzo Zacco

Scenography, lights and colours of the cathedral

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell about Palazzo Beneventano

Fountain of the Nymph Zizza: public water in the town

The Church of St. Julian on Via dei Crociferi

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Verticality and dynamism of the façade of the Church of San Carlo

The eagle-shaped city

A heritage of votive works

The triumph of Baroque: expansion of spaces

One city, three sites

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Cathedral of San Giorgio

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Ducezio

A new site for the church of San Giorgio

City and nature

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

Scicli, the city of Baroque scenery

The smallest Greek theatre in the world

The casket of austerity under the great dome

Akrai and Syracuse: an unbreakable bond

The Church of St. Benedict

Rebirth and urban planning of the city of Noto

A compromise between Neoclassicism and Baroque

The city within the city

Luminous sacred spaces

Baroque and the loss of balance in the 16th century

The art of maiolica

A story of rebirth

The Monte delle Prestanze in the new city layout

Baroque creativity: recurring themes

The senses tell the story of the Church of Santa Maria del Monte

A stone garden

The beginning of an authentic Baroque conception

The new roads of the city

Art in the cathedral

The interiors: diffused light and Byzantine relics

Militello: The story of an enlightened fiefdom

The Palazzo dei due mori

The Madonna dei Conadomini and the art of devotion

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

From the end of the world to rebirth from the rubble

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Paul

The church and the monastery

The senses tell the story of the Church of the Badia di Sant’Agata

Religious architecture

The Monastery of the Benedictine nuns

A Nobel Prize in Modica

The senses tell the Church of San Domenico

The Duomo di San Giorgio (Cathedral of St. George)

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of Sant’Agata

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Trigona

The senses tell of Palazzo della Cancelleria

The Benedictines’ library

Palazzo Trigona di Canicarao

The Antonino Uccello Birthplace Museum

The interior and works of art

The works in the church

A unifying project for the city of Catania

Madonna of the Militia: a singular warrior virgin

The Badia di Sant’Agata (St. Agatha’s Abbey)

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The articulated interior spaces

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Paolo

The Franciscan convent

The illusion of light and the decorative splendour

The two churches

Reconstruction after the earthquake

The senses tell the Cathedral of San Giorgio

The city palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Mary of the Mountain

The neo-Gothic seminary chapel: symbols, light and space

Virtuosity, decorations and altars

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell of the Cathedral of San Pietro

Palazzo Zacco, a balance between sobriety and decoration

The interior of the church: space and colour

St. Agatha and the candelore

The Church of Madonna della Stella

Majestic exteriors, grandiose interiors

Garden of Novices and the restorations by Giancarlo De Carlo

The dynamics of the Church of San Michele

Altars, saints and sculptural works

Scenography and devotion for St. Agatha

Unusual iconographies: the Burgos crucifix

The Church of St. John the Evangelist

The palace, the town, the church

Expanded spaces, stucco and colourful lights

Palazzo della Cancelleria: from former stable to the Nicastro family

The expansion of space and changing reality

The Infiorata of Noto, a modern tradition

The Church of St. Francis