Catania

The Monastery of the Benedictine nuns

The Benedictine Monastery is located on the hill of Montevergine and is one of the city’s largest complexes. Today it is still considered the second largest monastic complex in Europe.
A very long history marked by the passage of time (a testimony of which are the remains of the Roman domus, or house, with the remains of a mosaic floor), civilisations and natural disasters that have made it one of the most resilient and richest cultural sites on the entire island.
It was founded by the monks of Cassino in the 16th century, when the western cloister was constructed, with the large Carrara marble quatrefoil fountain completed in 1608, as well as most of the rooms used for monastery life including the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour.
With the eruption of 1669, the monastery was hit by magma that surrounded the building’s walls and reached the first-storey windows. Traces of the lava flow are still visible along the retaining walls, which were built especially to divert it. In 1693 it was hit by the great earthquake and suffered serious damage.
The new monastery design included the construction of four large courtyards that would make it the largest in the world, but only two were completed, extending it by around 1450 square metres.
portale ingresso
The decision to increase the spaces allowed for the construction of the cloister of Levante where the eclectic and elegant Caffeaos was inserted.
The two external elevations, south and east, are late Baroque, marked by giant pilasters with diamond rustication and crowned with Corinthian capitals . There are windows and balconies adorned with a series of volutes, flowers, masks and nymphs.
Among these is the austere neoclassical portal of the main entrance, a late 18th-century modification.

 

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Palazzo Trigona di Canicarao

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City and nature

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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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The Franciscan convent

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The Monastery of the Benedictine nuns

The interior and works of art

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Baroque creativity: recurring themes

The expansion of space and changing reality

Religious architecture

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Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Carlo and the former Jesuit college

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The works in the church

From the end of the world to rebirth from the rubble

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One city, three sites

Baroque and the loss of balance in the 16th century

Fountain of the Nymph Zizza: public water in the town

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The city within the city

Art in the cathedral

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The Antonino Uccello Birthplace Museum

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

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Luminous sacred spaces

Reconstruction after the earthquake

Expansion, spatiality and light in the church of San Domenico

The art of maiolica

Piazza Duomo, the elephant fountain, the heart of the city

Palazzo della Cancelleria: from former stable to the Nicastro family

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The Church of St. Mary of the Mountain

The Church of St. Julian on Via dei Crociferi

A heritage of votive works

Unusual iconographies: the Burgos crucifix

The articulated interior spaces

The smallest Greek theatre in the world

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A stone garden

The Palazzo dei due mori

The Church of St. Francis

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The senses tell the Cathedral of San Giorgio

San Domenico and Gagliardi’s work

A compromise between Neoclassicism and Baroque

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The Church of St. Paul

The senses tell the story of the Church of San Paolo

A unifying project for the city of Catania

The casket of austerity under the great dome

The eagle-shaped city

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