Catania

The Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks, who followed the strict Benedictine rule also through the study of literature and science.
They established relations with the city’s cultural institutions, opening to and acquiring from it important collections over the centuries.
There were around 24 thousand volumes of rare, ancient and modern manuscripts and parchments; this cultural wealth meant that the monks were great connoisseurs and disseminators of ancient knowledge, focused, at the same time, on the future.
After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses, but the monks managed to save part of the collection, which they looked after until the library was rebuilt. Located in most of the 18th-century wing, the construction of the new main hall of the library was entrusted to Giovanni Battista Vaccarini , who designed it with typical late Baroque features.
In fact, the monumental hall with a central elliptical plan is an authoritative room almost completely covered by orderly wooden bookshelves that reach the decorated vault, occupying the spaces up to the circular windows that illuminate the vast room from above.
In addition, the monastery had five other sumptuous rooms used for the Benedictine Museum , designed to closely match the library.
Today the former museum rooms are home to the library’s consultation and reading rooms.
biblioteca

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Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Monastery of the Benedictine nuns

A unifying project for the city of Catania

Reconstruction after the earthquake

The church and the monastery

The illusion of light and the decorative splendour

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The smallest Greek theatre in the world

A Nobel Prize in Modica

A new site for the church of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The palace, the town, the church

Palazzo Trigona di Canicarao

The neo-Gothic seminary chapel: symbols, light and space

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of Santa Maria del Monte

Religious architecture

Scicli, the city of Baroque scenery

The Church of Madonna della Stella

The senses tell the story of the Church of San Paolo

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Cathedral of San Giorgio

The senses tell the Cathedral of Sant’Agata

From the end of the world to rebirth from the rubble

City and nature

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Piazza Duomo, the elephant fountain, the heart of the city

Verticality and dynamism of the façade of the Church of San Carlo

The expansion of space and changing reality

The Church of St. Julian on Via dei Crociferi

Luminous sacred spaces

The Infiorata of Noto, a modern tradition

The two churches

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello: The story of an enlightened fiefdom

The interior and works of art

The Church of St. John the Evangelist

Baroque and the loss of balance in the 16th century

A heritage of votive works

The senses tell the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

Expansion, spatiality and light in the church of San Domenico

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Benedetto

The Church of St. Paul

Altars, saints and sculptural works

The articulated interior spaces

The city palace

Views denied, views conquered: the power of the devout Benedictines

The city of Modica, a balance between nature and urbanism

The Church of St. Francis

San Domenico and Gagliardi’s work

The dynamics of the Church of San Michele

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of San Giorgio

The art of maiolica

Baroque creativity: recurring themes

Madonna of the Militia: a singular warrior virgin

The Franciscan convent

Majestic exteriors, grandiose interiors

St. Agatha and the candelore

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Giovanni Evangelista

The city within the city

Art in the cathedral

The Palazzo dei due mori

The senses tell about Palazzo Beneventano

The Monte delle Prestanze in the new city layout

A casket of precious works

The Church of St. Benedict

The casket of austerity under the great dome

The Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The eagle-shaped city

The senses tell the Church of San Domenico

Scenography, lights and colours of the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Scenography and devotion for St. Agatha

Fountain of the Nymph Zizza: public water in the town

The Church of St. Mary of the Mountain

The church and the college

The senses tell of Palazzo della Cancelleria

A stone garden

Unusual iconographies: the Burgos crucifix

Expanded spaces, stucco and colourful lights

A compromise between Neoclassicism and Baroque

The works in the church

The senses tell the story of the Church of the Badia di Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The beginning of an authentic Baroque conception

The senses tell of the Cathedral of San Pietro

A story of rebirth

Palazzo Zacco, a balance between sobriety and decoration

The Antonino Uccello Birthplace Museum

The triumph of Baroque: expansion of spaces

The interior of the church: space and colour

The new roads of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

The interiors: diffused light and Byzantine relics

One city, three sites

Palazzo Trigona: a building with a complex shape

The Staircase of Angels