Noto

The Infiorata of Noto, a modern tradition

The Infiorata, or Greeting to Spring, is a popular feast started in 1979. It takes place every year in Via Corrado Nicolaci, on the third Sunday of May.
The first Infiorata brought the masters of Genzano (a province in Rome) to Noto. They arranged flowers in geometric and imaginative patterns. With the passage of time, the experience has been handed down and has become a veritable local tradition.
Sixteen large pictures are created on Via Corrado Nicolaci using petals, and each year a different theme is decided by the local government to inspire the master infioratori. The artists present their sketches to the municipal government, which selects the best ones.
The decoration covers the entire street for over 120 metres and each artist has a picture measuring 6 metres wide by 4 metres long.
This way, they create a beautiful floral carpet, formed mostly of petals from daisies, carnations, gerberas, roses and wildflowers of various sizes and colours.
The theme changes year after year, but the Infiorata is always opened by the city’s coat of arms made by the Istituto d’Arte di Noto (Noto Art Institute).
In recent years the Infiorata has been accompanied by the “Corteo Barocco” (Baroque Parade) that evokes the splendour of the families that made the city of Noto great.

Majestic exteriors, grandiose interiors

The Church of St. Mary of the Mountain

A casket of precious works

The senses tell the Cathedral of San Giorgio

St. Agatha and the candelore

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Militello: The story of an enlightened fiefdom

The art of maiolica

The Church of St. John the Evangelist

The Palazzo dei due mori

The interior of the church: space and colour

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Paul

Akrai and Syracuse: an unbreakable bond

Palazzo della Cancelleria: from former stable to the Nicastro family

Baroque creativity: recurring themes

Palazzo Trigona: a building with a complex shape

The city within the city

The Church of St. Benedict

Reconstruction after the earthquake

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of the Badia di Sant’Agata

San Domenico and Gagliardi’s work

The interior and works of art

Fountain of the Nymph Zizza: public water in the town

The new roads of the city

The senses tell the story of the Church of San Giovanni Evangelista

City and nature

Religious architecture

Views denied, views conquered: the power of the devout Benedictines

A stone garden

Baroque and the loss of balance in the 16th century

Art in the cathedral

The senses tell about Palazzo Ducezio

Luminous sacred spaces

Altars, saints and sculptural works

Unusual iconographies: the Burgos crucifix

The Duomo di San Giorgio (Cathedral of St. George)

The Staircase of Angels

The Badia di Sant’Agata (St. Agatha’s Abbey)

The city palace

The expansion of space and changing reality

The articulated interior spaces

A unifying project for the city of Catania

The senses tell the story of the Church of San Paolo

The Antonino Uccello Birthplace Museum

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Church of San Domenico

The dynamics of the Church of San Michele

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Giuliano ai Crociferi

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Madonna of the Militia: a singular warrior virgin

Garden of Novices and the restorations by Giancarlo De Carlo

Virtuosity, decorations and altars

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Expanded spaces, stucco and colourful lights

The illusion of light and the decorative splendour

The senses tell the Cathedral of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

One city, three sites

A new site for the church of San Giorgio

The Monastery of the Benedictine nuns

A story of rebirth

A heritage of votive works

The works in the church

The senses tell about Palazzo Trigona

The interiors: diffused light and Byzantine relics

The casket of austerity under the great dome

The senses tell about Palazzo Zacco

The church and the monastery

The smallest Greek theatre in the world

A Nobel Prize in Modica

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Beneventano

Scenography and devotion for St. Agatha

The eagle-shaped city

Scicli, the city of Baroque scenery

A compromise between Neoclassicism and Baroque

The beginning of an authentic Baroque conception

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

The Infiorata of Noto, a modern tradition

The senses tell of the Cathedral of San Pietro

The Church of Madonna della Stella

From the end of the world to rebirth from the rubble

The Franciscan convent

The Benedictines’ library

The triumph of Baroque: expansion of spaces

The Church of St. Francis

The Church of St. Julian on Via dei Crociferi

The church and the college

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Benedetto

The senses tell the Church of San Michele

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city of Modica, a balance between nature and urbanism

The Monte delle Prestanze in the new city layout

Scenography, lights and colours of the cathedral

The senses tell of Palazzo della Cancelleria

Palazzo Trigona di Canicarao

Verticality and dynamism of the façade of the Church of San Carlo

The two churches

The palace, the town, the church