Catania

The Monastery of the Benedictine nuns

The Benedictine Monastery is located on the hill of Montevergine and is one of the city’s largest complexes. Today it is still considered the second largest monastic complex in Europe.
A very long history marked by the passage of time (a testimony of which are the remains of the Roman domus, or house, with the remains of a mosaic floor), civilisations and natural disasters that have made it one of the most resilient and richest cultural sites on the entire island.
It was founded by the monks of Cassino in the 16th century, when the western cloister was constructed, with the large Carrara marble quatrefoil fountain completed in 1608, as well as most of the rooms used for monastery life including the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour.
With the eruption of 1669, the monastery was hit by magma that surrounded the building’s walls and reached the first-storey windows. Traces of the lava flow are still visible along the retaining walls, which were built especially to divert it. In 1693 it was hit by the great earthquake and suffered serious damage.
The new monastery design included the construction of four large courtyards that would make it the largest in the world, but only two were completed, extending it by around 1450 square metres.
portale ingresso
The decision to increase the spaces allowed for the construction of the cloister of Levante where the eclectic and elegant Caffeaos was inserted.
The two external elevations, south and east, are late Baroque, marked by giant pilasters with diamond rustication and crowned with Corinthian capitals . There are windows and balconies adorned with a series of volutes, flowers, masks and nymphs.
Among these is the austere neoclassical portal of the main entrance, a late 18th-century modification.

 

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The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A heritage of votive works

A stone garden

The new roads of the city

The illusion of light and the decorative splendour

Expanded spaces, stucco and colourful lights

Fountain of the Nymph Zizza: public water in the town

The Church of St. John the Evangelist

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Unusual iconographies: the Burgos crucifix

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Palazzo Trigona di Canicarao

The Badia di Sant’Agata (St. Agatha’s Abbey)

Virtuosity, decorations and altars

Luminous sacred spaces

The interior and works of art

St. Agatha and the candelore

The Church of Madonna della Stella

Majestic exteriors, grandiose interiors

The interior of the church: space and colour

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Garden of Novices and the restorations by Giancarlo De Carlo

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The Church of St. Benedict

The Benedictines’ library

San Domenico and Gagliardi’s work

The Staircase of Angels

Scicli, the city of Baroque scenery

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The smallest Greek theatre in the world

The expansion of space and changing reality

The articulated interior spaces

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The church and the monastery

Baroque and the loss of balance in the 16th century

One city, three sites

The Monastery of the Benedictine nuns

The Franciscan convent

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City and nature

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The two churches

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Reconstruction after the earthquake

The Palazzo dei due mori

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Religious architecture

A compromise between Neoclassicism and Baroque

A new site for the church of San Giorgio

Palazzo Trigona: a building with a complex shape

The palace, the town, the church

The casket of austerity under the great dome

The city palace

Palazzo Zacco, a balance between sobriety and decoration

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The senses tell the Church of San Domenico

The Church of St. Mary of the Mountain

The beginning of an authentic Baroque conception

Militello: The story of an enlightened fiefdom