Palermo Cathedral
The Context 1

A Northern population

The Normans, a Viking population from Normandy, landed in Messina in 1061 and conquered Palermo in 1071 under the leadership of two great leaders of the Altavilla family: Robert Guiscard and his brother the Great Count Roger found a prosperous and rich city.From here they continued their quest to conquer the island, which lasted about 30 years, until 1091, when the city of Noto, the last Muslim stronghold in Sicily, was conquered.
The military operation was preceded by a pact, known as the Treaty of Melfi , in which Pope Nicholas II gave Robert Guiscard, of the Norman Altavilla family , the mandate to proceed to conquer the regions of southern Italy, giving him the title of Duke of Apulia, Count in Sicily and Duke of Calabria, even before the conquest of such territories.
The Norman presence in Sicily was not accidental, it was strongly backed by the Church, to somehow balance the Byzantine presence in Southern Italy and free Sicily from the Muslim occupation, which had lasted over 250 years, thus being able to bring Christianity back to the island.

A new Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the Mosque to the Cathedral

The mosaics of the presbytery

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

Survey of the royal tombs

Cefalù: settlement evidence through time

A controversial interpretation

Under the crosses of the Bema

The king’s mark

The southern portico

Worship services

The chorus: beating heart of the cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Transformations over the centuries

The Gualtiero Cathedral

Beyond the harmony of proportions

A polysemy of high-level artistic forms and content

Interior decorations

The Bible carved in stone

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The liturgical spaces of the protesis and the diaconicon

The area of the Sanctuary

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The stone bible

Norman religious architecture with islamic influences in Sicily

The dialogue between the architectures of the monumental complex

Squaring the circle

A Northern population

The cemetery of kings

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

Layers of different cultures decorate the external apses

The original design

Characteristics of religious architecture in the romanesque period

A mixture of styles pervades the floor decorations

The Virgin Hodegetria

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The cultural substrate through time

The rediscovered chapel

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

Palermo: the happiest city

The balance between architecture and light

The chapel of St. Benedict

The side aisles

The decorated facade

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

The chapel of san Castrense: an important renaissance work

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

The transformations of the hall through the centuries

The Kings’ Cathedrals

A tree full of life

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The lost chapel

Roger II’s strategic design

The construction of Monreale Cathedral: between myth and history

The chapel of the crucifix: an artistic casket based on a previous model

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

The mosaics of the apses

The senses tell Context 1

The Great Restoration

From the main gate to the aisles: an invitation to a journey of faith

A palimpsest of history

Roger II of hauteville: a sovereign protected by God

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy