Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The Gualtiero Cathedral

Survey of the royal tombs

The mosaics of the apses

The columns of the nave: the meticulous study of the overall order

Porphyry sarcophagi: royalty and power

The cultural substrate through time

Under the crosses of the Bema

The area of the Sanctuary

From the main gate to the aisles: an invitation to a journey of faith

Worship services

Mosaic decoration

A tree full of life

The southern portico

The chapel of St. Benedict

The chapel of the crucifix: an artistic casket based on a previous model

The original design

Norman religious architecture with islamic influences in Sicily

Palermo: the happiest city

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side Portico: a combination of elegance and lightness of form

Gardens and architecture as a backdrop to the city of Palermo

A controversial interpretation

The side aisles

The senses tell Context 1

A palimpsest of history

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

A mixture of styles pervades the floor decorations

The rediscovered chapel

The king’s mark

The stone bible

The Chapel of the Kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers and the western facade

The longest aisle

Ecclesia munita

The dialogue between the architectures of the monumental complex

Layers of different cultures decorate the external apses

The Great Restoration

The Cathedral over the centuries

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

The liturgical spaces of the protesis and the diaconicon

The Chapel of St. Mary Magdalene

Roger II’s strategic design

The decorated facade

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

The chapel of san Castrense: an important renaissance work

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Transformations over the centuries

Two initially similar towers, varied over time

Beyond the harmony of proportions

The chystro: a place between earth and sky

The construction of Monreale Cathedral: between myth and history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral

The lost chapel

A Northern population

Interior decorations

The transformations of the hall through the centuries

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

Cefalù: settlement evidence through time

A polysemy of high-level artistic forms and content

A remarkable ceiling

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The towers facing the facade used as bell towers

The cemetery of kings

Roger II of hauteville: a sovereign protected by God

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beginning of the construction site

The balance between architecture and light

Artistic elements in Peter’s ship

The Virgin Hodegetria

From the Mosque to the Cathedral

Squaring the circle

The links between the hauteville family and the monastic orders in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves