Vulcano

The malleability of Vulcano’s mud

One of the most famous tourist attractions of Vulcano is its thermal mud baths. These are two hot mud pools where you can benefit from their thermal properties.
It is really curious to observe the mud pools, which are grey and literally “boil”, taking on a completely malleable behaviour, adjusting to the shape of whatever is immersed in them.
Contrary to popular belief, these pools are not natural. Actually, the two main pools are simply where in the 1950s investigations were undertaken by the AGIP (Agenzia Generale Italiana Petroli, Italian General Petroleum Agency) to assess whether the site could be exploited for the production of electricity using geothermal energy, i.e. the natural fact that the soil in Vulcano is warmer due to the presence of magma underground. Two shafts were then dug to a depth of around 250 metres. Once finished, gas plumes as high as 300 metres rose up from them.

Vulcano
Photo of the eastern part of the isthmus above which the village of Vulcano is located. On the left there are, with a grayish almost clay color, the mud pools with some tourists immersed in them. On the right side the sea acquires a typical turquoise color due to the fumaroles that are below sea level. In the background the beach becomes black sand, with an equipped lido, and then ends at the beginning of the tree-lined plain of the circular peninsula of Vulcanello, of which you can see the beginning here.

After the investigations were completed, the shafts were partially closed, but the phenomenon of the fumaroles remained strong, and together with the highly altered soil that was removed and worn away by the drilling, the mud pools as we know them today formed.


The thermal power is mainly due to the fact that this mud is between 33 and 38 °C, which induces relaxation, especially in our muscles. The gases that escape are always of volcanic nature, so breathing them in for a long time is absolutely not recommended.

The summit craters

Vulcano, the youngest of the Aeolian works of art

The salt lake of Lingua

The pure white of the pumice quarries

How pumice is formed

The underwater fumarolic activity of Lisca Bianca

The Sciara del Fuoco

The Thermal Baths of Saint Calogerus

The stacks of Panarea

Seven islands, dozens of volcanoes

Volcanoes as a natural art form

The senses tell The summit craters

The prehistoric village of Cala Junco

Lipari, where history intertwines with volcanoes to create archaeology

Malvasia delle Lipari DOC

The Aeolian Islands, where volcanology was born

“Strombolian” activity in the place where its definition was born

The senses tell The salt lake of Lingua

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

At the heart of trade in history

The malleability of Vulcano’s mud

Myths and legends about volcanoes

The senses tell The Sciara del Fuoco

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

The Village of Capo Graziano

Pollara, between poetry and beauty

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

Lipari Castle, “fused” with the lava

The 2002-03 eruption

Filicudi: small island, big history

Where do Vulcano’s gases come from?

The senses tell The Stacks of Panarea

Alicudi, where time has stood still

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

The polis of the living and the necropolis of the dead

The senses tell The Village of Capo Graziano

The senses tell The Pumice Quarries of Lipari

Salina, the green island with twin mountains

Panarea and its history

The underwater morphological elements of the Aeolian Islands

Stromboli, the volcano that breathes

Tsunamis: a not uncommon phenomenon in Stromboli

The hidden part of the Aeolian Islands

Filicudi, a submerged paradise

Panarea, where sea and volcanoes become sculptors

Lipari at the centre of Mediterranean history

The ancient production of salt

“Vulcanian” eruptions