Catania

Garden of Novices and the restorations by Giancarlo De Carlo

One of the most fascinating places in the monastic complex is the Giardino dei Novizi (Garden of Novices).
A place that perhaps more than any other inside the complex has suffered great damage and changes, but was also excellently restored by the architect Giancarlo De Carlo , who worked on restoring the entire monastery just over thirty years ago.
The Garden of Novices, as its name suggests, was reserved for those who were undertaking their spiritual journey to become part of the religious order. They were required to observe and learn the Benedictine way of life. The garden was created on top of the lava bed of 1669 in the guise of a hanging garden, but was destroyed to house a gymnasium over the course of the 20th century.
The gymnasium was demolished during the years of restoration of the complex. The architect De Carlo restored the area by adding a spiral staircase with modern shapes and a fountain, turning it into a green space open to all.
giardino dei novizi

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Reconstruction after the earthquake

The city palace

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Majestic exteriors, grandiose interiors

Garden of Novices and the restorations by Giancarlo De Carlo

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Palazzo Zacco, a balance between sobriety and decoration

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The Monte delle Prestanze in the new city layout

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The art of maiolica

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The interior of the church: space and colour

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The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Trigona

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Palazzo Trigona di Canicarao

The city within the city

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The works in the church

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The Palazzo dei due mori

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San Domenico and Gagliardi’s work

The Church of St. Julian on Via dei Crociferi

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The interiors: diffused light and Byzantine relics

From the end of the world to rebirth from the rubble

The Madonna dei Conadomini and the art of devotion

The Antonino Uccello Birthplace Museum

Baroque and the loss of balance in the 16th century

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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Religious architecture

The Church of St. John the Evangelist

Virtuosity, decorations and altars

The senses tell the story of the Church of the Badia di Sant’Agata

Views denied, views conquered: the power of the devout Benedictines

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The Franciscan convent

The illusion of light and the decorative splendour

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

The new roads of the city

The Benedictines’ library

Altars, saints and sculptural works

The expansion of space and changing reality

The Monastery of the Benedictine nuns

A Nobel Prize in Modica

The Church of Madonna della Stella

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The Staircase of Angels

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Expansion, spatiality and light in the church of San Domenico

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Unusual iconographies: the Burgos crucifix

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The articulated interior spaces

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The dynamics of the Church of San Michele

Militello: The story of an enlightened fiefdom

A casket of precious works

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The senses tell of Palazzo della Cancelleria

Art in the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Luminous sacred spaces

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The senses tell the Church of San Michele

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Ducezio

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Baroque creativity: recurring themes

Piazza Duomo, the elephant fountain, the heart of the city

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Paul

The senses tell the Cathedral of San Giorgio