Catania

The Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks, who followed the strict Benedictine rule also through the study of literature and science.
They established relations with the city’s cultural institutions, opening to and acquiring from it important collections over the centuries.
There were around 24 thousand volumes of rare, ancient and modern manuscripts and parchments; this cultural wealth meant that the monks were great connoisseurs and disseminators of ancient knowledge, focused, at the same time, on the future.
After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses, but the monks managed to save part of the collection, which they looked after until the library was rebuilt. Located in most of the 18th-century wing, the construction of the new main hall of the library was entrusted to Giovanni Battista Vaccarini , who designed it with typical late Baroque features.
In fact, the monumental hall with a central elliptical plan is an authoritative room almost completely covered by orderly wooden bookshelves that reach the decorated vault, occupying the spaces up to the circular windows that illuminate the vast room from above.
In addition, the monastery had five other sumptuous rooms used for the Benedictine Museum , designed to closely match the library.
Today the former museum rooms are home to the library’s consultation and reading rooms.
biblioteca

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The Palazzo dei due mori

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Views denied, views conquered: the power of the devout Benedictines

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The Benedictines’ library

The Monastery of the Benedictine nuns

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The senses tell the story of the Church of the Badia di Sant’Agata

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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Maria del Monte

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The senses tell about Palazzo Beneventano

The senses tell of Palazzo della Cancelleria

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The beginning of an authentic Baroque conception

Altars, saints and sculptural works

A stone garden

The senses tell about Palazzo Ducezio

The triumph of Baroque: expansion of spaces

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The illusion of light and the decorative splendour

The Staircase of Angels

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The senses tell about Palazzo Zacco

Reconstruction after the earthquake

The senses tell of the Cathedral of San Pietro

A new site for the church of San Giorgio

San Domenico and Gagliardi’s work

The Church of St. Julian on Via dei Crociferi

The senses tell the Church of San Domenico

The Church of St. Benedict