Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

The works in the church

The Palazzo dei due mori

The Staircase of Angels

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The palace, the town, the church

The church and the monastery

City and nature

The Church of St. Mary of the Mountain

The city palace

A new site for the church of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

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The Madonna dei Conadomini and the art of devotion

San Domenico and Gagliardi’s work

The Franciscan convent

Luminous sacred spaces

The Church of St. Francis

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giuliano ai Crociferi

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The Monte delle Prestanze in the new city layout

Scicli, the city of Baroque scenery

Baroque creativity: recurring themes

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Church of San Domenico

A heritage of votive works

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The smallest Greek theatre in the world

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The senses tell about Palazzo Zacco

Garden of Novices and the restorations by Giancarlo De Carlo

The interior of the church: space and colour

The Church of St. Paul

The senses tell of Palazzo della Cancelleria

Scenography, lights and colours of the cathedral

Art in the cathedral

The Benedictines’ library

Palazzo Trigona di Canicarao

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Madonna of the Militia: a singular warrior virgin

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Scenography and devotion for St. Agatha

The interiors: diffused light and Byzantine relics

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The eagle-shaped city

The senses tell the Cathedral of San Giorgio

The church and the college

Religious architecture

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the story of the Church of San Paolo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Infiorata of Noto, a modern tradition

A Nobel Prize in Modica

The senses tell about Palazzo Trigona

The articulated interior spaces

Palazzo Trigona: a building with a complex shape

A casket of precious works

The two churches

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The expansion of space and changing reality

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The city within the city

Unusual iconographies: the Burgos crucifix

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A unifying project for the city of Catania

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The new roads of the city

The Monastery of the Benedictine nuns

The interior and works of art

One city, three sites

Altars, saints and sculptural works

The senses tell about Palazzo Ducezio

The dynamics of the Church of San Michele

St. Agatha and the candelore

The illusion of light and the decorative splendour

The beginning of an authentic Baroque conception

The art of maiolica

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Majestic exteriors, grandiose interiors

The senses tell the Church of San Michele

The senses tell the Cathedral of Sant’Agata

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

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From the end of the world to rebirth from the rubble

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Benedict

Virtuosity, decorations and altars

The city of Modica, a balance between nature and urbanism

The triumph of Baroque: expansion of spaces

A stone garden

A story of rebirth

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo della Cancelleria: from former stable to the Nicastro family

A compromise between Neoclassicism and Baroque

The casket of austerity under the great dome

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Antonino Uccello Birthplace Museum

Reconstruction after the earthquake

The Church of St. John the Evangelist