Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

A mixture of styles pervades the floor decorations

The senses tell Context 1

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Palermo: the happiest city

The cemetery of kings

The transformations of the hall through the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A chapel by an unknown designer based on repeated symmetries

The Chapel of the Kings

The stone bible

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A remarkable ceiling

The dialogue between the architectures of the monumental complex

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

The longest aisle

A cloister of accentuated stylistic variety

A new Cathedral

The construction of Monreale Cathedral: between myth and history

The chapel of san Castrense: an important renaissance work

The medieval city amidst monasticism and feudal aristocracy

The original design

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

The southern portico

The Gualtiero Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Two initially similar towers, varied over time

Layers of different cultures decorate the external apses

From the main gate to the aisles: an invitation to a journey of faith

The chorus: beating heart of the cathedral

The links between the hauteville family and the monastic orders in Sicily

A tree full of life

The towers and the western facade

The area of the Sanctuary

From the Mosque to the Cathedral

A palimpsest of history

The Bible carved in stone

Norman religious architecture with islamic influences in Sicily

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

The Cathedral over the centuries

The king’s mark

The towers facing the facade used as bell towers

Mosaic decoration

A Northern population

The balance between architecture and light

Transformations over the centuries

A controversial interpretation

The lost chapel

The liturgical spaces of the protesis and the diaconicon

The mosaics of the apses

The mosaics of the presbytery

Interior decorations

The rediscovered chapel

Under the crosses of the Bema

Characteristics of religious architecture in the romanesque period

The Great Presbytery: a unique space for the cathedral

The Virgin Hodegetria

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

The Great Restoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

The decorated facade

The chapel of St. Benedict

Cefalù: settlement evidence through time

Ecclesia munita

The Kings’ Cathedrals

The columns of the nave: the meticulous study of the overall order

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of St. Mary Magdalene

The side aisles

Beyond the harmony of proportions

Squaring the circle

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions