Noto

The palace, the town, the church

Palazzo Ducezio
Palazzo Ducezio is located in the center of Noto in the Town Hall Square on one of the main roads right in front of the Cathedral located at the top of the staircase. It was named in honor of Ducezio, the founder of the city of Noto, and built between 1742 and 1761 by one of the major architects of the time: Vincenzo Sinatra. The building is very compact and has an elongated rectangular plan with no courtyard. It is formed by two overlapping floors but the original plan provided for a single-storey loggia with eleven arches on the main front characterized by a convexity in the central part, preceded by a semicircular staircase. The ground floor has, in fact, an elegant continuous portico on three sides with arches framed by Ionic columns. In 1950 it was crowned by an elevation with stone balustrade.

Palazzo Ducezio is located in the centre of Noto in Piazza del Municipio, on one of the main roads of the city’s urban grid.
It was named in honour of Ducezio , the founder of the city of Noto in the 5th century, and was built between 1742 and 1761 by one of the greatest architects of the time: Vincenzo Sinatra .
The building design included a single-storey loggia with eleven arcades on the main front characterised by a convexity in the central part, preceded by a semi-circular staircase.

foto fildi ferro griglia urbana
griglia urbana

The building is inserted into the design of the square and harmoniously interacts with the majestic staircase of the Cathedral. It was subsequently raised by one floor in 1951, to give more space to local administration offices.
With its very dilated shape, the Piazza del Municipio (Piazza XVI Maggio) is one of the most characteristic and celebrated examples of Sicilian Baroque and is a sequencing element within the town, used as a reference point by the other buildings.
The façade of Noto’s cathedral dominates the scene like a final backdrop at the top of the scenic staircase. The contraction and expansion of the spaces, the sudden changes of perspective of the minor side streets and the scenographic changes make this square an architecturally dynamic place of unparalleled beauty.

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The city within the city

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Religious architecture

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Baroque and the loss of balance in the 16th century

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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The articulated interior spaces

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Virtuosity, decorations and altars

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Unusual iconographies: the Burgos crucifix

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The Church of St. Mary of the Mountain

The triumph of Baroque: expansion of spaces

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The two churches

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The Staircase of Angels

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The Church of St. Francis

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The Franciscan convent

A heritage of votive works

The Church of St. Paul

Majestic exteriors, grandiose interiors

St. Agatha and the candelore

San Domenico and Gagliardi’s work

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The expansion of space and changing reality

A new site for the church of San Giorgio

The Antonino Uccello Birthplace Museum

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The dynamics of the Church of San Michele

Luminous sacred spaces

The illusion of light and the decorative splendour

Expansion, spatiality and light in the church of San Domenico

One city, three sites

Palazzo Zacco, a balance between sobriety and decoration

Rebirth and urban planning of the city of Noto

A story of rebirth

The works in the church

Reconstruction after the earthquake

Art in the cathedral

City and nature

The casket of austerity under the great dome

The Monastery of the Benedictine nuns

The senses tell about Palazzo Ducezio

Piazza Duomo, the elephant fountain, the heart of the city

Altars, saints and sculptural works

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The art of maiolica

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The Benedictines’ library

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The church and the college

Palazzo Trigona: a building with a complex shape

The eagle-shaped city

Madonna of the Militia: a singular warrior virgin

The beginning of an authentic Baroque conception

The smallest Greek theatre in the world

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A stone garden

Views denied, views conquered: the power of the devout Benedictines