Palermo Cathedral
The Context 1

A Northern population

The Normans, a Viking population from Normandy, landed in Messina in 1061 and conquered Palermo in 1071 under the leadership of two great leaders of the Altavilla family: Robert Guiscard and his brother the Great Count Roger found a prosperous and rich city.From here they continued their quest to conquer the island, which lasted about 30 years, until 1091, when the city of Noto, the last Muslim stronghold in Sicily, was conquered.
The military operation was preceded by a pact, known as the Treaty of Melfi , in which Pope Nicholas II gave Robert Guiscard, of the Norman Altavilla family , the mandate to proceed to conquer the regions of southern Italy, giving him the title of Duke of Apulia, Count in Sicily and Duke of Calabria, even before the conquest of such territories.
The Norman presence in Sicily was not accidental, it was strongly backed by the Church, to somehow balance the Byzantine presence in Southern Italy and free Sicily from the Muslim occupation, which had lasted over 250 years, thus being able to bring Christianity back to the island.

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The Kings’ Cathedrals

Interior decorations

The Bible carved in stone

The cemetery of kings

The Virgin Hodegetria

A compositional design that combines nordic examples with new artistic languages, over the centuries

Mosaic decoration

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

The decorated facade

The longest aisle

Gardens and architecture as a backdrop to the city of Palermo

Transformations over the centuries

Palermo: the happiest city

A mixture of styles pervades the floor decorations

The side Portico: a combination of elegance and lightness of form

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of St. Benedict

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The rediscovered chapel

The senses tell Context 1

A palimpsest of history

The Chapel of the Kings

The towers facing the facade used as bell towers

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

Worship services

Norman religious architecture with islamic influences in Sicily

Survey of the royal tombs

Two initially similar towers, varied over time

The mosaics of the presbytery

The balance between architecture and light

The lost chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Squaring the circle

Under the crosses of the Bema

Characteristics of religious architecture in the romanesque period

Ecclesia munita

A tree full of life

Cefalù: settlement evidence through time

The original design

A space between the visible and the invisible

A remarkable ceiling

From the Mosque to the Cathedral

The construction of Monreale Cathedral: between myth and history

The mosaics of the apses

The columns of the nave: the meticulous study of the overall order

Beyond the harmony of proportions

A chapel by an unknown designer based on repeated symmetries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The side aisles

The medieval city amidst monasticism and feudal aristocracy

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The Gualtiero Cathedral

Artistic elements in Peter’s ship

The southern portico

Layers of different cultures decorate the external apses

The towers and the western facade

The Chapel of St. Mary Magdalene

The chapel of the crucifix: an artistic casket based on a previous model

The king’s mark

A Northern population

The Great Restoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chystro: a place between earth and sky

Roger II’s strategic design

A polysemy of high-level artistic forms and content

A controversial interpretation