Palermo Cathedral
The Context 2

The Gualtiero Cathedral

The cathedral remained unchanged in its structure for almost a hundred years after the arrival of the Normans. During the reign of William II , grandson of Roger II , the church was restored and designed as an ecclesia munita from 1170 onwards,at the behest of Archbishop Gualtiero , a Proto family member of the King. The Cathedral was reopened for worship on April 6, 1185, with a lavish ceremony.
It is probable that the decision to renovate the sacred building was made not only to provide the city with a temple worthy of the kingdom’s capital, but also because of the damage caused to the church by the seismic event of 4 February 1169, known as the “ earthquake of Sant'Agata “, which caused extensive ruin throughout most of Sicily. Palermo Cathedral was rebuilt at the same time as the construction of the Monreale Cathedral, commissioned by William II, as part of his plans to govern the territory by creating emblematic places of worship.
For both sacred buildings, records tell the story of the discovery of a treasure, the one found by the Virgin Mary, who came to William in a dream to facilitate the construction of the Monreale Cathedral, and the one found during the construction of the church of the Holy Spirit , for the renovation of the church in Palermo.

Worship services

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the presbytery

Norman religious architecture with islamic influences in Sicily

The king’s mark

The Kings’ Cathedrals

The side aisles

Characteristics of religious architecture in the romanesque period

A controversial interpretation

The Virgin Hodegetria

Two initially similar towers, varied over time

A tree full of life

The lost chapel

The balance between architecture and light

Palermo: the happiest city

Porphyry sarcophagi: royalty and power

The transformations of the hall through the centuries

The area of the Sanctuary

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

Roger II’s strategic design

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The medieval city amidst monasticism and feudal aristocracy

The beginning of the construction site

The stone bible

A polysemy of high-level artistic forms and content

The rediscovered chapel

Beyond the harmony of proportions

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

Interior decorations

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

Cefalù: settlement evidence through time

The dialogue between the architectures of the monumental complex

The chorus: beating heart of the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Ecclesia munita

The chapel of the crucifix: an artistic casket based on a previous model

The decorated facade

The mosaics of the apses

The longest aisle

A Northern population

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A palimpsest of history

Roger II of hauteville: a sovereign protected by God

A mixture of styles pervades the floor decorations

The Chapel of the Kings

Survey of the royal tombs

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The cultural substrate through time

A remarkable ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

The Great Presbytery: a unique space for the cathedral

Mosaic decoration

A space between the visible and the invisible

The Great Restoration

The chystro: a place between earth and sky

The southern portico

A new Cathedral

The chapel of St. Benedict

The senses tell Context 1

Squaring the circle

The Chapel of St. Mary Magdalene

Under the crosses of the Bema

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

The original design

The Cathedral over the centuries

The Bible carved in stone

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The cemetery of kings

The links between the hauteville family and the monastic orders in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time