Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
tabelloni in ordine di descrizione e zoo tabelloni in ordine di descrizione

Piazza Duomo, the elephant fountain, the heart of the city

Expanded spaces, stucco and colourful lights

A casket of precious works

A compromise between Neoclassicism and Baroque

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The new roads of the city

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Trigona

Virtuosity, decorations and altars

The interiors: diffused light and Byzantine relics

The illusion of light and the decorative splendour

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of St. John the Evangelist

The senses tell the story of the Church of Santa Maria del Monte

The neo-Gothic seminary chapel: symbols, light and space

City and nature

Baroque creativity: recurring themes

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Paul

The Church of St. Julian on Via dei Crociferi

Religious architecture

The Church of St. Francis

The palace, the town, the church

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo della Cancelleria: from former stable to the Nicastro family

The interior and works of art

The senses tell the story of the Church of San Giovanni Evangelista

A stone garden

The smallest Greek theatre in the world

A heritage of votive works

Palazzo Trigona: a building with a complex shape

The interior of the church: space and colour

The Staircase of Angels

San Domenico and Gagliardi’s work

A new site for the church of San Giorgio

The eagle-shaped city

The works in the church

The city palace

The senses tell about Palazzo Zacco

The Benedictines’ library

The senses tell the Church of San Domenico

The Franciscan convent

The senses tell the story of the Church of San Paolo

The beginning of an authentic Baroque conception

The expansion of space and changing reality

St. Agatha and the candelore

The senses tell the story of the Church of the Badia di Sant’Agata

The church and the college

The art of maiolica

Akrai and Syracuse: an unbreakable bond

The Church of St. Mary of the Mountain

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

Art in the cathedral

Baroque and the loss of balance in the 16th century

The senses tell of the Cathedral of San Pietro

Militello: The story of an enlightened fiefdom

The Church of Madonna della Stella

The articulated interior spaces

Scicli, the city of Baroque scenery

A story of rebirth

Scenography, lights and colours of the cathedral

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The Badia di Sant’Agata (St. Agatha’s Abbey)

The city within the city

A unifying project for the city of Catania

From the end of the world to rebirth from the rubble

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Madonna dei Conadomini and the art of devotion

The Infiorata of Noto, a modern tradition

The dynamics of the Church of San Michele

Palazzo Zacco, a balance between sobriety and decoration

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Benedetto

Luminous sacred spaces

Madonna of the Militia: a singular warrior virgin

Verticality and dynamism of the façade of the Church of San Carlo

Unusual iconographies: the Burgos crucifix

The senses tell about Palazzo Beneventano

The city of Modica, a balance between nature and urbanism

Fountain of the Nymph Zizza: public water in the town

The two churches

Views denied, views conquered: the power of the devout Benedictines

A Nobel Prize in Modica

The Monastery of the Benedictine nuns

One city, three sites

Majestic exteriors, grandiose interiors

The Palazzo dei due mori

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Carlo and the former Jesuit college

The casket of austerity under the great dome

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Cathedral of San Giorgio

Palazzo Trigona di Canicarao

Scenography and devotion for St. Agatha

The senses tell about Palazzo Ducezio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expansion, spatiality and light in the church of San Domenico

The church and the monastery

The Antonino Uccello Birthplace Museum

Reconstruction after the earthquake

The senses tell the Church of San Michele

The Church of St. Benedict

Garden of Novices and the restorations by Giancarlo De Carlo