Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

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Reconstruction after the earthquake

A story of rebirth

Militello: The story of an enlightened fiefdom

St. Agatha and the candelore

The Palazzo dei due mori

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The Monte delle Prestanze in the new city layout

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The city within the city

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Religious architecture

The works in the church

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Palazzo Zacco, a balance between sobriety and decoration

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Palazzo Trigona di Canicarao

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Unusual iconographies: the Burgos crucifix

Madonna of the Militia: a singular warrior virgin

The illusion of light and the decorative splendour

The interior and works of art

The casket of austerity under the great dome

The senses tell about Palazzo Zacco

Majestic exteriors, grandiose interiors

Baroque and the loss of balance in the 16th century

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San Domenico and Gagliardi’s work

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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The city palace

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The articulated interior spaces

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A stone garden

The Church of St. John the Evangelist

The interior of the church: space and colour

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Luminous sacred spaces

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The Staircase of Angels

The new roads of the city

The senses tell the story of the Church of the Badia di Sant’Agata

Baroque creativity: recurring themes

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The Church of St. Julian on Via dei Crociferi

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Expanded spaces, stucco and colourful lights

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Akrai and Syracuse: an unbreakable bond

The triumph of Baroque: expansion of spaces

A Nobel Prize in Modica