Palermo Cathedral
The Context 1

A Northern population

The Normans, a Viking population from Normandy, landed in Messina in 1061 and conquered Palermo in 1071 under the leadership of two great leaders of the Altavilla family: Robert Guiscard and his brother the Great Count Roger found a prosperous and rich city.From here they continued their quest to conquer the island, which lasted about 30 years, until 1091, when the city of Noto, the last Muslim stronghold in Sicily, was conquered.
The military operation was preceded by a pact, known as the Treaty of Melfi , in which Pope Nicholas II gave Robert Guiscard, of the Norman Altavilla family , the mandate to proceed to conquer the regions of southern Italy, giving him the title of Duke of Apulia, Count in Sicily and Duke of Calabria, even before the conquest of such territories.
The Norman presence in Sicily was not accidental, it was strongly backed by the Church, to somehow balance the Byzantine presence in Southern Italy and free Sicily from the Muslim occupation, which had lasted over 250 years, thus being able to bring Christianity back to the island.

Interior decorations

Gardens and architecture as a backdrop to the city of Palermo

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

Palermo: the happiest city

Squaring the circle

A tree full of life

A controversial interpretation

The original design

A space between the visible and the invisible

The transformations of the hall through the centuries

The rediscovered chapel

The cultural substrate through time

A chapel by an unknown designer based on repeated symmetries

The decorated facade

The area of the Sanctuary

The Chapel of the Kings

The Cathedral over the centuries

Ecclesia munita

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the apses

Porphyry sarcophagi: royalty and power

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A new Cathedral

Artistic elements in Peter’s ship

A palimpsest of history

Layers of different cultures decorate the external apses

Mosaic decoration

A mixture of styles pervades the floor decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

The towers and the western facade

Cefalù: settlement evidence through time

Roger II’s strategic design

The chapel of the crucifix: an artistic casket based on a previous model

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A cloister of accentuated stylistic variety

The Kings’ Cathedrals

The lost chapel

The towers facing the facade used as bell towers

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The Great Restoration

The chystro: a place between earth and sky

The senses tell Context 1

The southern portico

The Great Presbytery: a unique space for the cathedral

Roger II of hauteville: a sovereign protected by God

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

Under the crosses of the Bema

Transformations over the centuries

The king’s mark

The side Portico: a combination of elegance and lightness of form

The cemetery of kings

Two initially similar towers, varied over time

The chorus: beating heart of the cathedral

From the main gate to the aisles: an invitation to a journey of faith

The Virgin Hodegetria

The Gualtiero Cathedral

A remarkable ceiling

The chapel of san Castrense: an important renaissance work

Survey of the royal tombs

From the Mosque to the Cathedral

The longest aisle

The Bible carved in stone

Characteristics of religious architecture in the romanesque period

The construction of Monreale Cathedral: between myth and history

A compositional design that combines nordic examples with new artistic languages, over the centuries

The dialogue between the architectures of the monumental complex

The mosaics of the presbytery

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A Northern population

The columns of the nave: the meticulous study of the overall order

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A polysemy of high-level artistic forms and content

The chapel of St. Benedict

The Chapel of St. Mary Magdalene

Worship services

The links between the hauteville family and the monastic orders in Sicily