Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

A controversial interpretation

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A new Cathedral

The lost chapel

Gardens and architecture as a backdrop to the city of Palermo

The chorus: beating heart of the cathedral

The area of the Sanctuary

The Great Presbytery: a unique space for the cathedral

Artistic elements in Peter’s ship

Characteristics of religious architecture in the romanesque period

The cemetery of kings

The southern portico

The towers and the western facade

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

A tree full of life

Worship services

A palimpsest of history

The original design

Squaring the circle

The balance between architecture and light

The rediscovered chapel

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

The chapel of the crucifix: an artistic casket based on a previous model

Interior decorations

The cultural substrate through time

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cathedral over the centuries

The liturgical spaces of the protesis and the diaconicon

The stone bible

A polysemy of high-level artistic forms and content

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The beginning of the construction site

A cloister of accentuated stylistic variety

Survey of the royal tombs

Transformations over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the apses

Mosaic decoration

A mixture of styles pervades the floor decorations

The dialogue between the architectures of the monumental complex

The longest aisle

A Northern population

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

Cefalù: settlement evidence through time

Norman religious architecture with islamic influences in Sicily

Roger II of hauteville: a sovereign protected by God

The Virgin Hodegetria

The Gualtiero Cathedral

From the Mosque to the Cathedral

Beyond the harmony of proportions

The medieval city amidst monasticism and feudal aristocracy

The Chapel of St. Mary Magdalene

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers facing the facade used as bell towers

Ecclesia munita

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The chapel of St. Benedict

The senses tell Context 1

The Great Restoration

The Bible carved in stone

Layers of different cultures decorate the external apses

Palermo: the happiest city

The chystro: a place between earth and sky

A space between the visible and the invisible

Under the crosses of the Bema

The decorated facade

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The side aisles

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The king’s mark

The mosaics of the presbytery