Palazzolo Acreide

One city, three sites

Situated inland from Syracuse, Palazzolo Acreide is one of the oldest towns of the Val di Noto.
Palazzolo Acreide was also affected by the earthquake of 1693. It was reborn from its rubble, in its original place, where Baroque squares with their scenic architecture wind around the main street. Light enters the squares, animating the façades and creating chromatic contrasts.
The city features three different sites that describe its three historical periods. The medieval centre, rebuilt on top of where it stood near former Acre, was located on a rocky spur in a strategic position for controlling the territory.
There stood a “palatium”, or imperial palace, which is where the name “palatiolum” of the new town comes from. The oldest centre of the town was founded 70 years after the city of Syracuse, creating a lasting bond with it.

This new town on the plateau of the Hyblaean Mountains allowed trade between Syracuse and the other southern towns, promoting the spread of Hellenic culture in the centuries to come.
The 17th and 18th-century buildings and Baroque squares become prominent features of the main street, with their unique art and architecture. The main street leads to the ancient Greek site of Akrai which still houses the world’s smallest Greek theatre today.
The entire monumental archaeological area, which also includes the ancient theatre, is near to the fabric of the Baroque town and its great scenic importance is fundamental for discovering ancient Sicily.

foto fil di ferro Teatro Greco
Teatro Greco
The articulated interior spaces

Reconstruction after the earthquake

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Paolo

The senses tell of Palazzo della Cancelleria

The Benedictines’ library

A story of rebirth

The city palace

From the end of the world to rebirth from the rubble

Militello: The story of an enlightened fiefdom

Art in the cathedral

The two churches

The Monte delle Prestanze in the new city layout

The interior of the church: space and colour

The illusion of light and the decorative splendour

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Cathedral of San Giorgio

The Infiorata of Noto, a modern tradition

The Franciscan convent

Scicli, the city of Baroque scenery

Majestic exteriors, grandiose interiors

Expanded spaces, stucco and colourful lights

Views denied, views conquered: the power of the devout Benedictines

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Staircase of Angels

The Church of St. Mary of the Mountain

The triumph of Baroque: expansion of spaces

A compromise between Neoclassicism and Baroque

Baroque and the loss of balance in the 16th century

The smallest Greek theatre in the world

The city of Modica, a balance between nature and urbanism

The expansion of space and changing reality

The casket of austerity under the great dome

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell of the Cathedral of San Pietro

A stone garden

Unusual iconographies: the Burgos crucifix

A unifying project for the city of Catania

The Madonna dei Conadomini and the art of devotion

Madonna of the Militia: a singular warrior virgin

The beginning of an authentic Baroque conception

The interiors: diffused light and Byzantine relics

A casket of precious works

The Duomo di San Giorgio (Cathedral of St. George)

Scenography and devotion for St. Agatha

Palazzo Trigona: a building with a complex shape

Garden of Novices and the restorations by Giancarlo De Carlo

The church and the college

The senses tell the Church of San Domenico

One city, three sites

A new site for the church of San Giorgio

The senses tell about Palazzo Beneventano

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Giovanni Evangelista

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Francis

The Church of Madonna della Stella

The interior and works of art

The senses tell the Cathedral of Sant’Agata

A heritage of votive works

The dynamics of the Church of San Michele

Verticality and dynamism of the façade of the Church of San Carlo

Fountain of the Nymph Zizza: public water in the town

The Church of St. Benedict

Piazza Duomo, the elephant fountain, the heart of the city

St. Agatha and the candelore

The senses tell about Palazzo Ducezio

San Domenico and Gagliardi’s work

The senses tell about Palazzo Trigona

Religious architecture

The senses tell the story of the Church of the Badia di Sant’Agata

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

The city within the city

The Church of St. Paul

The works in the church

The senses tell about Palazzo Zacco

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giuliano ai Crociferi

The new roads of the city

A Nobel Prize in Modica

The Palazzo dei due mori

Palazzo Zacco, a balance between sobriety and decoration

The Antonino Uccello Birthplace Museum

Palazzo Trigona di Canicarao

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

The Monastery of the Benedictine nuns

The Church of St. John the Evangelist

The eagle-shaped city

Expansion, spatiality and light in the church of San Domenico

The senses tell the Church of San Michele

Virtuosity, decorations and altars

Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of San Benedetto

The neo-Gothic seminary chapel: symbols, light and space

Scenography, lights and colours of the cathedral

The palace, the town, the church

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Baroque creativity: recurring themes

The senses tell the story of the Church of Santa Maria del Monte

City and nature

The church and the monastery

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The art of maiolica