Caltagirone

The art of maiolica

One of the most ancient art forms of Caltagirone is the production of ceramics, a thousand-year-old history of wisdom and tradition. The discoveries of archaeologist Paolo Orsi prove that the production of maiolica predates the Islamic rule. museo della ceramicaIn fact, it was already popular in the territory before the arrival of the Arabs, who gave a renewed boost to production thanks to a new technique – glazing – that made the pottery more waterproof and resistant.
Under the Spanish rule of Alfonso of Aragon, the pottery trade intensified even more thanks to his tax privileges, which allowed workers to increase their production and sales throughout the island.
With the earthquake of 1693 many of the maiolica floors were destroyed and the artisans’ activity was interrupted. Some of the most valuable fragments are kept in the Regional Museum of Ceramics .
After the earthquake an attempt was made to make trade flourish again. The decorative motifs were renewed by expanding the designs on the entire floor so that they were no longer on a single maiolica tile.
ceramiche in ordine di descrizione per periodo
Production was interrupted in the 1800s due to the use of cement and the centuries-old activity of ceramists ended, for a certain period, when the last masters disappeared in the 1930s.
The tradition, which seemed destined to be lost, was saved by Don Luigi Sturzo who founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) in 1918, giving renewed impetus to the art of maiolica. One of the best-known examples throughout history of the maiolica process is the Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain).

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Scenography and devotion for St. Agatha

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The senses tell of the Cathedral of San Pietro

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Reconstruction after the earthquake

The senses tell about Palazzo Ducezio

The articulated interior spaces

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The senses tell about Palazzo Zacco

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The Church of St. Benedict

Expanded spaces, stucco and colourful lights

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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The triumph of Baroque: expansion of spaces

The city within the city

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Scenography, lights and colours of the cathedral

Fountain of the Nymph Zizza: public water in the town

The interior and works of art

The city palace

The Church of St. Francis

The dynamics of the Church of San Michele

The church and the college

Madonna of the Militia: a singular warrior virgin

The Staircase of Angels

The senses tell the story of the Church of Santa Maria del Monte

City and nature

San Domenico and Gagliardi’s work

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. Mary of the Mountain

The Church of St. Paul

Baroque creativity: recurring themes

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Trigona

The senses tell the Church of San Domenico

The Church of Madonna della Stella

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Religious architecture

The art of maiolica

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Palazzo Trigona di Canicarao

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The Benedictines’ library

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The senses tell the Cathedral of Sant’Agata

Palazzo Zacco, a balance between sobriety and decoration

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Art in the cathedral

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The Antonino Uccello Birthplace Museum

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The senses tell of Palazzo della Cancelleria

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The senses tell the Cathedral of San Giorgio

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A stone garden

Verticality and dynamism of the façade of the Church of San Carlo

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The senses tell the story of the Church of San Benedetto