Militello in Val di Catania

The Church of Madonna della Stella

The church of Madonna della Stella (Our Lady of the Star) is one of the two main hubs of religious life in Militello, together with the Mother Church of San Nicolò or San Salvatore (St. Salvador).
Both churches were destroyed during the 1693 earthquake and remained without a seat for many years until the feudal families funded their reconstruction.
The church, dedicated to the city’s patron, the Madonna della Stella , was founded in the district of Sant’Antonio Abate; its foundation dates back to 1722 and it was completed in 1741.
The façade rises to the top of a modest but scenic staircase, acting as the main backdrop to the square of the same name.

The Church of Madonna della Stella
The church dominates at the top of the modest but spectacular entrance staircase and stands as a scenic fifth on the homonymous square. The façade was designed by the architect-sculptor Giuseppe Ferrara and is in typical late-baroque style. The harmonious stone facade rich in carvings is divided horizontally into two bands or orders and vertically by Corinthian pilasters that create interesting plays of light and shadow on the facade that ends with two elegant volutes and a window that illuminates the central nave. The first order, flat and massive, is lightened by three openings, of which the central one has an entrance framed by a stone portal with decorated twisted columns while the side portals have above them two oculi with curved decorations. On the left side of the facade but detached from it, we find the robust bell tower of 1773 that takes the motifs of the pilasters and oculi of the facade of the church.

Designed by the architect-sculptor Giuseppe Ferrara, who settled in Palazzolo Acreide and was active in the reconstruction of the Val di Noto, the façade is in typical late Baroque style.
portale con dettaglio colonneThe harmonious stone façade rich in carvings is divided horizontally into two levels and vertically by Corinthian pilasters enclosed at the sides by elegant volutes that make the structure move. In the middle is a large window that illuminates the central nave.
The first level, richly decorated, is lightened by three openings, of which the central one stands out most.
It consists of a beautiful entrance framed by a stone portal with decorated Solomonic columns , which interact with the curvilinear pattern of the two oculi placed above the entrances to the lateral naves.
On the left side of the façade, but detached from it, is the sturdy bell tower dating from 1773, which incorporates the motifs of the pilasters and the oculi of the church elevation.

The Church of St. Julian on Via dei Crociferi

Palazzo Trigona: a building with a complex shape

The expansion of space and changing reality

The Monastery of the Benedictine nuns

Religious architecture

Expanded spaces, stucco and colourful lights

The Madonna dei Conadomini and the art of devotion

Akrai and Syracuse: an unbreakable bond

Rebirth and urban planning of the city of Noto

A compromise between Neoclassicism and Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of Madonna della Stella

Baroque creativity: recurring themes

The interior of the church: space and colour

The city of Modica, a balance between nature and urbanism

The Benedictines’ library

The dynamics of the Church of San Michele

The casket of austerity under the great dome

Expansion, spatiality and light in the church of San Domenico

The two churches

The senses tell of Palazzo della Cancelleria

Verticality and dynamism of the façade of the Church of San Carlo

Altars, saints and sculptural works

The senses tell about Palazzo Zacco

The Infiorata of Noto, a modern tradition

City and nature

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The articulated interior spaces

A new site for the church of San Giorgio

The senses tell the story of the Church of San Giovanni Evangelista

The triumph of Baroque: expansion of spaces

Virtuosity, decorations and altars

The Church of St. Mary of the Mountain

The eagle-shaped city

The senses tell the story of the Church of San Carlo and the former Jesuit college

A casket of precious works

The illusion of light and the decorative splendour

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Antonino Uccello Birthplace Museum

The city within the city

Palazzo della Cancelleria: from former stable to the Nicastro family

The church and the monastery

A stone garden

The Church of St. Benedict

The art of maiolica

A unifying project for the city of Catania

The Church of St. John the Evangelist

St. Agatha and the candelore

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Beneventano

A story of rebirth

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The new roads of the city

The Palazzo dei due mori

The senses tell the Church of San Domenico

The city palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Scenography, lights and colours of the cathedral

The smallest Greek theatre in the world

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The palace, the town, the church

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell about Palazzo Trigona

Baroque and the loss of balance in the 16th century

The interiors: diffused light and Byzantine relics

One city, three sites

Unusual iconographies: the Burgos crucifix

A heritage of votive works

Art in the cathedral

From the end of the world to rebirth from the rubble

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Badia di Sant’Agata

The works in the church

The church and the college

The beginning of an authentic Baroque conception

The neo-Gothic seminary chapel: symbols, light and space

San Domenico and Gagliardi’s work

Palazzo Trigona di Canicarao

The Church of St. Paul

The Duomo di San Giorgio (Cathedral of St. George)

Luminous sacred spaces

Palazzo Zacco, a balance between sobriety and decoration

The Franciscan convent

The senses tell the story of the Church of San Paolo

The Church of St. Francis

The interior and works of art

Madonna of the Militia: a singular warrior virgin

Fountain of the Nymph Zizza: public water in the town

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

Reconstruction after the earthquake

The senses tell about Palazzo Ducezio

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Scenography and devotion for St. Agatha

Militello: The story of an enlightened fiefdom

The senses tell of the Cathedral of San Pietro

The senses tell the Cathedral of San Giorgio