Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The towers facing the facade used as bell towers

The original design

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

From the Mosque to the Cathedral

Porphyry sarcophagi: royalty and power

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chystro: a place between earth and sky

The construction of Monreale Cathedral: between myth and history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The area of the Sanctuary

A cloister of accentuated stylistic variety

The cemetery of kings

The dialogue between the architectures of the monumental complex

The Gualtiero Cathedral

Cefalù: settlement evidence through time

A space between the visible and the invisible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Bible carved in stone

A mixture of styles pervades the floor decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The lost chapel

A polysemy of high-level artistic forms and content

The transformations of the hall through the centuries

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

Roger II’s strategic design

The mosaics of the apses

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

Layers of different cultures decorate the external apses

Under the crosses of the Bema

Ecclesia munita

The cultural substrate through time

The Virgin Hodegetria

The longest aisle

The Chapel of St. Mary Magdalene

Worship services

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

The chapel of St. Benedict

The chorus: beating heart of the cathedral

The medieval city amidst monasticism and feudal aristocracy

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A Northern population

Interior decorations

The decorated facade

A tree full of life

Squaring the circle

The Chapel of the Kings

A palimpsest of history

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The king’s mark

The links between the hauteville family and the monastic orders in Sicily

The stone bible

The beginning of the construction site

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

Mosaic decoration

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

Palermo: the happiest city

The senses tell Context 1

The columns of the nave: the meticulous study of the overall order

The mosaics of the presbytery

Artistic elements in Peter’s ship

A remarkable ceiling

Survey of the royal tombs

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Characteristics of religious architecture in the romanesque period

A controversial interpretation

Transformations over the centuries

The Great Presbytery: a unique space for the cathedral

Roger II of hauteville: a sovereign protected by God

The rediscovered chapel

The southern portico

The chapel of san Castrense: an important renaissance work