Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
tabelloni in ordine di descrizione e zoo tabelloni in ordine di descrizione

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The interior of the church: space and colour

The Church of St. Francis

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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Art in the cathedral

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A stone garden

The senses tell the Cathedral of Sant’Agata

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The Church of St. Benedict

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San Domenico and Gagliardi’s work

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The works in the church

The Monte delle Prestanze in the new city layout

Luminous sacred spaces

Unusual iconographies: the Burgos crucifix

The two churches

The beginning of an authentic Baroque conception

The Franciscan convent

The Staircase of Angels

The expansion of space and changing reality

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Madonna of the Militia: a singular warrior virgin

The city within the city

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The Palazzo dei due mori

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Palazzo Zacco, a balance between sobriety and decoration

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Reconstruction after the earthquake

The senses tell the story of the Church of Santa Maria del Monte

From the end of the world to rebirth from the rubble

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The Benedictines’ library

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A casket of precious works

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The smallest Greek theatre in the world

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The articulated interior spaces

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St. Agatha and the candelore

Altars, saints and sculptural works

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The triumph of Baroque: expansion of spaces

Baroque creativity: recurring themes

The Church of St. Mary of the Mountain

The senses tell of Palazzo della Cancelleria

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo Trigona: a building with a complex shape

The city palace

Garden of Novices and the restorations by Giancarlo De Carlo

The Duomo di San Giorgio (Cathedral of St. George)

Scenography, lights and colours of the cathedral

The senses tell the Church of San Domenico

The senses tell of the Cathedral of San Pietro

Palazzo Trigona di Canicarao

The casket of austerity under the great dome