Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

Under the crosses of the Bema

The lost chapel

The Gualtiero Cathedral

The cultural substrate through time

The mosaics of the apses

The rediscovered chapel

The longest aisle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chorus: beating heart of the cathedral

The side aisles

A Northern population

The mosaics of the presbytery

Mosaic decoration

The Kings’ Cathedrals

Two initially similar towers, varied over time

The chystro: a place between earth and sky

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of the Kings

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

Gardens and architecture as a backdrop to the city of Palermo

Survey of the royal tombs

Ecclesia munita

A controversial interpretation

The senses tell Context 1

The Virgin Hodegetria

The towers facing the facade used as bell towers

Roger II’s strategic design

The links between the hauteville family and the monastic orders in Sicily

Transformations over the centuries

The southern portico

Cefalù: settlement evidence through time

The decorated facade

The king’s mark

Worship services

The cemetery of kings

A tree full of life

The construction of Monreale Cathedral: between myth and history

The chapel of the crucifix: an artistic casket based on a previous model

A palimpsest of history

The towers and the western facade

Porphyry sarcophagi: royalty and power

A new Cathedral

The Great Restoration

Squaring the circle

The stone bible

The dialogue between the architectures of the monumental complex

The liturgical spaces of the protesis and the diaconicon

The balance between architecture and light

Roger II of hauteville: a sovereign protected by God

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

The Great Presbytery: a unique space for the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The columns of the nave: the meticulous study of the overall order

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

The chapel of san Castrense: an important renaissance work

A chapel by an unknown designer based on repeated symmetries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The original design

Layers of different cultures decorate the external apses

The Bible carved in stone

From the main gate to the aisles: an invitation to a journey of faith

Palermo: the happiest city

A space between the visible and the invisible

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

A polysemy of high-level artistic forms and content

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From the Mosque to the Cathedral

Artistic elements in Peter’s ship

The beginning of the construction site

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The area of the Sanctuary