Catania

The city within the city

The Benedictine monastery of Catania, with its long stratigraphic history, is also known as “the city within the city”.
Its large size and the events that have taken place within it over the centuries elevate it to the status of a small city, bordered by large walls, which has always interacted with the surrounding fabric in a relationship of cultural exchange. In the 1970s, it became the seat of the Faculty of Literature, Language and Philosophy of the University of Catania. What does the monastery look like today?
cortileToday it is accessed from the surrounding wall through a majestic portal that leads to the large courtyard surrounding the Abbey, passing the main staircase with its ninety-five steps in Carrara marble.
A remarkable work of architecture, a white scenic staircase punctuated by sinuous balustrades, with the surrounding walls totally frescoed and stuccoed, which, however, maintain an austere aura thanks to the elegant two-toned effect. This neoclassical vestibule leads to the corridors and the monks’ cells. The corridors also lead to the two cloisters.
The first cloister, in the east, is surrounded by a splendid portico in white Syracuse stone raised on a dark base and embellished in the centre by the Caffeaos .
The second cloister was rebuilt after the earthquake of 1693, and is characterised by a strong two-tone colour scheme: there are just over 50 white marble columns and arcades located on the lower floor, and large windows decorated with white frames emerge from the dark plaster wall. In the centre, the majestic marble quatrefoil fountain provides a focal point for the space.
scalone da pianerottolo volte piano superiore

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Palazzo Trigona: a building with a complex shape

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A Nobel Prize in Modica

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Fountain of the Nymph Zizza: public water in the town

The Church of St. Francis

The beginning of an authentic Baroque conception

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The Monte delle Prestanze in the new city layout

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The Church of St. Benedict

The church and the college

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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Art in the cathedral

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Verticality and dynamism of the façade of the Church of San Carlo

Palazzo Zacco, a balance between sobriety and decoration

The city within the city

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Scenography and devotion for St. Agatha

The casket of austerity under the great dome

Militello: The story of an enlightened fiefdom

The expansion of space and changing reality

The senses tell of the Cathedral of San Pietro

A casket of precious works

Palazzo Trigona di Canicarao

The palace, the town, the church

The Church of St. Mary of the Mountain

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Baroque creativity: recurring themes

The Staircase of Angels

The Madonna dei Conadomini and the art of devotion

Palazzo della Cancelleria: from former stable to the Nicastro family

The Church of St. John the Evangelist

San Domenico and Gagliardi’s work

The Antonino Uccello Birthplace Museum

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The senses tell about Palazzo Beneventano

Luminous sacred spaces

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The works in the church

The illusion of light and the decorative splendour

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The senses tell of Palazzo della Cancelleria

The triumph of Baroque: expansion of spaces

The Church of St. Paul

Garden of Novices and the restorations by Giancarlo De Carlo

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The Monastery of the Benedictine nuns

The Palazzo dei due mori

The church and the monastery

Unusual iconographies: the Burgos crucifix

The smallest Greek theatre in the world

City and nature

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The interiors: diffused light and Byzantine relics

Views denied, views conquered: the power of the devout Benedictines

St. Agatha and the candelore

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A compromise between Neoclassicism and Baroque

Baroque and the loss of balance in the 16th century

The eagle-shaped city

The art of maiolica

The articulated interior spaces

The senses tell the Church of San Domenico

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The senses tell about Palazzo Ducezio

Virtuosity, decorations and altars

Reconstruction after the earthquake

The new roads of the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Benedictines’ library

The Franciscan convent

The interior and works of art

Altars, saints and sculptural works

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Paolo

The senses tell the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

The two churches

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Expansion, spatiality and light in the church of San Domenico

The Church of St. Julian on Via dei Crociferi