Noto

Palazzo Trigona di Canicarao

The Palazzo Trigona di Canicarao is one of the most interesting examples of Baroque building constructed after the earthquake of 1693. It takes its name from the family of the owners who had already been living in the city since the 12th century.
The palace occupies half a block between Via Cavour, which houses the main façade with the entrance, Via Giovanni XXIII, now Via Bancheri, and Via Giberti where the lateral asymmetrical terraced units extend. The centre is occupied by the courtyard with the exedra and the staircase and on the other side, completing the block, is the archbishop’s palace.
This is one of the most prestigious lots of land in Noto, located next to the Mother Church, the cathedral from 1844, and other noble palaces.
It was built between about 1750 and 1760, then enlarged by the Marquis Bernardo Trigona in 1777, and completed by his son Vincenzo in 1791.
The monumental façade on Via Cavour is the result of the union of pre-existing buildings stylistically unified into a single façade divided into two sections, with four windows on the ground floor and four balconies on the first floor.
Here the French windows are decorated at the top with a floral frieze, surmounted by a jutting cornice and crowned by curved or triangular tympanums. The balconies are supported by highly decorated stone cagnoli that are configured to continue the stone cornices of the windows.
portale

The palace, the town, the church

The Church of St. Francis

The Staircase of Angels

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The city within the city

Majestic exteriors, grandiose interiors

Scicli, the city of Baroque scenery

The dynamics of the Church of San Michele

The Church of St. John the Evangelist

The new roads of the city

Expanded spaces, stucco and colourful lights

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Carlo and the former Jesuit college

A heritage of votive works

The city palace

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Benedetto

The Church of St. Julian on Via dei Crociferi

The Monte delle Prestanze in the new city layout

The senses tell the Church of San Domenico

Reconstruction after the earthquake

The Antonino Uccello Birthplace Museum

Fountain of the Nymph Zizza: public water in the town

One city, three sites

The interiors: diffused light and Byzantine relics

A story of rebirth

Expansion, spatiality and light in the church of San Domenico

Unusual iconographies: the Burgos crucifix

The senses tell about Palazzo Trigona

The Church of St. Paul

The senses tell the story of the Church of San Paolo

The Madonna dei Conadomini and the art of devotion

Madonna of the Militia: a singular warrior virgin

The interior of the church: space and colour

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Infiorata of Noto, a modern tradition

The senses tell the Cathedral of San Giorgio

Religious architecture

Akrai and Syracuse: an unbreakable bond

Palazzo Zacco, a balance between sobriety and decoration

The city of Modica, a balance between nature and urbanism

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Rebirth and urban planning of the city of Noto

The Monastery of the Benedictine nuns

St. Agatha and the candelore

The Palazzo dei due mori

San Domenico and Gagliardi’s work

The beginning of an authentic Baroque conception

Virtuosity, decorations and altars

The senses tell about Palazzo Zacco

A new site for the church of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of Palazzo della Cancelleria

The articulated interior spaces

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of balance in the 16th century

Scenography, lights and colours of the cathedral

The art of maiolica

From the end of the world to rebirth from the rubble

Palazzo della Cancelleria: from former stable to the Nicastro family

City and nature

Palazzo Trigona: a building with a complex shape

A unifying project for the city of Catania

The Church of St. Mary of the Mountain

The Badia di Sant’Agata (St. Agatha’s Abbey)

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Beneventano

Luminous sacred spaces

The expansion of space and changing reality

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

Altars, saints and sculptural works

A Nobel Prize in Modica

The smallest Greek theatre in the world

The Church of St. Benedict

Art in the cathedral

The Franciscan convent

The eagle-shaped city

The works in the church

The church and the monastery

The Church of Madonna della Stella

A stone garden

Baroque creativity: recurring themes

The senses tell the story of the Church of Santa Maria del Monte

The neo-Gothic seminary chapel: symbols, light and space

The triumph of Baroque: expansion of spaces

Palazzo Trigona di Canicarao

The Benedictines’ library

Militello: The story of an enlightened fiefdom

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of San Giorgio

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

The church and the college

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A casket of precious works

Verticality and dynamism of the façade of the Church of San Carlo

Scenography and devotion for St. Agatha

The interior and works of art

The two churches