Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
tabelloni in ordine di descrizione e zoo tabelloni in ordine di descrizione

The palace, the town, the church

Palazzo Zacco, a balance between sobriety and decoration

The city of Modica, a balance between nature and urbanism

The interior of the church: space and colour

The senses tell the Cathedral of San Giorgio

Garden of Novices and the restorations by Giancarlo De Carlo

The Monte delle Prestanze in the new city layout

The triumph of Baroque: expansion of spaces

The works in the church

A stone garden

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Benedetto

The Madonna dei Conadomini and the art of devotion

The Franciscan convent

Rebirth and urban planning of the city of Noto

Palazzo Trigona di Canicarao

The Infiorata of Noto, a modern tradition

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Paolo

Baroque creativity: recurring themes

The art of maiolica

A heritage of votive works

The Church of St. John the Evangelist

The neo-Gothic seminary chapel: symbols, light and space

City and nature

The interiors: diffused light and Byzantine relics

The interior and works of art

Scenography, lights and colours of the cathedral

Scicli, the city of Baroque scenery

The city palace

The senses tell the story of the Church of the Badia di Sant’Agata

The city within the city

Luminous sacred spaces

The Church of St. Benedict

The dynamics of the Church of San Michele

Palazzo Trigona: a building with a complex shape

The senses tell the Cathedral of Sant’Agata

Altars, saints and sculptural works

The eagle-shaped city

Fountain of the Nymph Zizza: public water in the town

Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Giuliano ai Crociferi

San Domenico and Gagliardi’s work

A unifying project for the city of Catania

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of Santa Maria del Monte

Militello: The story of an enlightened fiefdom

A Nobel Prize in Modica

A compromise between Neoclassicism and Baroque

The beginning of an authentic Baroque conception

A casket of precious works

The Monastery of the Benedictine nuns

Piazza Duomo, the elephant fountain, the heart of the city

A story of rebirth

The new roads of the city

The senses tell about Palazzo Trigona

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Zacco

The expansion of space and changing reality

The smallest Greek theatre in the world

Expansion, spatiality and light in the church of San Domenico

Scenography and devotion for St. Agatha

The church and the college

The Antonino Uccello Birthplace Museum

Baroque and the loss of balance in the 16th century

St. Agatha and the candelore

The senses tell about Palazzo Beneventano

The Benedictines’ library

The Palazzo dei due mori

The Church of St. Paul

The senses tell the Cathedral of San Giorgio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Ducezio

Expanded spaces, stucco and colourful lights

Majestic exteriors, grandiose interiors

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A new site for the church of San Giorgio

The Staircase of Angels

From the end of the world to rebirth from the rubble

The two churches

Religious architecture

The articulated interior spaces

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell of the Cathedral of San Pietro

One city, three sites

The Church of Madonna della Stella

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Michele

Virtuosity, decorations and altars

The Badia di Sant’Agata (St. Agatha’s Abbey)

The casket of austerity under the great dome

The Church of St. Mary of the Mountain

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The illusion of light and the decorative splendour

The Church of St. Julian on Via dei Crociferi

Madonna of the Militia: a singular warrior virgin

The Church of St. Francis

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The church and the monastery

Art in the cathedral

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake