Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

Interior decorations

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

A polysemy of high-level artistic forms and content

A space between the visible and the invisible

The cultural substrate through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

Squaring the circle

The Virgin Hodegetria

The original design

From the Mosque to the Cathedral

A palimpsest of history

The Cathedral over the centuries

The southern portico

A Northern population

The cemetery of kings

The liturgical spaces of the protesis and the diaconicon

Under the crosses of the Bema

The Chapel of the Kings

A controversial interpretation

The king’s mark

Ecclesia munita

The Bible carved in stone

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers facing the facade used as bell towers

The senses tell Context 1

The balance between architecture and light

The Great Restoration

The side Portico: a combination of elegance and lightness of form

Mosaic decoration

The chapel of St. Benedict

Survey of the royal tombs

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A tree full of life

Transformations over the centuries

The stone bible

The Gualtiero Cathedral

The mosaics of the presbytery

The Kings’ Cathedrals

A remarkable ceiling

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

Beyond the harmony of proportions

The area of the Sanctuary

The transformations of the hall through the centuries

A mixture of styles pervades the floor decorations

The towers and the western facade

Roger II of hauteville: a sovereign protected by God

The construction of Monreale Cathedral: between myth and history

A new Cathedral

The rediscovered chapel

The side aisles

The lost chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

The chystro: a place between earth and sky

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

The links between the hauteville family and the monastic orders in Sicily

Norman religious architecture with islamic influences in Sicily

The chorus: beating heart of the cathedral

The decorated facade

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Characteristics of religious architecture in the romanesque period

Roger II’s strategic design

The medieval city amidst monasticism and feudal aristocracy

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The columns of the nave: the meticulous study of the overall order

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The dialogue between the architectures of the monumental complex

Worship services

The Great Presbytery: a unique space for the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

Gardens and architecture as a backdrop to the city of Palermo