Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Under the crosses of the Bema

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Norman religious architecture with islamic influences in Sicily

Transformations over the centuries

The king’s mark

Palermo: the happiest city

Artistic elements in Peter’s ship

From the main gate to the aisles: an invitation to a journey of faith

The Kings’ Cathedrals

The beginning of the construction site

Characteristics of religious architecture in the romanesque period

A cloister of accentuated stylistic variety

The Chapel of the Kings

The Great Restoration

A tree full of life

The chapel of St. Benedict

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From the Mosque to the Cathedral

The side Portico: a combination of elegance and lightness of form

A palimpsest of history

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A mixture of styles pervades the floor decorations

The Great Presbytery: a unique space for the cathedral

The rediscovered chapel

Tempus fugit: a strategic project implemented in a short period of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Mosaic decoration

The medieval city amidst monasticism and feudal aristocracy

The Chapel of St. Mary Magdalene

The transformations of the hall through the centuries

A chapel by an unknown designer based on repeated symmetries

A controversial interpretation

The Cathedral over the centuries

The stone bible

Beyond the harmony of proportions

Squaring the circle

The longest aisle

A new Cathedral

The cemetery of kings

Survey of the royal tombs

Cefalù: settlement evidence through time

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

The towers facing the facade used as bell towers

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell Context 1

The lost chapel

The columns of the nave: the meticulous study of the overall order

The liturgical spaces of the protesis and the diaconicon

The Bible carved in stone

Worship services

The mosaics of the presbytery

A Northern population

Roger II of hauteville: a sovereign protected by God

Ecclesia munita

The southern portico

The dialogue between the architectures of the monumental complex

The Gualtiero Cathedral

The decorated facade

The balance between architecture and light

The cultural substrate through time

The mosaics of the apses

The side aisles

Gardens and architecture as a backdrop to the city of Palermo

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Layers of different cultures decorate the external apses

A polysemy of high-level artistic forms and content

The original design

A space between the visible and the invisible

Roger II’s strategic design

Interior decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Virgin Hodegetria

Two initially similar towers, varied over time

The towers and the western facade

Porphyry sarcophagi: royalty and power

A remarkable ceiling