Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

St. Agatha and the candelore

Virtuosity, decorations and altars

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The neo-Gothic seminary chapel: symbols, light and space

The city of Modica, a balance between nature and urbanism

The senses tell the Cathedral of Sant’Agata

Baroque creativity: recurring themes

The casket of austerity under the great dome

Expansion, spatiality and light in the church of San Domenico

The Madonna dei Conadomini and the art of devotion

The senses tell the Church of San Michele

The senses tell the Cathedral of San Giorgio

The palace, the town, the church

The art of maiolica

Scicli, the city of Baroque scenery

City and nature

A unifying project for the city of Catania

The Church of St. Mary of the Mountain

A casket of precious works

A compromise between Neoclassicism and Baroque

Religious architecture

The Church of St. Francis

The Church of St. John the Evangelist

Majestic exteriors, grandiose interiors

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

San Domenico and Gagliardi’s work

The senses tell the Church of San Domenico

Akrai and Syracuse: an unbreakable bond

Views denied, views conquered: the power of the devout Benedictines

The new roads of the city

The Monastery of the Benedictine nuns

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interior and works of art

The senses tell the story of the Church of San Paolo

Altars, saints and sculptural works

The beginning of an authentic Baroque conception

The Church of Madonna della Stella

The Staircase of Angels

The Church of St. Paul

The senses tell of the Cathedral of San Pietro

Piazza Duomo, the elephant fountain, the heart of the city

The Franciscan convent

Scenography, lights and colours of the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Infiorata of Noto, a modern tradition

From the end of the world to rebirth from the rubble

The church and the monastery

A Nobel Prize in Modica

The senses tell the story of the Church of San Carlo and the former Jesuit college

The illusion of light and the decorative splendour

The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Benedetto

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Maria del Monte

Luminous sacred spaces

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

A heritage of votive works

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The senses tell the Cathedral of San Giorgio

The church and the college

One city, three sites

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The Antonino Uccello Birthplace Museum

The Monte delle Prestanze in the new city layout

Militello: The story of an enlightened fiefdom

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

A stone garden

The city within the city

Palazzo Zacco, a balance between sobriety and decoration

The dynamics of the Church of San Michele

The smallest Greek theatre in the world

Scenography and devotion for St. Agatha

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Palazzo dei due mori

The Benedictines’ library

Madonna of the Militia: a singular warrior virgin

Art in the cathedral

Fountain of the Nymph Zizza: public water in the town

Palazzo della Cancelleria: from former stable to the Nicastro family

Expanded spaces, stucco and colourful lights

A story of rebirth

The senses tell about Palazzo Zacco

The interior of the church: space and colour

The senses tell about Palazzo Beneventano

The interiors: diffused light and Byzantine relics

The works in the church

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Julian on Via dei Crociferi

The Duomo di San Giorgio (Cathedral of St. George)

The city palace

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

The Church of St. Benedict

Palazzo Trigona: a building with a complex shape

The eagle-shaped city

The articulated interior spaces

A new site for the church of San Giorgio

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The expansion of space and changing reality

Rebirth and urban planning of the city of Noto

Garden of Novices and the restorations by Giancarlo De Carlo