Palazzolo Acreide

Akrai and Syracuse: an unbreakable bond

In this lush territory rich in springs and watercourses, the Corinthians of Syracuse founded their first colony between 664 and 663 BC, which was named Akrai.
It was a fortress city for military and political control over the Sicels of the Hyblaean plateau.
As testified by literary sources, Akrai’s history is closely linked to that of Syracuse. Plutarch tells us that Dion stopped there in 357 BC on his march to Syracuse.
The colony is mentioned in the peace treaty between Rome and Syracuse of 263 BC at the beginning of the First Punic War. This period coincided with the height of the city’s splendour. In 214 BC, Hippocrates was hosted there after being defeated in the clash with the Romans. For Sicily, the period of Roman rule was generally a period of decadence, but this was not the case for Akrai.
This was when the city began to mint its own coins and assumed some economic importance in the region.

The senses tell the Church of San Michele

The senses tell about Palazzo Trigona

The expansion of space and changing reality

The smallest Greek theatre in the world

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Ducezio

The interior of the church: space and colour

The church and the college

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Beneventano

The Staircase of Angels

Rebirth and urban planning of the city of Noto

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Duomo di San Giorgio (Cathedral of St. George)

City and nature

Madonna of the Militia: a singular warrior virgin

The art of maiolica

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

San Domenico and Gagliardi’s work

Scicli, the city of Baroque scenery

The eagle-shaped city

The Palazzo dei due mori

The city within the city

The Church of St. John the Evangelist

Palazzo della Cancelleria: from former stable to the Nicastro family

The interiors: diffused light and Byzantine relics

A Nobel Prize in Modica

Baroque and the loss of balance in the 16th century

The church and the monastery

Fountain of the Nymph Zizza: public water in the town

The neo-Gothic seminary chapel: symbols, light and space

Palazzo Trigona: a building with a complex shape

The Church of St. Paul

The works in the church

The Church of St. Mary of the Mountain

Religious architecture

The Franciscan convent

The senses tell the story of the Church of San Carlo and the former Jesuit college

Unusual iconographies: the Burgos crucifix

Views denied, views conquered: the power of the devout Benedictines

The Church of Madonna della Stella

A heritage of votive works

The Church of St. Francis

Majestic exteriors, grandiose interiors

The Monte delle Prestanze in the new city layout

The senses tell about Palazzo Zacco

Expansion, spatiality and light in the church of San Domenico

The two churches

A compromise between Neoclassicism and Baroque

Militello: The story of an enlightened fiefdom

Palazzo Trigona di Canicarao

The Church of St. Benedict

The illusion of light and the decorative splendour

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The interior and works of art

The senses tell of Palazzo della Cancelleria

The Benedictines’ library

A stone garden

Virtuosity, decorations and altars

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Monastery of the Benedictine nuns

The triumph of Baroque: expansion of spaces

Art in the cathedral

The Church of St. Julian on Via dei Crociferi

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Benedetto

The dynamics of the Church of San Michele

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Baroque creativity: recurring themes

The senses tell the Cathedral of San Giorgio

Scenography, lights and colours of the cathedral

A casket of precious works

The casket of austerity under the great dome

The Antonino Uccello Birthplace Museum

The city of Modica, a balance between nature and urbanism

The senses tell the Cathedral of Sant’Agata

The palace, the town, the church

Scenography and devotion for St. Agatha

From the end of the world to rebirth from the rubble

Verticality and dynamism of the façade of the Church of San Carlo

The articulated interior spaces

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata of Noto, a modern tradition

The beginning of an authentic Baroque conception

The new roads of the city

Expanded spaces, stucco and colourful lights

A new site for the church of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

Reconstruction after the earthquake

The city palace

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

Luminous sacred spaces

Akrai and Syracuse: an unbreakable bond

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Church of San Domenico

St. Agatha and the candelore

A story of rebirth

Altars, saints and sculptural works

A unifying project for the city of Catania

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of Santa Maria del Monte