Scicli

The dynamics of the Church of San Michele

One of the oldest churches in the town, it was spared in the earthquake of 1693. However, it was completely rebuilt in the mid-18th century by Modica-born architect Alessi, who used most of the square overlooked by the church to create as scenic a façade as possible. The works lasted for a century and were completed by the architect Fama of Palermo in the mid-19th century.
The elevation features three levels marked by half columns in the central part and pilaster strips in the lateral part, culminating in the belfry .

Foto fil di ferro Prospetto chiesa di San Michele
Prospetto chiesa di San Michele

The first level is marked by Corinthian columns surmounted by a cornice that follows the course of the free-standing columns, detached from the surface of the façade.
In the centre of the second level is a large wrought iron Louvre window, a memory from the former adjoining convent where the Augustinian cloistered nuns lived. The third level is defined by smooth pilaster strips with Corinthian capitals that frame the belfry.
 
The interior of the sacred building, which houses countless stuccoes, paintings, frescoes and polychrome decorations, has an elliptical plan that creates a play of perspective, and a semi-cylindrical apse .

The vault is stuccoed with floral and animal motifs reminiscent of Eden. The intense blue and gold coloured frescoes give a lively aura to the architectural space.
The floor of the church dates back to the 18th century. In fact, it is the original one made by the Lupo brothers in Ragusa pietra pece and white Comiso stone with a regular chessboard pattern.

The Monastery of the Benedictine nuns

A heritage of votive works

Virtuosity, decorations and altars

The works in the church

The art of maiolica

A casket of precious works

The senses tell about Palazzo Zacco

A story of rebirth

The interior and works of art

The city of Modica, a balance between nature and urbanism

The Church of St. Julian on Via dei Crociferi

City and nature

Unusual iconographies: the Burgos crucifix

Majestic exteriors, grandiose interiors

The Church of St. Paul

The senses tell the story of the Church of Santa Maria del Monte

The expansion of space and changing reality

The city within the city

A stone garden

Militello: The story of an enlightened fiefdom

Akrai and Syracuse: an unbreakable bond

A unifying project for the city of Catania

Luminous sacred spaces

The Church of St. Mary of the Mountain

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Trigona: a building with a complex shape

St. Agatha and the candelore

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Palazzo dei due mori

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Zacco, a balance between sobriety and decoration

The Monte delle Prestanze in the new city layout

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Ducezio

The Benedictines’ library

The Church of St. John the Evangelist

The senses tell the Church of San Michele

Fountain of the Nymph Zizza: public water in the town

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Franciscan convent

The city palace

Piazza Duomo, the elephant fountain, the heart of the city

A compromise between Neoclassicism and Baroque

The Staircase of Angels

A Nobel Prize in Modica

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Giuliano ai Crociferi

Religious architecture

Baroque and the loss of balance in the 16th century

The new roads of the city

The two churches

The church and the college

Baroque creativity: recurring themes

The beginning of an authentic Baroque conception

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Benedetto

The Church of St. Francis

The Madonna dei Conadomini and the art of devotion

The casket of austerity under the great dome

The smallest Greek theatre in the world

The senses tell of Palazzo della Cancelleria

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of Madonna della Stella

Palazzo della Cancelleria: from former stable to the Nicastro family

Altars, saints and sculptural works

The senses tell of the Cathedral of San Pietro

The Badia di Sant’Agata (St. Agatha’s Abbey)

Expansion, spatiality and light in the church of San Domenico

A new site for the church of San Giorgio

The church and the monastery

Scenography and devotion for St. Agatha

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Domenico

The interiors: diffused light and Byzantine relics

One city, three sites

The Church of St. Benedict

Art in the cathedral

Madonna of the Militia: a singular warrior virgin

The interior of the church: space and colour

The eagle-shaped city

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of San Paolo

The senses tell the Cathedral of San Giorgio

From the end of the world to rebirth from the rubble

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scicli, the city of Baroque scenery

Expanded spaces, stucco and colourful lights

The senses tell about Palazzo Trigona

Garden of Novices and the restorations by Giancarlo De Carlo

The illusion of light and the decorative splendour

Rebirth and urban planning of the city of Noto

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Reconstruction after the earthquake

San Domenico and Gagliardi’s work

The palace, the town, the church

The articulated interior spaces

Palazzo Trigona di Canicarao

Scenography, lights and colours of the cathedral

The triumph of Baroque: expansion of spaces

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto