Catania

The city within the city

The Benedictine monastery of Catania, with its long stratigraphic history, is also known as “the city within the city”.
Its large size and the events that have taken place within it over the centuries elevate it to the status of a small city, bordered by large walls, which has always interacted with the surrounding fabric in a relationship of cultural exchange. In the 1970s, it became the seat of the Faculty of Literature, Language and Philosophy of the University of Catania. What does the monastery look like today?
cortileToday it is accessed from the surrounding wall through a majestic portal that leads to the large courtyard surrounding the Abbey, passing the main staircase with its ninety-five steps in Carrara marble.
A remarkable work of architecture, a white scenic staircase punctuated by sinuous balustrades, with the surrounding walls totally frescoed and stuccoed, which, however, maintain an austere aura thanks to the elegant two-toned effect. This neoclassical vestibule leads to the corridors and the monks’ cells. The corridors also lead to the two cloisters.
The first cloister, in the east, is surrounded by a splendid portico in white Syracuse stone raised on a dark base and embellished in the centre by the Caffeaos .
The second cloister was rebuilt after the earthquake of 1693, and is characterised by a strong two-tone colour scheme: there are just over 50 white marble columns and arcades located on the lower floor, and large windows decorated with white frames emerge from the dark plaster wall. In the centre, the majestic marble quatrefoil fountain provides a focal point for the space.
scalone da pianerottolo volte piano superiore

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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Views denied, views conquered: the power of the devout Benedictines

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Unusual iconographies: the Burgos crucifix

The triumph of Baroque: expansion of spaces

The Monte delle Prestanze in the new city layout

The Duomo di San Giorgio (Cathedral of St. George)

San Domenico and Gagliardi’s work

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Garden of Novices and the restorations by Giancarlo De Carlo

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Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of San Giorgio

Baroque creativity: recurring themes

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Reconstruction after the earthquake

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The beginning of an authentic Baroque conception

The smallest Greek theatre in the world

A new site for the church of San Giorgio

Scicli, the city of Baroque scenery

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Scenography and devotion for St. Agatha

Fountain of the Nymph Zizza: public water in the town

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The works in the church

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The Staircase of Angels

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The two churches

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The Badia di Sant’Agata (St. Agatha’s Abbey)

The interior and works of art

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The Monastery of the Benedictine nuns

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Piazza Duomo, the elephant fountain, the heart of the city

The expansion of space and changing reality

The city within the city

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A compromise between Neoclassicism and Baroque

Altars, saints and sculptural works

St. Agatha and the candelore

Majestic exteriors, grandiose interiors

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The Antonino Uccello Birthplace Museum

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Baroque and the loss of balance in the 16th century

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The Church of Madonna della Stella

Virtuosity, decorations and altars

The senses tell about Palazzo Trigona

A story of rebirth