Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
tabelloni in ordine di descrizione e zoo tabelloni in ordine di descrizione

The Badia di Sant’Agata (St. Agatha’s Abbey)

San Domenico and Gagliardi’s work

The senses tell the Cathedral of Sant’Agata

Rebirth and urban planning of the city of Noto

Piazza Duomo, the elephant fountain, the heart of the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Carlo and the former Jesuit college

Scenography and devotion for St. Agatha

A Nobel Prize in Modica

The neo-Gothic seminary chapel: symbols, light and space

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Benedict

The Church of St. Julian on Via dei Crociferi

Baroque and the loss of balance in the 16th century

The Franciscan convent

The palace, the town, the church

The senses tell the Church of San Michele

Madonna of the Militia: a singular warrior virgin

The Staircase of Angels

The Monastery of the Benedictine nuns

A stone garden

A heritage of votive works

Fountain of the Nymph Zizza: public water in the town

The Monte delle Prestanze in the new city layout

Altars, saints and sculptural works

The new roads of the city

Expansion, spatiality and light in the church of San Domenico

The church and the college

The senses tell the story of the Church of the Badia di Sant’Agata

Virtuosity, decorations and altars

Militello: The story of an enlightened fiefdom

The works in the church

Baroque creativity: recurring themes

A casket of precious works

The triumph of Baroque: expansion of spaces

Palazzo Zacco, a balance between sobriety and decoration

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

The city palace

The senses tell the story of the Church of San Benedetto

A compromise between Neoclassicism and Baroque

The eagle-shaped city

The Duomo di San Giorgio (Cathedral of St. George)

The art of maiolica

The interior and works of art

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Giovanni Evangelista

Akrai and Syracuse: an unbreakable bond

The dynamics of the Church of San Michele

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for the church of San Giorgio

Unusual iconographies: the Burgos crucifix

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Trigona

The senses tell of the Cathedral of San Pietro

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Ducezio

The Benedictines’ library

Palazzo Trigona: a building with a complex shape

The articulated interior spaces

Reconstruction after the earthquake

The expansion of space and changing reality

The senses tell the Church of San Domenico

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. John the Evangelist

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Paolo

Scenography, lights and colours of the cathedral

Art in the cathedral

Religious architecture

Expanded spaces, stucco and colourful lights

The smallest Greek theatre in the world

The interior of the church: space and colour

The interiors: diffused light and Byzantine relics

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of Santa Maria del Monte

The senses tell about Palazzo Beneventano

The Church of St. Mary of the Mountain

The Church of St. Francis

The church and the monastery

The city within the city

Palazzo Trigona di Canicarao

The senses tell about Palazzo Zacco

The Antonino Uccello Birthplace Museum

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

City and nature

The Church of St. Paul

Luminous sacred spaces

The casket of austerity under the great dome

The two churches

Views denied, views conquered: the power of the devout Benedictines

St. Agatha and the candelore

The illusion of light and the decorative splendour

The Infiorata of Noto, a modern tradition

The city of Modica, a balance between nature and urbanism

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

From the end of the world to rebirth from the rubble

A unifying project for the city of Catania

One city, three sites

The Palazzo dei due mori

Palazzo della Cancelleria: from former stable to the Nicastro family

A story of rebirth