Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A mixture of styles pervades the floor decorations

A tree full of life

From the Mosque to the Cathedral

The Cathedral over the centuries

The towers facing the facade used as bell towers

Roger II of hauteville: a sovereign protected by God

The cemetery of kings

A cloister of accentuated stylistic variety

Two initially similar towers, varied over time

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The side Portico: a combination of elegance and lightness of form

The original design

The columns of the nave: the meticulous study of the overall order

The cultural substrate through time

The southern portico

The transformations of the hall through the centuries

The senses tell Context 1

Layers of different cultures decorate the external apses

Palermo: the happiest city

The Gualtiero Cathedral

The longest aisle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Norman religious architecture with islamic influences in Sicily

Mosaic decoration

The Great Restoration

The chapel of St. Benedict

Ecclesia munita

A palimpsest of history

Gardens and architecture as a backdrop to the city of Palermo

The chorus: beating heart of the cathedral

A space between the visible and the invisible

The decorated facade

A polysemy of high-level artistic forms and content

Beyond the harmony of proportions

The side aisles

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The king’s mark

The links between the hauteville family and the monastic orders in Sicily

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the main gate to the aisles: an invitation to a journey of faith

A controversial interpretation

The Virgin Hodegetria

Cefalù: settlement evidence through time

Transformations over the centuries

Interior decorations

Roger II’s strategic design

The Chapel of St. Mary Magdalene

The beginning of the construction site

The stone bible

The Bible carved in stone

The rediscovered chapel

The medieval city amidst monasticism and feudal aristocracy

Worship services

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The construction of Monreale Cathedral: between myth and history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Presbytery: a unique space for the cathedral

The mosaics of the presbytery

The chystro: a place between earth and sky

Under the crosses of the Bema

A Northern population

The area of the Sanctuary

The towers and the western facade

The liturgical spaces of the protesis and the diaconicon

The lost chapel

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

A remarkable ceiling

Survey of the royal tombs

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Tempus fugit: a strategic project implemented in a short period of time

A new Cathedral

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses