Catania

The city within the city

The Benedictine monastery of Catania, with its long stratigraphic history, is also known as “the city within the city”.
Its large size and the events that have taken place within it over the centuries elevate it to the status of a small city, bordered by large walls, which has always interacted with the surrounding fabric in a relationship of cultural exchange. In the 1970s, it became the seat of the Faculty of Literature, Language and Philosophy of the University of Catania. What does the monastery look like today?
cortileToday it is accessed from the surrounding wall through a majestic portal that leads to the large courtyard surrounding the Abbey, passing the main staircase with its ninety-five steps in Carrara marble.
A remarkable work of architecture, a white scenic staircase punctuated by sinuous balustrades, with the surrounding walls totally frescoed and stuccoed, which, however, maintain an austere aura thanks to the elegant two-toned effect. This neoclassical vestibule leads to the corridors and the monks’ cells. The corridors also lead to the two cloisters.
The first cloister, in the east, is surrounded by a splendid portico in white Syracuse stone raised on a dark base and embellished in the centre by the Caffeaos .
The second cloister was rebuilt after the earthquake of 1693, and is characterised by a strong two-tone colour scheme: there are just over 50 white marble columns and arcades located on the lower floor, and large windows decorated with white frames emerge from the dark plaster wall. In the centre, the majestic marble quatrefoil fountain provides a focal point for the space.
scalone da pianerottolo volte piano superiore

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St. Agatha and the candelore

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The Franciscan convent

The Monastery of the Benedictine nuns

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Palazzo della Cancelleria: from former stable to the Nicastro family

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

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Expanded spaces, stucco and colourful lights

A stone garden

A casket of precious works

Reconstruction after the earthquake

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The interior and works of art

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The Staircase of Angels

Luminous sacred spaces

The city of Modica, a balance between nature and urbanism

Virtuosity, decorations and altars

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Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

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The new roads of the city

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Zacco

The casket of austerity under the great dome

The eagle-shaped city

The Church of St. Francis

San Domenico and Gagliardi’s work

The Church of St. John the Evangelist

The city within the city

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The Church of Madonna della Stella

The Palazzo dei due mori

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The articulated interior spaces

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The church and the monastery

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Verticality and dynamism of the façade of the Church of San Carlo

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The two churches

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The senses tell the story of the Church of Santa Maria del Monte

A compromise between Neoclassicism and Baroque

The interior of the church: space and colour

The Benedictines’ library

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

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The illusion of light and the decorative splendour

The works in the church

The senses tell the Church of San Michele

The city palace

Militello: The story of an enlightened fiefdom

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A Nobel Prize in Modica

Art in the cathedral

The Church of St. Benedict

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Rebirth and urban planning of the city of Noto

Fountain of the Nymph Zizza: public water in the town

The Badia di Sant’Agata (St. Agatha’s Abbey)

The beginning of an authentic Baroque conception

City and nature

Piazza Duomo, the elephant fountain, the heart of the city

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of San Giovanni Evangelista

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The Church of St. Paul

The Madonna dei Conadomini and the art of devotion